標題: Titlebook: Comparative Cinema; Late and Last Things Paul Coates Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to [打印本頁] 作者: SCOWL 時間: 2025-3-21 19:56
書目名稱Comparative Cinema影響因子(影響力)
書目名稱Comparative Cinema影響因子(影響力)學科排名
書目名稱Comparative Cinema網(wǎng)絡公開度
書目名稱Comparative Cinema網(wǎng)絡公開度學科排名
書目名稱Comparative Cinema被引頻次
書目名稱Comparative Cinema被引頻次學科排名
書目名稱Comparative Cinema年度引用
書目名稱Comparative Cinema年度引用學科排名
書目名稱Comparative Cinema讀者反饋
書目名稱Comparative Cinema讀者反饋學科排名
作者: 闡釋 時間: 2025-3-21 20:43 作者: 法律 時間: 2025-3-22 02:16
Classics and Modernity,. from which its actress protagonist turns away in the film’s founding event is in all probability that of Sophocles, and that despite Bergman criticism’s shelving of this issue such an ascription has important implications for the film’s reading. The discussion of Theo Angelopoulos’s . focuses on i作者: capsaicin 時間: 2025-3-22 04:51
As One Cannot See,rge at multiple points. Particularly important is the question of whether or not there exist valid methods for seeing beyond or behind particular phenomena to disclose the workings of systems (and, if so, of what kind). A central issue is the status of metaphor in both works, the key ones being conn作者: 公式 時間: 2025-3-22 08:48
No End of Ruination,antic and modernist theories of the ruin and tracks the presence of the idea of ruination in a series of literary texts, including works by H.D., Beckett’s ., and Rachel Cusk’s work in general (. as both title and idea). It continues by tracking its presence in a series of films, including discussio作者: 打算 時間: 2025-3-22 13:56
Farocki, Theodor Fontane, Henry James, Krzysztof Kie?lowski, Chang-dong Lee, Roman Polański, Thomas Pynchon, and Paul Schrader, while the key recurrent motifs are those of dusk, the horizon, the labyrinth, and the ruin.978-3-030-69046-5978-3-030-69044-1作者: 打算 時間: 2025-3-22 19:57
https://doi.org/10.1007/978-3-322-99558-2his section will analyse it in terms both of the effect of the extent of influences acknowledged by Schrader himself (see his interview in . Summer 2018 for mention of Bresson, ., and .), of others not acknowledged in that interview (Tarkovsky, .), and of the degree to which the film re-works ., whi作者: intricacy 時間: 2025-3-22 22:26 作者: 雪白 時間: 2025-3-23 03:42
Wahlen als Legitimationsverfahren, invisible or in the process of disappearing, in particular the sun at dusk. Sunlight, the sun itself, and fire are all key aspects of a text that also draws densely on literary texts about burning, such as those by Murakami Haruki and William Faulkner, not to mention Lee’s previous film, .. The imp作者: Mnemonics 時間: 2025-3-23 09:18
In My End Is My Beginning,his section will analyse it in terms both of the effect of the extent of influences acknowledged by Schrader himself (see his interview in . Summer 2018 for mention of Bresson, ., and .), of others not acknowledged in that interview (Tarkovsky, .), and of the degree to which the film re-works ., whi作者: animated 時間: 2025-3-23 11:39 作者: 刺穿 時間: 2025-3-23 15:32
As One Cannot See, invisible or in the process of disappearing, in particular the sun at dusk. Sunlight, the sun itself, and fire are all key aspects of a text that also draws densely on literary texts about burning, such as those by Murakami Haruki and William Faulkner, not to mention Lee’s previous film, .. The imp作者: BOLUS 時間: 2025-3-23 20:57 作者: 一回合 時間: 2025-3-24 01:07
Book 2021xtuality. The works probed most fully are ones by Theo Angelopoulos, Ingmar Bergman, Harun Farocki, Theodor Fontane, Henry James, Krzysztof Kie?lowski, Chang-dong Lee, Roman Polański, Thomas Pynchon, and Paul Schrader, while the key recurrent motifs are those of dusk, the horizon, the labyrinth, and the ruin.作者: 壯觀的游行 時間: 2025-3-24 05:22
Book 2021thor’s argument that comparative criticism itself may constitute an endgame of criticism, arising at the moment at which societies or individuals relinquish primary adherence to one tradition or medium. The comparisons embrace different works and artistic media and primarily concern works of literat作者: fluffy 時間: 2025-3-24 06:50
omparatism and the sense of ending, with particular referencThis book comprises what may be called exercises in ‘comparative cinema’. Its focus on endings, near-endings and ‘late style’ is connected with the author’s argument that comparative criticism itself may constitute an endgame of criticism, 作者: Anemia 時間: 2025-3-24 11:50
No End of Ruination,ns of Rossellini’s . and ., Grigori Kozintsev’s version of ., Pier Paolo Pasolini’s ., and the different forms of ruination of the image that inform Chris Marker’s . and the documentaries of Peter Forgács and avant-garde films of Bill Morrison.作者: amorphous 時間: 2025-3-24 15:23 作者: –DOX 時間: 2025-3-24 20:59
Introduction,if by diminishing light. The comparisons embrace different works and different artistic media, primarily those of literature and film, but also raise issues concerning the relationship between language and moving and still images, and inter- and intra-textuality.作者: observatory 時間: 2025-3-25 02:18
https://doi.org/10.1007/978-3-030-69044-1Ending; Ruin; Escape; Late Work; Comparatism作者: adroit 時間: 2025-3-25 04:11 作者: Precursor 時間: 2025-3-25 09:45
Paul CoatesTransplants into Film Studies the protocols and procedures of Comparative Literature.Offers an original theory of the relationship between comparatism and the sense of ending, with particular referenc作者: antidepressant 時間: 2025-3-25 14:15 作者: scrape 時間: 2025-3-25 16:18
Bibliographie Grauer Literatur,e cinema’. This method is chosen in relation to subject-matter focussed on endings and near-endings in connection with the author’s argument that comparative criticism itself constitutes an endgame of criticism, arising at the moment at which a society or individual relinquishes primary adherence to作者: 易碎 時間: 2025-3-25 20:22
https://doi.org/10.1007/978-3-322-99558-2a, through comparison of various artists’ images of the labyrinth (particularly those of Wajda and Virgil), which may be defined as a place in which distinctions between end and beginning evaporate. It then focuses on various issues, elements, and stylistic devices associated with ending, particular作者: 出生 時間: 2025-3-26 00:31 作者: heart-murmur 時間: 2025-3-26 04:49
Wahlen als Legitimationsverfahren,rge at multiple points. Particularly important is the question of whether or not there exist valid methods for seeing beyond or behind particular phenomena to disclose the workings of systems (and, if so, of what kind). A central issue is the status of metaphor in both works, the key ones being conn作者: LAPSE 時間: 2025-3-26 11:24
Wahlen als Legitimationsverfahren,antic and modernist theories of the ruin and tracks the presence of the idea of ruination in a series of literary texts, including works by H.D., Beckett’s ., and Rachel Cusk’s work in general (. as both title and idea). It continues by tracking its presence in a series of films, including discussio作者: CLASP 時間: 2025-3-26 15:34 作者: 谷物 時間: 2025-3-26 20:49 作者: collateral 時間: 2025-3-26 22:21 作者: LATER 時間: 2025-3-27 04:33 作者: Femish 時間: 2025-3-27 06:05 作者: Perceive 時間: 2025-3-27 13:22 作者: 流眼淚 時間: 2025-3-27 15:20
Immunobiology of the Head and Neckus problems confronting economically deprived black Americans, and discuss behavior change procedures which emanate from the model. In addition, a brief discussion of depression which sometimes develops from feelings of chronic helplessness will be included. A word of caution is needed at this junct作者: 不出名 時間: 2025-3-27 21:19 作者: 慷慨不好 時間: 2025-3-27 22:35
