標(biāo)題: Titlebook: Communities, Performance and Practice; Enacting Communities Kerrie Schaefer Textbook 2022 The Editor(s) (if applicable) and The Author(s) 2 [打印本頁] 作者: 助手 時(shí)間: 2025-3-21 16:45
書目名稱Communities, Performance and Practice影響因子(影響力)
書目名稱Communities, Performance and Practice影響因子(影響力)學(xué)科排名
書目名稱Communities, Performance and Practice網(wǎng)絡(luò)公開度
書目名稱Communities, Performance and Practice網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Communities, Performance and Practice被引頻次
書目名稱Communities, Performance and Practice被引頻次學(xué)科排名
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書目名稱Communities, Performance and Practice年度引用學(xué)科排名
書目名稱Communities, Performance and Practice讀者反饋
書目名稱Communities, Performance and Practice讀者反饋學(xué)科排名
作者: CHANT 時(shí)間: 2025-3-21 20:17
978-3-030-95756-8The Editor(s) (if applicable) and The Author(s) 2022作者: 不理會(huì) 時(shí)間: 2025-3-22 01:06 作者: 功多汁水 時(shí)間: 2025-3-22 07:37 作者: Feckless 時(shí)間: 2025-3-22 11:05
https://doi.org/10.1007/978-1-4613-9278-1ow a newly negative view of community has presented a challenge to critical analysis of community performance practice. The concept of community (as a form of class-based solidarity) has, arguably, been hollowed out by postmodernism’s questioning of grand narratives and post-structuralism’s celebrat作者: 殖民地 時(shí)間: 2025-3-22 13:38
The Shock-Compression Processesarticulate and frame?theoretical debates underpinning the emergence and, in some cases, disappearance of practices since the 1960s. I refer to four key moments in this process: Owen Kelly’s (.. London: Comedia, 1984) articulation of community in community arts as an active and dynamic process of cul作者: 殖民地 時(shí)間: 2025-3-22 17:21 作者: linguistics 時(shí)間: 2025-3-22 21:39
Alan N. Buckley,Gregory A. Hope,Ronald Woodsges a multilayered approach holding in tension individual experiences of exclusion, assets-based community development, the creation of ‘exquisite’ art and national policy change. These dimensions animate Big hART’s dynamic and iterative practice. The chapter examines the final creative development 作者: 精美食品 時(shí)間: 2025-3-23 02:50
Alan N. Buckley,Gregory A. Hope,Ronald Woodsbetween Anne Basting, a leader in creative care, and Sojourn Theatre, a pioneer in civic practice, in Milwaukee, Wisconsin. . (IoM) was a multi-year project that generated arts-based civic dialogue on how to better connect aged service providers, the aged and the civic community to combat elder soci作者: Postulate 時(shí)間: 2025-3-23 06:17
Soliloquy in Nineteenth-Century Fictiond performance project by Singaporean theatre company, Drama Box. . (2014) was the third of four instalments in the . series, initiated by Drama Box Artistic Director Kok Heng Luen, in 2007, to unearth hidden histories of spaces within the fast-changing Singaporean landscape, effectively recirculatin作者: reperfusion 時(shí)間: 2025-3-23 13:47 作者: Intervention 時(shí)間: 2025-3-23 14:02
Textbook 2022e concept of community as a form ofclass-based solidarity has been hollowed out by postmodernism’s questioning of grandnarratives and poststructuralism’s celebration of difference. Alongside the critique of a notionof community has been a critical re-signification of community, following the thinkin作者: syncope 時(shí)間: 2025-3-23 20:07 作者: 摻假 時(shí)間: 2025-3-24 00:50
Enacting Community,ncept of community as being-in-common generates questions that guide the research, namely, how might the critical re-signification of community contribute to the critical analysis of community theatre and performance practice, and how is ‘community’ as being-in-common enacted in community theatre and performance practices?作者: innovation 時(shí)間: 2025-3-24 05:55 作者: 直覺好 時(shí)間: 2025-3-24 07:15 作者: FLEET 時(shí)間: 2025-3-24 12:57 作者: FOVEA 時(shí)間: 2025-3-24 17:48
Enacting Community,ow a newly negative view of community has presented a challenge to critical analysis of community performance practice. The concept of community (as a form of class-based solidarity) has, arguably, been hollowed out by postmodernism’s questioning of grand narratives and post-structuralism’s celebrat作者: genuine 時(shí)間: 2025-3-24 21:55
Historical and Theoretical Perspectives on Community Performance,articulate and frame?theoretical debates underpinning the emergence and, in some cases, disappearance of practices since the 1960s. I refer to four key moments in this process: Owen Kelly’s (.. London: Comedia, 1984) articulation of community in community arts as an active and dynamic process of cul作者: Interim 時(shí)間: 2025-3-25 01:10 作者: 會(huì)議 時(shí)間: 2025-3-25 06:31 作者: 哎呦 時(shí)間: 2025-3-25 07:35
(Part of the ,): The Agency of Older Bodies Enacting Pedestrian Crossings,between Anne Basting, a leader in creative care, and Sojourn Theatre, a pioneer in civic practice, in Milwaukee, Wisconsin. . (IoM) was a multi-year project that generated arts-based civic dialogue on how to better connect aged service providers, the aged and the civic community to combat elder soci作者: 無畏 時(shí)間: 2025-3-25 14:41
,Community Performance in Singapore: Drama Box’s , Performing the ‘HDB Nation’ at Bukit Ho Swee,d performance project by Singaporean theatre company, Drama Box. . (2014) was the third of four instalments in the . series, initiated by Drama Box Artistic Director Kok Heng Luen, in 2007, to unearth hidden histories of spaces within the fast-changing Singaporean landscape, effectively recirculatin作者: 胰臟 時(shí)間: 2025-3-25 19:53 作者: avenge 時(shí)間: 2025-3-25 20:56 作者: intangibility 時(shí)間: 2025-3-26 01:58 作者: 柳樹；枯黃 時(shí)間: 2025-3-26 04:37
,acta Community Theatre, the ‘Cycle of Engagement’ and a ‘Community of [Theatre] Practice’,mbodied memory and imagination in the process of making theatre and, simultaneously, establishes a ‘community of practice’ for which theatre-making is the point of mutual engagement and joint enterprise.作者: MAIM 時(shí)間: 2025-3-26 08:46
: Big hART Creative Producing Cultural Livelihoods in the Pilbara,erwhelming Pilbara development trajectory [in which] both government and resource companies are essential players in determining what the extent, and the limits, of [Indigenous] self-determination might be” (2012, p. 51). The case study provides detailed examples of a way of working that enables ind作者: micronized 時(shí)間: 2025-3-26 12:52
(Part of the ,): The Agency of Older Bodies Enacting Pedestrian Crossings, time of the green walk light—as something to be co-performed, widely experienced and felt, and publicly witnessed. It brought seniors into dialogue with drivers and ‘specials’ (civil servants and elected political representatives). Posing the problem as it did, in an active and embodied manner, cro作者: rheumatism 時(shí)間: 2025-3-26 19:48
,Community Performance in Singapore: Drama Box’s , Performing the ‘HDB Nation’ at Bukit Ho Swee,c location. The chapter follows this experiment implemented by Drama Box artists, Koh Hui Ling (associate artistic director) and Han Xuemei (resident artist), to engage various stakeholders and (past and present)?residents of the Bukit Ho Swee estate to become collaborators and co-creators of perfor作者: PANEL 時(shí)間: 2025-3-26 22:37 作者: 竊喜 時(shí)間: 2025-3-27 03:19 作者: arboretum 時(shí)間: 2025-3-27 06:18 作者: 溺愛 時(shí)間: 2025-3-27 12:07
Alan N. Buckley,Gregory A. Hope,Ronald Woods time of the green walk light—as something to be co-performed, widely experienced and felt, and publicly witnessed. It brought seniors into dialogue with drivers and ‘specials’ (civil servants and elected political representatives). Posing the problem as it did, in an active and embodied manner, cro作者: Climate 時(shí)間: 2025-3-27 16:36
Soliloquy in Nineteenth-Century Fictionc location. The chapter follows this experiment implemented by Drama Box artists, Koh Hui Ling (associate artistic director) and Han Xuemei (resident artist), to engage various stakeholders and (past and present)?residents of the Bukit Ho Swee estate to become collaborators and co-creators of perfor作者: 頭腦冷靜 時(shí)間: 2025-3-27 19:10
Textbook 2022es that have defined the field of community theatre and performance.It asks how the critical re-signification of community aligns with these debates and, at the sametime, opens new modes of critical analysis of community theatre and performance practice..作者: 能量守恒 時(shí)間: 2025-3-27 23:27
Book 2015h a full content management system in the backend.?It is written for Internet developers who are sick and tired of dealing with complicated, bloated website frameworks that are a pain to build and a nightmare to maintain. Django CMS is an Open Source website building framework that is experiencing e作者: municipality 時(shí)間: 2025-3-28 04:23 作者: 含糊 時(shí)間: 2025-3-28 07:14
