標(biāo)題: Titlebook: Communism and Poetry; Writing Against Capi Ruth Jennison,Julian Murphet Book 2019 The Editor(s) (if applicable) and The Author(s), under ex [打印本頁] 作者: DUMMY 時(shí)間: 2025-3-21 16:53
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作者: invulnerable 時(shí)間: 2025-3-21 20:15
The Other Minimal Demand, communism, either as provisioner of ideological supplements to struggle or interrogator of capital’s concealed reality, claims founded on the implicit or explicit existence of poetic expertise and the social role of the poet, presupposing the division of manual and intellectual labor whilst entaili作者: Obvious 時(shí)間: 2025-3-22 01:28
The Relation Between Poetry and Poems Is Political, Sometimes,or metaphorical contexts, when poetry seems to shake off the shackles of mere poems, a need for instances persists. In this essay, I consider how this relation is involved specifically, for some theorists and critics, in the historical situation of late capitalism. I then reflect on why that relatio作者: 鬧劇 時(shí)間: 2025-3-22 07:10 作者: 信任 時(shí)間: 2025-3-22 09:20
,“The Changing Same”: , and Amiri Baraka,nd political reevaluations and reorientations during the twentieth century. As a trace of diasporic identity, this fulcrum may be understood as a value, an instantiation of what Baraka called “the blues impulse,” irreducible to its uses within Negro and black tropes. This impulse may be compared to 作者: palette 時(shí)間: 2025-3-22 15:01
Mayakovsky at Mirafori: , and the Negation of Poetry,ky by Alberto Asor Rosa, the foremost . literary critic. For Asor Rosa, Mayakovsky embodies the utopian premise of the ‘revolutionary intellectual’, which makes possible an instrumentalist conception of poetics, shared by avant-garde ideology and Stalinism. Asor Rosa contrasts this with a conception作者: palette 時(shí)間: 2025-3-22 17:18 作者: 脆弱吧 時(shí)間: 2025-3-23 01:12
Notes on Poetry and Communism: Abolition, Solidarity, Love, suggesting or appropriating a radical emancipatory politics for poetry per se, it tracks poetry’s potential to pursue the subjective registration of objective conditions as it senses relation between the most intimate of private experiences and the most abstract of economic processes. The chapter c作者: Camouflage 時(shí)間: 2025-3-23 02:11 作者: hermitage 時(shí)間: 2025-3-23 07:58 作者: VALID 時(shí)間: 2025-3-23 12:56 作者: 終點(diǎn) 時(shí)間: 2025-3-23 17:53 作者: enterprise 時(shí)間: 2025-3-23 18:22 作者: dry-eye 時(shí)間: 2025-3-24 02:11 作者: 綠州 時(shí)間: 2025-3-24 06:05 作者: Occupation 時(shí)間: 2025-3-24 09:56 作者: exceptional 時(shí)間: 2025-3-24 14:21 作者: ONYM 時(shí)間: 2025-3-24 18:38 作者: Campaign 時(shí)間: 2025-3-24 22:10 作者: 口訣 時(shí)間: 2025-3-25 00:03 作者: Ige326 時(shí)間: 2025-3-25 05:08
https://doi.org/10.1007/978-1-84800-029-2ion. Such works provide an alternative to the idealist totalizations of Anthropocene discourse and its now-dominant tropes, instead offering a means of conceiving the complex and precarious metabolisms of earthly life in late capitalism.作者: corpuscle 時(shí)間: 2025-3-25 08:10 作者: myocardium 時(shí)間: 2025-3-25 14:56 作者: FRAX-tool 時(shí)間: 2025-3-25 18:40
Chemical Models: Where to Start from?,eworld, and city-wide and international landscapes of revolt and struggle. To these ends, the chapter examines how poetry constellates the mediations that structure the subject?becoming revolutionary.作者: Firefly 時(shí)間: 2025-3-26 00:01 作者: deviate 時(shí)間: 2025-3-26 01:17 作者: maverick 時(shí)間: 2025-3-26 05:24 作者: Acumen 時(shí)間: 2025-3-26 11:30 作者: 枯燥 時(shí)間: 2025-3-26 14:50 作者: 注射器 時(shí)間: 2025-3-26 18:09 作者: debris 時(shí)間: 2025-3-26 23:10
Introduction of Solid-Phase Microextraction,George Henderson’s rereading of “value” throughout the corpus of Marx, though his primary focus is on Volume 1 of .. In ., Henderson traces the paradoxical and contradictory functions of value in Marx’s criticism of capital, suggesting that Marx reserves “true” value for the future world of associated productions.作者: QUAIL 時(shí)間: 2025-3-27 04:30
Markus Stoeppler,Ulrich Kurfürstof prosody, and his debt to Black music and poetries. It suggests that some of the limitations of Bonney’s revolutionary poetics become clear in comparison to the temporal legacies of slavery, what Christina Sharpe has called ‘wake time’, and the artworks that have emerged from it, particularly the poetries of Dionne Brand and M. NourbeSe Philip.作者: 飾帶 時(shí)間: 2025-3-27 08:52
2634-6052 scholarly research on the intersections between poetry and c.Communism and Poetry: Writing Against Capital. addresses the relationship between an upsurge in collective political practice around the world since 2000, and the crystallization of newly engaged forms of poetry. Considering an array of pe作者: Carbon-Monoxide 時(shí)間: 2025-3-27 12:40
https://doi.org/10.1007/978-1-84800-029-2 relation is involved specifically, for some theorists and critics, in the historical situation of late capitalism. I then reflect on why that relation should be an urgent concern, not only in writing about poetry and poems, but in poems themselves, and particularly in poems which, in the face of that situation, think about its end.作者: 星球的光亮度 時(shí)間: 2025-3-27 14:55
N. C. Wickramasinghe,D. J. Morganeedom; the second, a set of reflections on Karl Marx’s complex relationship with logic, both in his own work and in the works of a number of philosophers and political economists. The two passages are fixed together in an uneasy and indeterminate correspondence, to let the thoughts of each one resound with and through the thoughts of the other.作者: HAIL 時(shí)間: 2025-3-27 18:43
Extinction and Polarization Modelsnces able to curb rapacious technocapitalist expansion; the only difference that makes a difference is that of the immanent outside, the environment, the conditions of life itself. This poem arises at this juncture, where technological progress has become indistinguishable from the extermination of conditions of planetary life as we know it.作者: 一個姐姐 時(shí)間: 2025-3-27 22:08
The Relation Between Poetry and Poems Is Political, Sometimes, relation is involved specifically, for some theorists and critics, in the historical situation of late capitalism. I then reflect on why that relation should be an urgent concern, not only in writing about poetry and poems, but in poems themselves, and particularly in poems which, in the face of that situation, think about its end.作者: 箴言 時(shí)間: 2025-3-28 03:31 作者: Affectation 時(shí)間: 2025-3-28 08:34 作者: 委屈 時(shí)間: 2025-3-28 12:51 作者: corpus-callosum 時(shí)間: 2025-3-28 14:50
https://doi.org/10.1007/978-1-84800-029-2 communism, either as provisioner of ideological supplements to struggle or interrogator of capital’s concealed reality, claims founded on the implicit or explicit existence of poetic expertise and the social role of the poet, presupposing the division of manual and intellectual labor whilst entaili作者: synchronous 時(shí)間: 2025-3-28 19:49
https://doi.org/10.1007/978-1-84800-029-2or metaphorical contexts, when poetry seems to shake off the shackles of mere poems, a need for instances persists. In this essay, I consider how this relation is involved specifically, for some theorists and critics, in the historical situation of late capitalism. I then reflect on why that relatio作者: Agility 時(shí)間: 2025-3-28 23:40 作者: 免除責(zé)任 時(shí)間: 2025-3-29 07:08
Introduction of Solid-Phase Microextraction,nd political reevaluations and reorientations during the twentieth century. As a trace of diasporic identity, this fulcrum may be understood as a value, an instantiation of what Baraka called “the blues impulse,” irreducible to its uses within Negro and black tropes. This impulse may be compared to 作者: 宮殿般 時(shí)間: 2025-3-29 09:32
Introduction of Solid-Phase Microextraction,ky by Alberto Asor Rosa, the foremost . literary critic. For Asor Rosa, Mayakovsky embodies the utopian premise of the ‘revolutionary intellectual’, which makes possible an instrumentalist conception of poetics, shared by avant-garde ideology and Stalinism. Asor Rosa contrasts this with a conception作者: 使顯得不重要 時(shí)間: 2025-3-29 11:40 作者: arabesque 時(shí)間: 2025-3-29 17:55
https://doi.org/10.1007/978-3-662-03716-4 suggesting or appropriating a radical emancipatory politics for poetry per se, it tracks poetry’s potential to pursue the subjective registration of objective conditions as it senses relation between the most intimate of private experiences and the most abstract of economic processes. The chapter c作者: 尖牙 時(shí)間: 2025-3-29 23:10
Louis J. Allamandola,Douglas M. Hudginslinguistic commons,” or the commons of language as such. Rather than construing the communist qualities of poetry in terms of its explicit ideological purpose, or its participation in direct anti-capitalist action, it is proposed that poetry is communist to the extent that it works as a prophylactic作者: 性別 時(shí)間: 2025-3-30 01:18 作者: 名字 時(shí)間: 2025-3-30 04:29
