標(biāo)題: Titlebook: Comic Provocations; Exposing the Corpus Holly A. Crocker (Assistant Professor of English) Book 2006 Palgrave Macmillan, a division of Natu [打印本頁] 作者: CANTO 時間: 2025-3-21 18:56
書目名稱Comic Provocations影響因子(影響力)
書目名稱Comic Provocations影響因子(影響力)學(xué)科排名
書目名稱Comic Provocations網(wǎng)絡(luò)公開度
書目名稱Comic Provocations網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Comic Provocations被引頻次
書目名稱Comic Provocations被引頻次學(xué)科排名
書目名稱Comic Provocations年度引用
書目名稱Comic Provocations年度引用學(xué)科排名
書目名稱Comic Provocations讀者反饋
書目名稱Comic Provocations讀者反饋學(xué)科排名
作者: 噱頭 時間: 2025-3-21 23:58 作者: 乞丐 時間: 2025-3-22 03:57
Of Monsters and Men: The Power of Female Imagination in r lack of a more precise alternative, the genre has mainly been defined in very general terms, by way of its length, its content, and its effect: All fabliaux are short (ranging from eighteen lines to approximately twenty printed pages), they are mostly sexual or scatological in theme, and they are 作者: 權(quán)宜之計 時間: 2025-3-22 06:58 作者: Commemorate 時間: 2025-3-22 12:48
: The Scatological Tales of the Fabliauxn their sexual conservatism; indeed, they are comparatively puritanical in their non-discussion of sex. Further, these fecal-minded tales—which are generally “cort et petit” (6.57.4, “brief and short,” as one fabliau describes a turd)—possess few of the corpus’s familiar motifs, such as the humorous作者: ANTH 時間: 2025-3-22 16:33 作者: ANTH 時間: 2025-3-22 17:23
Conflicting Economies in the Fabliaux), . (5.51), and . (3.18) register a conflict among different modes of economic organization—gift, barter, and money economies. The conflict among these different models in turn helps explain what can often seem to be unmotivated acts in fabliau plots. More importantly, these different models of eco作者: 悲痛 時間: 2025-3-22 22:34
Mobility and Resentment in a World of Flux: Arrogance in the Old French Fabliaux. Shifts of such a magnitude have not been seen since the cataclysms of Late Antiquity and remained without match for centuries to come. The key word was .. Nothing was stable, opportunities abounded for those willing to seize them, and the Western world was wide open to a reconceptualization of the作者: 解決 時間: 2025-3-23 05:21
“Be Careful What you Wish for”: Folkloric Caution in the Fabliauxning words of folk wisdom from my mother: “If wishes were horses, we’d all take a ride.” Her words implied that wishing was in some way inappropriate, for if wishes were easily granted, we could all “goof off.” At a deeper level, my mother communicated the concept that wishing could approach covetou作者: NOCT 時間: 2025-3-23 07:42
Chaucer’s French Accent: Gardens and Sex-Talk in the ucer’s . must have had a French fabliau source, now lost to us.. John Webster Spargo in his introductory note to the tale in the original . gave that theory the weight of authority with this opening comment: “In the absence of an authentic source, the likeliest thing that can be said is that, if we 作者: Corporeal 時間: 2025-3-23 12:20
Rude Theory: The Rough Trade of the Fabliauxude or rogue-like, to say the least. After all, as Jacques Derrida puts it in one of his last published essays, “One begins acting like a [rogue] as soon as one begins uttering ‘profanities’.” . In abdicating “proper speech” for those erotically charged linguistic turns through which rudeness marks 作者: FOVEA 時間: 2025-3-23 15:05
Creative Choices: Notes on Translating the Old French Fabliauxl, their love of wordplay, their refreshing political incorrectness. Over the years my philosophy of translating has evolved, and through endless revisions conscious choice has come to replace instinct, so that I can now formulate my goals as a translator and how and why I seek to accomplish them.作者: 轉(zhuǎn)折點 時間: 2025-3-23 21:16 作者: expound 時間: 2025-3-24 01:56
Book 2006This collection explores how Old French fabliaux disrupt literal and figurative bodies. Essays cover theoretical issues including fragmentation and multiplication, social anxiety and excessive circulation, performative productions and creative formations, to trace the competing consequences that arise from this literary body‘s unsettling capacity.作者: 者變 時間: 2025-3-24 04:53 作者: 十字架 時間: 2025-3-24 08:36
978-1-349-53210-0Palgrave Macmillan, a division of Nature America Inc. 2006作者: Duodenitis 時間: 2025-3-24 12:28 作者: 削減 時間: 2025-3-24 15:12 作者: ARK 時間: 2025-3-24 19:36
2945-6916 ion and multiplication, social anxiety and excessive circulation, performative productions and creative formations, to trace the competing consequences that arise from this literary body‘s unsettling capacity.978-1-349-53210-0978-0-230-60117-8Series ISSN 2945-6916 Series E-ISSN 2945-6924 作者: 革新 時間: 2025-3-25 02:34
Benjamin Huybrechts,Alex Nichollsx are grouped together by a definition that is at once so expansive and so limited that it simply points to the hazy boundaries of . genre, at the very least.. Joseph Bédier’s classic formulation of fabliaux as . potentially acknowledges that all genres are tropological formulations, useful insofar 作者: 挑剔為人 時間: 2025-3-25 04:29
Social Entrepreneurship and Social Business This truism about fabliau women has been used by some as evidence to demonstrate the fabliaux’ misogyny, while others have argued that it puts women “on top,” making us admire the clever resourceful heroine and laugh scornfully at the weak, gullible, or dim-witted husband.. It is not my intent in t作者: 遠地點 時間: 2025-3-25 09:41
Barefoot College: Philosophy and Governance,r lack of a more precise alternative, the genre has mainly been defined in very general terms, by way of its length, its content, and its effect: All fabliaux are short (ranging from eighteen lines to approximately twenty printed pages), they are mostly sexual or scatological in theme, and they are 作者: 易受騙 時間: 2025-3-25 13:27 作者: Digest 時間: 2025-3-25 18:51 作者: TOXIN 時間: 2025-3-25 20:30
Ashok Prasad,Mathew J. Manimalaination with clothing across the fabliaux is distinct from other literary representations. In the romance tradition, which normally features noble characters, clothing often serves a revelatory purpose, displaying virtue and status even before characters demonstrate these qualities. In other instanc作者: Angiogenesis 時間: 2025-3-26 00:23
Deepika Chandra Verma,Runa Sarkar), . (5.51), and . (3.18) register a conflict among different modes of economic organization—gift, barter, and money economies. The conflict among these different models in turn helps explain what can often seem to be unmotivated acts in fabliau plots. More importantly, these different models of eco作者: outrage 時間: 2025-3-26 07:25 作者: Meditative 時間: 2025-3-26 08:38 作者: duplicate 時間: 2025-3-26 14:54 作者: delusion 時間: 2025-3-26 17:10
Pauline J. Sheldon,Roberto Danieleude or rogue-like, to say the least. After all, as Jacques Derrida puts it in one of his last published essays, “One begins acting like a [rogue] as soon as one begins uttering ‘profanities’.” . In abdicating “proper speech” for those erotically charged linguistic turns through which rudeness marks 作者: CAB 時間: 2025-3-26 22:04 作者: REIGN 時間: 2025-3-27 01:16 作者: 微不足道 時間: 2025-3-27 08:31 作者: Supplement 時間: 2025-3-27 11:55
Focus on the Business Model Canvas,l, their love of wordplay, their refreshing political incorrectness. Over the years my philosophy of translating has evolved, and through endless revisions conscious choice has come to replace instinct, so that I can now formulate my goals as a translator and how and why I seek to accomplish them.作者: gentle 時間: 2025-3-27 17:38
Pauline J. Sheldon,Roberto Danieleter of the Fabliaux remains necessarily approximate. For us (whoever we are), as for these texts (whatever they are), it is always only a question of acting . a rogue, of the distance interposed by this simile, this simulacrum.作者: 倫理學(xué) 時間: 2025-3-27 18:35
Rude Theory: The Rough Trade of the Fabliauxter of the Fabliaux remains necessarily approximate. For us (whoever we are), as for these texts (whatever they are), it is always only a question of acting . a rogue, of the distance interposed by this simile, this simulacrum.作者: Pseudoephedrine 時間: 2025-3-27 22:09 作者: Tractable 時間: 2025-3-28 04:38 作者: Influx 時間: 2025-3-28 08:32
Conflicting Economies in the Fabliauxse different models in turn helps explain what can often seem to be unmotivated acts in fabliau plots. More importantly, these different models of economic structure and the social logic they imply can explain the mutability of the fabliau as a genre and the mobility of their audience(s).作者: Chemotherapy 時間: 2025-3-28 12:00
The Lewd and the Ludic: Female Pleasure in the Fabliauxhis essay to rehash the debate over the fabliaux’ presumed antifeminism. Rather, I propose to look at the intersection of the lewd and the ludic to ask what other kinds of female pleasure besides sexual pleasure are evoked in the Fabliaux and to consider the range of attitudes toward those pleasures.作者: indicate 時間: 2025-3-28 15:02
: The Scatological Tales of the Fabliaux value of cunning or the comic eroticism of voyeurism. Nor do these fabliaux attract much critical attention, as if the very nature of their “business” negates their being discussed with a comparable urgency or agency. While other bodily parts find themselves tackled with theoretical vigor, the same cannot be said for shit.作者: Cryptic 時間: 2025-3-28 20:27 作者: Forsake 時間: 2025-3-29 00:44
Social Entrepreneurship and Social Businesshis essay to rehash the debate over the fabliaux’ presumed antifeminism. Rather, I propose to look at the intersection of the lewd and the ludic to ask what other kinds of female pleasure besides sexual pleasure are evoked in the Fabliaux and to consider the range of attitudes toward those pleasures.作者: 大酒杯 時間: 2025-3-29 03:19 作者: flutter 時間: 2025-3-29 08:26 作者: 牛馬之尿 時間: 2025-3-29 13:17
Benjamin Huybrechts,Alex Nicholls the generic boundaries that provide recognizable shape to other poetic bodies.. Unstable in terms of authorship, audience, purpose, even effect, the fabliaux are almost impossible to see as a coherent creative corpus. Yet in simplest terms, it is the incoherence of corporeal coalescence that these 作者: IVORY 時間: 2025-3-29 18:42 作者: Compassionate 時間: 2025-3-29 21:12
Ashok Prasad,Mathew J. Manimalaress the stability of social order. Although these stories maintain a superficial allegiance to patriarchal cultural control, the ways in which women circulate clothing reveals that gender hierarchy is a costume that women manipulate to hide and therefore maintain their agency.作者: 交響樂 時間: 2025-3-30 02:33
Sangita Dutta Gupta,Susmita Chatterjeeux are populated with prosperous peasants marrying into the nobility, independent wives, indulging clerics, hard-working bourgeois busy at amassing riches, and knights trading their arms for wit and shrewdness. They shed light on a key problem, of crucial significance both for contemporaries and mod作者: 放逐 時間: 2025-3-30 07:59
Pauline J. Sheldon,Roberto DanieleBoccaccio’s ., Spargo confidently declared that ., while the closest analogue, was not the source of the .. Many scholars, myself included, are now taking seriously the idea that Chaucer’s primary source was indeed the first tale of the eighth day of the ...
