標(biāo)題: Titlebook: Comic Performance in Pakistan; The Bhānd Claire Pamment Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Pakistani performanc [打印本頁(yè)] 作者: 無(wú)力向前 時(shí)間: 2025-3-21 19:57
書目名稱Comic Performance in Pakistan影響因子(影響力)
書目名稱Comic Performance in Pakistan影響因子(影響力)學(xué)科排名
書目名稱Comic Performance in Pakistan網(wǎng)絡(luò)公開度
書目名稱Comic Performance in Pakistan網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Comic Performance in Pakistan被引頻次
書目名稱Comic Performance in Pakistan被引頻次學(xué)科排名
書目名稱Comic Performance in Pakistan年度引用
書目名稱Comic Performance in Pakistan年度引用學(xué)科排名
書目名稱Comic Performance in Pakistan讀者反饋
書目名稱Comic Performance in Pakistan讀者反饋學(xué)科排名
作者: Ebct207 時(shí)間: 2025-3-21 21:18
s in the Drawing Room: The Popular Punjabi Theatre studies that explicate these interventions: . (., Baral 2002), which addresses class strife; . (., Jee 2003), wherein transgendering probes patriarchy; and ., . (., . and ., Anon 2004), where female performers adopt the . mode in rejoinder to the censorship of the woman dancer (2002–2004).作者: 昏暗 時(shí)間: 2025-3-22 02:52 作者: Legion 時(shí)間: 2025-3-22 07:35 作者: 屈尊 時(shí)間: 2025-3-22 11:27 作者: Interdict 時(shí)間: 2025-3-22 13:34
Book 2017contemporary weddings. With irreverent repartee, genealogical prowess, a topsy-turvy play with hierarchies and shape shifting, the low-status .bhānd. jostles space in otherwise rigid class and caste hierarchies. Tracing these negotiations in both historical and contemporary sites, the author unfolds作者: Interdict 時(shí)間: 2025-3-22 19:29 作者: Communicate 時(shí)間: 2025-3-22 23:19 作者: MOCK 時(shí)間: 2025-3-23 04:53
https://doi.org/10.1007/978-3-031-55791-0pted to contemporary challenges by using their residuality to locate the persistence of feudal value systems within the urban political elite and upwardly mobile, from where they play more of a balancing act with the social structures, reaching diverse audiences, as the . Munir Hussain puts it, from ‘the donkey cart to the aeroplane’.作者: 沒(méi)收 時(shí)間: 2025-3-23 08:05
https://doi.org/10.1007/978-3-8349-7093-0y intended variously as a device for comic relief . oppositional satire, the . ventures further, using his outsider status to playfully challenge ideological binaries and release multiple perspectives on the news.作者: Inertia 時(shí)間: 2025-3-23 12:52 作者: 繼而發(fā)生 時(shí)間: 2025-3-23 15:01 作者: 未開化 時(shí)間: 2025-3-23 21:31 作者: 狂熱語(yǔ)言 時(shí)間: 2025-3-23 23:51
Satellite ,s: The Playful Outsidersy intended variously as a device for comic relief . oppositional satire, the . ventures further, using his outsider status to playfully challenge ideological binaries and release multiple perspectives on the news.作者: insidious 時(shí)間: 2025-3-24 04:19
Book 2017carnivalesque and erotic popular Punjabi theatre and satellite television news. Through original historical and ethnographic research, this book brings to life hitherto unexplored territories of Pakistani popular culture and Indo-Muslim performance histories..作者: 用樹皮 時(shí)間: 2025-3-24 07:21 作者: 解凍 時(shí)間: 2025-3-24 13:35 作者: 持久 時(shí)間: 2025-3-24 18:46 作者: 針葉 時(shí)間: 2025-3-24 21:38 作者: ablate 時(shí)間: 2025-3-25 01:08
Sustainable Development Goals Series, the so-called ‘low’ performers exposed the legitimate theatre’s exclusions in the mushrooming of the popular Punjabi theatre (1980–), giving way to playful subversions of class hierarchies and gender norms, which have been subject to frequent moral disapproval and censorship. It then presents case作者: Mercantile 時(shí)間: 2025-3-25 05:12
https://doi.org/10.1007/978-3-8349-7093-0acophonic media atmosphere of clashing social, political and cultural ideologies that accompanied the democracy of the Pakistan People’s Party government (2008–2013), an abundance of .-like characters drawn from the popular theatre were introduced into news talk show formats. This chapter analyses .作者: 狂亂 時(shí)間: 2025-3-25 08:57 作者: 慌張 時(shí)間: 2025-3-25 12:34 作者: cushion 時(shí)間: 2025-3-25 17:34
Comic Performance in Pakistan978-1-137-56631-7Series ISSN 2731-4332 Series E-ISSN 2731-4340 作者: 王得到 時(shí)間: 2025-3-25 21:49
Claire PammentChallenges still prevalent notions of absence of comedy in Muslim worlds.Fills a gap of scholarship on contemporary Pakistani theatre and performance- offering an alternative insights to a geo-politic作者: drusen 時(shí)間: 2025-3-26 03:20
Palgrave Studies in Comedyhttp://image.papertrans.cn/c/image/230149.jpg作者: 容易懂得 時(shí)間: 2025-3-26 04:19 作者: 嚙齒動(dòng)物 時(shí)間: 2025-3-26 12:03
Introduction,ani theatre and the comic practices of the Punjabi .. When acknowledged, it is often as a ‘folk’ facet of the past, or a low and corrupting deviation of present theatre. Beyond this discourse of in/authenticity, the author advocates a reading of the . as a mode entailing a binary interaction of a st作者: cathartic 時(shí)間: 2025-3-26 14:22 作者: IDEAS 時(shí)間: 2025-3-26 18:50
Brahmin Jesters and Sufi Wise Foolshistory and popular literature (Ash’ab, Bahlul and Mullah Nasruddin). The author explores these comic convergences during Muslim rule in South Asia (1206–1858) in the pairings of bold jesters and powerful rulers, such as Tenali Rama with Vijayanagar King Krsnadevaraya (1509–29), and Raja Birbal (Mah作者: 整頓 時(shí)間: 2025-3-27 00:20 作者: BLAND 時(shí)間: 2025-3-27 01:10 作者: innovation 時(shí)間: 2025-3-27 09:05 作者: 雀斑 時(shí)間: 2025-3-27 09:33
Conference proceedings 2006KI Workshop (EuroPKI 2006), held at the Politecnico di Torino, Italy, on June 19-20, 2006. In response to the Call for Papers, about 50 submissions were received. All submissions werereviewed by at least two reviewers(external or members of the Program Committee) and most of them got three reviews. 作者: KEGEL 時(shí)間: 2025-3-27 13:49 作者: CHASM 時(shí)間: 2025-3-27 19:07
Textbook 2015is intended for advanced undergraduate and graduate students as well as researchers. It challenges the reader to apply not only specific techniques and strategies, but also to employ methods and tools from other areas of mathematics, such as algebra and analysis..作者: incisive 時(shí)間: 2025-3-28 00:11
