派博傳思國際中心

標(biāo)題: Titlebook: Collective Creativity; Exploring Creativity Felix Held Book 2012 VS Verlag f?r Sozialwissenschaften | Springer Fachmedien Wiesbaden 2012 [打印本頁]

作者: MOURN    時(shí)間: 2025-3-21 19:58
書目名稱Collective Creativity影響因子(影響力)




書目名稱Collective Creativity影響因子(影響力)學(xué)科排名




書目名稱Collective Creativity網(wǎng)絡(luò)公開度




書目名稱Collective Creativity網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Collective Creativity被引頻次




書目名稱Collective Creativity被引頻次學(xué)科排名




書目名稱Collective Creativity年度引用




書目名稱Collective Creativity年度引用學(xué)科排名




書目名稱Collective Creativity讀者反饋




書目名稱Collective Creativity讀者反饋學(xué)科排名





作者: 大火    時(shí)間: 2025-3-21 20:18

作者: 南極    時(shí)間: 2025-3-22 00:27

作者: aerial    時(shí)間: 2025-3-22 06:11

作者: 大方一點(diǎn)    時(shí)間: 2025-3-22 08:46

作者: zonules    時(shí)間: 2025-3-22 15:46
Study II: Social Network Analysis,lidate the method for future research. The research design aims to empirically identify the expression of creativity in the network dynamics. The effect of creativity is conceptualized in the factor model of collective creativity (see section 2.3.3).
作者: zonules    時(shí)間: 2025-3-22 18:44
Key Findings and Implications for Future Studies,creativity research. The research design centers on social networks in innovation processes in a largescale company. Hence, the results allow insights in the domain of innovation but also have potential for interpretations of organizational development in general.
作者: tattle    時(shí)間: 2025-3-23 00:17

作者: obsolete    時(shí)間: 2025-3-23 03:31
https://doi.org/10.1007/978-3-319-68427-7yling, and communication (Henry, 2001; Janszen, 2000). This means firms need a sustainable flow of ideas to stay in the market (Boeddrich, 2004). The complex and fast-changing environment has generated new organizational forms based on more fluid and emergent organizational structures, such as networks (Hilthred & Kimble, 2004).
作者: 棲息地    時(shí)間: 2025-3-23 09:31
Marcello Onofri,Renato Paciorrihere (see chapter 1, Figure 1). This chapter outlines the state of research and links relevant theories in the three domains in order to develop a conceptual model capable of assessing creativity in social network development. This new perspective will enable the exploration of creativity in the dynamics of organizational social structures.
作者: foodstuff    時(shí)間: 2025-3-23 11:55

作者: 鼓掌    時(shí)間: 2025-3-23 16:33

作者: 收養(yǎng)    時(shí)間: 2025-3-23 19:06
Nicholas Apazidis,Veronica Eliassonollowing research targets and questions. In the center of the argument is the factor model for collective creativity proposed in section 2.3.3. This model enables us to observe creativity operating in social network development.
作者: 廚房里面    時(shí)間: 2025-3-24 02:16

作者: ALERT    時(shí)間: 2025-3-24 05:09
Research Approach and Questions,ollowing research targets and questions. In the center of the argument is the factor model for collective creativity proposed in section 2.3.3. This model enables us to observe creativity operating in social network development.
作者: 消毒    時(shí)間: 2025-3-24 06:37
Study I: Assessment of Creativity,n of collective creativity in social network dynamics in the context of organizational learning. The aim is to open up the educational and creativity research field by looking at the link between creativity and social network development.
作者: Migratory    時(shí)間: 2025-3-24 11:23

作者: 胰島素    時(shí)間: 2025-3-24 17:50

作者: explicit    時(shí)間: 2025-3-24 22:51
https://doi.org/10.1007/978-3-319-68427-7pidly (Gebhart, 2002). To stay in business, companies have to race to compete in respect to new products, features, better quality, more attractive styling, and communication (Henry, 2001; Janszen, 2000). This means firms need a sustainable flow of ideas to stay in the market (Boeddrich, 2004). The
作者: PHAG    時(shí)間: 2025-3-25 00:15

作者: 完成    時(shí)間: 2025-3-25 05:43

作者: 歡騰    時(shí)間: 2025-3-25 09:53

作者: mitten    時(shí)間: 2025-3-25 14:33

作者: UTTER    時(shí)間: 2025-3-25 18:02

作者: 殺子女者    時(shí)間: 2025-3-25 20:45

作者: Nutrient    時(shí)間: 2025-3-26 02:02
Introduction and Research Focus,pidly (Gebhart, 2002). To stay in business, companies have to race to compete in respect to new products, features, better quality, more attractive styling, and communication (Henry, 2001; Janszen, 2000). This means firms need a sustainable flow of ideas to stay in the market (Boeddrich, 2004). The
作者: Generic-Drug    時(shí)間: 2025-3-26 05:00
Theoretical Background and Current Research,on, 2005), are still widely unexplored. Three important fields of research – into creativity, organizational learning, and social networks – converge here (see chapter 1, Figure 1). This chapter outlines the state of research and links relevant theories in the three domains in order to develop a con
作者: 不規(guī)則的跳動    時(shí)間: 2025-3-26 11:47

作者: 不如樂死去    時(shí)間: 2025-3-26 12:39
Study I: Assessment of Creativity,n of collective creativity in social network dynamics in the context of organizational learning. The aim is to open up the educational and creativity research field by looking at the link between creativity and social network development.
作者: Overstate    時(shí)間: 2025-3-26 19:09
Study II: Social Network Analysis,vity in social network development. The research design develops social network indicators using surveys at three time-points and relates them to indicators for creativity derived from Study I, as well as actor-level factors. Recently, similar but static designs have been used to successfully measur
作者: 填料    時(shí)間: 2025-3-26 22:18

作者: intuition    時(shí)間: 2025-3-27 03:12
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作者: 完成    時(shí)間: 2025-3-27 07:08
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作者: 跳動    時(shí)間: 2025-3-27 12:49
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作者: 精美食品    時(shí)間: 2025-3-27 21:56
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作者: wangle    時(shí)間: 2025-3-28 02:53
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