標題: Titlebook: Collaborative Praxis and Contemporary Art Experiments in the MENASA Region; Atteqa Ali Book 2020 The Editor(s) (if applicable) and The Aut [打印本頁] 作者: sulfonylureas 時間: 2025-3-21 16:53
書目名稱Collaborative Praxis and Contemporary Art Experiments in the MENASA Region影響因子(影響力)
書目名稱Collaborative Praxis and Contemporary Art Experiments in the MENASA Region影響因子(影響力)學科排名
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書目名稱Collaborative Praxis and Contemporary Art Experiments in the MENASA Region網(wǎng)絡(luò)公開度學科排名
書目名稱Collaborative Praxis and Contemporary Art Experiments in the MENASA Region被引頻次
書目名稱Collaborative Praxis and Contemporary Art Experiments in the MENASA Region被引頻次學科排名
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書目名稱Collaborative Praxis and Contemporary Art Experiments in the MENASA Region讀者反饋
書目名稱Collaborative Praxis and Contemporary Art Experiments in the MENASA Region讀者反饋學科排名
作者: 懸崖 時間: 2025-3-21 23:59 作者: FIS 時間: 2025-3-22 01:56
Collaborative Praxis and Contemporary Art Experiments in the MENASA Region978-3-030-47925-1作者: Initiative 時間: 2025-3-22 05:41
Introduction: A Brief Outline of Globalized Practices of Collaborative Art, the planning and/or making of art. The introduction guides readers into an in-depth study on this work and the institutional framework of collectives and organizations that has nurtured its development. The preliminary essay provides a rationalization for the study’s focus to art associated with th作者: Adornment 時間: 2025-3-22 10:23 作者: 公社 時間: 2025-3-22 14:38 作者: 公社 時間: 2025-3-22 17:57
Come Together: Institutional Frameworks, Communities, and the Rise of Collaborative Art Praxis in tommunity-based art. The essay highlights five arts centers—Marrakech, Cairo, Beirut, Amman, and Karachi. There is clear diversity in the region, yet points of relevant intersection exist to support the broad framing of this analysis. The chapter elucidates on networks of ties that span the region hi作者: lacrimal-gland 時間: 2025-3-22 23:45
What Is It Good For: War, Social Engagement, and Contemporary Art Experiments,e impact of battles on the rise of these projects. Campus in Camps offers an alternative educational platform in a Palestinian refugee camp that empowers participants to be active learners in an egalitarian setting. In Chicago, artist Michael Rakowitz conceptualized a food truck as art in . to provi作者: auxiliary 時間: 2025-3-23 04:49 作者: 培養(yǎng) 時間: 2025-3-23 07:14
Conclusion: Collaborative Art Praxis and Contemporary Art Experiments,collaborative, socially engaged projects to the work of grassroots, community-based arts organizations. Overlaps exist between the two apparently distinct?endeavors that connect audiences with art. Artists adopt organizational methods, while entities mimic artistic manners. In coming together, artis作者: 撫育 時間: 2025-3-23 09:58 作者: Glower 時間: 2025-3-23 16:22 作者: 厚顏 時間: 2025-3-23 19:01
Introduction: A Brief Outline of Globalized Practices of Collaborative Art,e Middle East, North Africa, and South Asia from the last twenty years through analyzing Emily Jacir’s work, a seminal piece of art to delve into a collaborative approach to making art with a particular community. The introduction briefly outlines the debates surrounding these kinds of works. Scholarly writing on the subject is reviewed.作者: evaculate 時間: 2025-3-24 01:54 作者: insincerity 時間: 2025-3-24 06:12
,Getting to Know You: “Relational Aesthetics”,in what it tries to investigate because it does not open up definitions of art, while others do not believe the relational is an aesthetic rubric. The debate on collaborative art practices is investigated through addressing four ventures in art in the MENASA that have extended over a long period of time, all but one continue to exist in some form.作者: Meager 時間: 2025-3-24 07:38 作者: Homocystinuria 時間: 2025-3-24 11:16
What Is It Good For: War, Social Engagement, and Contemporary Art Experiments,de insight into how war has shifted perceptions of immigrant communities in the United States. . involves a collective of artists, teachers, and students in Karachi that have made an effort to reclaim public spaces away from violence-inciting messages, dirt, and illegal advertising and transform the city walls into works of art.作者: 清晰 時間: 2025-3-24 16:25
Collaborative Art Praxis and Globalization: Agency and Marginalized Communities Around the World,rd is examined briefly to initiate comparisons with ventures by Tentative Collective in Karachi and eL Seed in Cairo that have attempted to shift the view of the urban landscape and the people living within it.作者: impale 時間: 2025-3-24 19:23
Conclusion: Collaborative Art Praxis and Contemporary Art Experiments,ts and groups pave alternative modes to producing art that confronts sociopolitical concerns. Contemporary art experiments about societies and political dimensions in the MENASA region and its diasporas have helped to create a significant foundation over the last two decades for practitioners of collaborative, socially engaged art.作者: 急性 時間: 2025-3-25 02:29
https://doi.org/10.1057/9780230288874e Middle East, North Africa, and South Asia from the last twenty years through analyzing Emily Jacir’s work, a seminal piece of art to delve into a collaborative approach to making art with a particular community. The introduction briefly outlines the debates surrounding these kinds of works. Scholarly writing on the subject is reviewed.作者: Comprise 時間: 2025-3-25 03:54 作者: delegate 時間: 2025-3-25 07:38
https://doi.org/10.1057/9780230623354in what it tries to investigate because it does not open up definitions of art, while others do not believe the relational is an aesthetic rubric. The debate on collaborative art practices is investigated through addressing four ventures in art in the MENASA that have extended over a long period of time, all but one continue to exist in some form.作者: FIR 時間: 2025-3-25 15:01
,Stripping Shakespeare’s ‘Whores’,storically to reveal more extensive webs in today’s art world. The essay considers organizations that have achieved a globally recognized status yet remain tied to the local, alongside collectives and grassroots art initiatives that are embedded in the communities from which they emerge.作者: 使害怕 時間: 2025-3-25 18:08 作者: 諷刺 時間: 2025-3-25 23:59 作者: 易改變 時間: 2025-3-26 04:02
Shakespeare, Poet of the Impossible,ts and groups pave alternative modes to producing art that confronts sociopolitical concerns. Contemporary art experiments about societies and political dimensions in the MENASA region and its diasporas have helped to create a significant foundation over the last two decades for practitioners of collaborative, socially engaged art.作者: BIPED 時間: 2025-3-26 04:54 作者: 改變立場 時間: 2025-3-26 10:54 作者: 假裝是你 時間: 2025-3-26 15:36 作者: 簡略 時間: 2025-3-26 18:24
https://doi.org/10.1057/9780230288874 the planning and/or making of art. The introduction guides readers into an in-depth study on this work and the institutional framework of collectives and organizations that has nurtured its development. The preliminary essay provides a rationalization for the study’s focus to art associated with th作者: 廢止 時間: 2025-3-26 23:08 作者: BLOT 時間: 2025-3-27 01:33
https://doi.org/10.1057/9780230623354at this is how art functions today. Rather than a static view of the art object, he argues that contemporary art encourages encounters over time. It is about exchanges between people, rather than about an individual looking at an isolated object. Some writers feel that Bourriaud’s theory is limited 作者: 里程碑 時間: 2025-3-27 07:17 作者: META 時間: 2025-3-27 12:42 作者: lacrimal-gland 時間: 2025-3-27 14:02
https://doi.org/10.1057/9781137313553 ghetto?in the West and the mega-city in developing nations. What are the issues that coincide in both locales. Living on the margins of the world and the periphery of the society, overlapping conditions of existence emerge in the distant sites. The work of Theaster Gates, Rick Lowe, and Mark Bradfo作者: Heresy 時間: 2025-3-27 21:29
Shakespeare, Poet of the Impossible,collaborative, socially engaged projects to the work of grassroots, community-based arts organizations. Overlaps exist between the two apparently distinct?endeavors that connect audiences with art. Artists adopt organizational methods, while entities mimic artistic manners. In coming together, artis作者: 濕潤 時間: 2025-3-27 23:01
https://doi.org/10.1007/978-3-030-47925-1Socially Engaged Art; Middle East; North Africa; South Asia; Collaborative Art; Community; Relational Aest作者: 門窗的側(cè)柱 時間: 2025-3-28 02:51
978-3-030-47927-5The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 寒冷 時間: 2025-3-28 08:13
10樓作者: 刺穿 時間: 2025-3-28 13:28
10樓
