作者: 怪物 時間: 2025-3-21 21:33 作者: wangle 時間: 2025-3-22 02:00 作者: oracle 時間: 2025-3-22 06:03
In the Crowd: Writing and the Social Order,rly 1900s, and she had neither income nor reputation since Willy had appropriated the profits and the glory of the successful . series. She survived with the support of Missy, the Marquise de Morny, her friend and lover until 1911, and through her own hard work and adaptability. She had already begu作者: dilute 時間: 2025-3-22 09:59 作者: strdulate 時間: 2025-3-22 14:10
Green Sealing Wax: Language, Style and Gender,rench theorists. For Jacques Lacan, whose interpretations of and commentaries on the writings of Freud provide a starting point for the work of Hélène Cixous and Julia Kristeva, the child becomes a human subject precisely at the point of language acquisition, when s/he distinguishes between the self作者: strdulate 時間: 2025-3-22 19:06 作者: 擦試不掉 時間: 2025-3-22 23:35
Textbook 1991Latest editiontual analysis: examining the ideological context of Colette‘s education, situating her earliest novels in relation to the writing of women contemporaries, reading the journalism and the fiction in terms of social and economic realism - and also studying the texts‘ subversive interrogation of gender 作者: forecast 時間: 2025-3-23 01:56
close textual analysis: examining the ideological context of Colette‘s education, situating her earliest novels in relation to the writing of women contemporaries, reading the journalism and the fiction in terms of social and economic realism - and also studying the texts‘ subversive interrogation 作者: Formidable 時間: 2025-3-23 07:47
Maximilian V?lker,Mathias Weskeith the support of Missy, the Marquise de Morny, her friend and lover until 1911, and through her own hard work and adaptability. She had already begun lessons in mime and appeared on the stage and at social functions: she now developed this interest into a career and made a living in the music-hall, partnered by her teacher Georges Wague.作者: 酷熱 時間: 2025-3-23 10:12 作者: Jargon 時間: 2025-3-23 14:02 作者: Campaign 時間: 2025-3-23 21:18
ontemporaries, reading the journalism and the fiction in terms of social and economic realism - and also studying the texts‘ subversive interrogation of gender as a question of narrative and linguistic technique. Colette emerges as a richly, radically feminist writer.作者: Annotate 時間: 2025-3-24 01:41 作者: 爵士樂 時間: 2025-3-24 02:59 作者: JECT 時間: 2025-3-24 07:06
Creative Contradictions,ove to Paris, it is not surprising that critics and biographers should have viewed this transition as crucial to the writer’s life and work. The dominant version of Colette’s life opposes childhood innocence to adult betrayals, a lost paradise to harsh reality, the pastoral world of a country childhood to the cultural, man-made world of the city.作者: bonnet 時間: 2025-3-24 13:13 作者: 補(bǔ)助 時間: 2025-3-24 16:08 作者: 冒煙 時間: 2025-3-24 21:20
Green Sealing Wax: Language, Style and Gender, code, as “I”, “you” or “s/he”, is termed the “mirror stage”, and coincides with the establishment of specifically human identity. The Symbolic code operates by distinguishing between one thing and another, by the principle of difference, and in this process the original term, or the primary signifier, is the phallus.作者: 暴行 時間: 2025-3-25 01:52 作者: Derogate 時間: 2025-3-25 05:33
Claudine in Context,s radically, painfully different. The forests and flowers of Burgundy were replaced by the streets of Paris, Sido’s loving attention by Willy’s frequent indifference and soon by his infidelities, and the sheer powerlessness of a young woman in a deeply patriarchal society became an acute reality wit作者: Living-Will 時間: 2025-3-25 09:26
https://doi.org/10.1007/978-3-031-48424-7tend the ball alone. He recalls the conversation with his wife the night before. As a doctor he has been able to pretext an urgent visit to a sick patient to explain his inability to accompany Irene to the Opera Ball, and she has refused, with fastidious horror, the idea of going without him.作者: 滋養(yǎng) 時間: 2025-3-25 14:51
Lecture Notes in Computer Scienceld beyond both secure and desirable. In her early fiction and in autobiographical texts rhapsodic images of girlhood contrast with the compromises and constraints of the adult woman, and since in Colette’s own life a happy rural childhood ended with marriage to the faithless Willy and an attendant m作者: Geyser 時間: 2025-3-25 18:43 作者: 導(dǎo)師 時間: 2025-3-25 22:44 作者: jealousy 時間: 2025-3-26 00:21 作者: 云狀 時間: 2025-3-26 06:39 作者: obstinate 時間: 2025-3-26 11:01
https://doi.org/10.1007/978-3-031-45728-9ence, they have practical problems of economic survival. They may also have emotional and sexual problems, for whilst they form heterosexual relationships out of love or desire for an individual, the institution of marriage, or even that of the love affair, has its own rules and assumptions which eq作者: floaters 時間: 2025-3-26 13:06
https://doi.org/10.1007/978-1-349-21375-7feminism; fiction; gender; novel; realism; women作者: 牲畜欄 時間: 2025-3-26 19:41 作者: 土產(chǎn) 時間: 2025-3-26 23:14 作者: 護(hù)身符 時間: 2025-3-27 03:18 作者: Fortify 時間: 2025-3-27 06:18 作者: 租約 時間: 2025-3-27 12:02
Women Writershttp://image.papertrans.cn/c/image/229342.jpg作者: 入會 時間: 2025-3-27 15:36
9樓作者: palliative-care 時間: 2025-3-27 17:45
9樓作者: CAB 時間: 2025-3-27 23:55
10樓作者: Conduit 時間: 2025-3-28 05:16
10樓作者: 固定某物 時間: 2025-3-28 07:21
10樓作者: cancer 時間: 2025-3-28 14:14
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