標題: Titlebook: Coleridge, Language and the Sublime; From Transcendence t Christopher Stokes Book 2011 Palgrave Macmillan, a division of Macmillan Publishe [打印本頁] 作者: Confer 時間: 2025-3-21 20:04
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書目名稱Coleridge, Language and the Sublime網(wǎng)絡公開度學科排名
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書目名稱Coleridge, Language and the Sublime讀者反饋學科排名
作者: 蒸發(fā) 時間: 2025-3-21 23:16
Mahboobeh Moghaddam,Joseph G. Davis, poetry that seized its readers’ imaginations with no uncertain violence: this was just as much the core of the sublime for an early eighteenth-century reader as any thought of mountains or storms. It is thus important, I think, to be faithful to this history, and to give the matter of language and作者: 漫不經(jīng)心 時間: 2025-3-22 02:57 作者: inundate 時間: 2025-3-22 07:28
Teuku Aulia Geumpana,Fethi Rabhi,Liming Zhudisturbing gothic touches and a foreboding sense of hostility and danger.. If we were to look for literary analogues, it would not be in the fantastic excess of Milton (invoked by Kitson), but rather something like Friedrich Schiller’s .. As a young Coleridge wrote in 1794, in a note appended to an 作者: Humble 時間: 2025-3-22 12:11
Amin Beheshti,Mustafa Hashmi,Wei Emma Zhanghe poem not just fundamentally incoherent, but exorbitantly so.. We might read the phrase as a kind of self-multiplying and self-deepening tautology: more obscure (Dutch) than obscure (German) obscurity (sublimity).作者: 女上癮 時間: 2025-3-22 15:19 作者: 女上癮 時間: 2025-3-22 17:35
https://doi.org/10.1007/978-3-030-32242-7ed in the Limbo poems. Fragmentary and self-interrupting, it is a text of finitude and non-absoluteness. The relationship between the two texts may be emblematic for the double-sidedness of Coleridge — and of the sublime — on which I have insisted throughout. I close the chapter by comparing my conc作者: 無效 時間: 2025-3-22 23:06 作者: 牽連 時間: 2025-3-23 02:15 作者: chance 時間: 2025-3-23 09:18 作者: 綁架 時間: 2025-3-23 10:00 作者: Erythropoietin 時間: 2025-3-23 15:17
‘My Soul in Agony’: the Terrors of Subjectivity in ‘The Rime of the Ancient Mariner’he poem not just fundamentally incoherent, but exorbitantly so.. We might read the phrase as a kind of self-multiplying and self-deepening tautology: more obscure (Dutch) than obscure (German) obscurity (sublimity).作者: Optic-Disk 時間: 2025-3-23 22:01
‘What never is but only is to be’: the Ontology of the Coleridgean Sublime come to dominate our thinking of the non-presentable in a paralysing and limited way, ‘a(chǎn)s if “God” were in fragments, an Osiris dismembered throughout all our discourse’.. Philosophy, he goes on to argue, should reappropriate the possibility of this thought from its theological history. In this cha作者: 河潭 時間: 2025-3-23 23:31
‘A Specimen of the Sublime dashed to pieces’: Sublimity in the , and the Limbo Constellationed in the Limbo poems. Fragmentary and self-interrupting, it is a text of finitude and non-absoluteness. The relationship between the two texts may be emblematic for the double-sidedness of Coleridge — and of the sublime — on which I have insisted throughout. I close the chapter by comparing my conc作者: 說不出 時間: 2025-3-24 05:05
o have a compelling position in an ongoing conversation about finitude. Drawing on close readings of both his?poetry and prose, it depicts Coleridge as a thinker of ‘the limit‘ with contemporary force.978-1-349-32593-1978-0-230-29506-3作者: Orgasm 時間: 2025-3-24 06:51
Service Research and Innovation a logic which reads off divine presence through signs of authorship which speak out in the landscape. As Raimonda Modiano and Seamus Perry have both noted, this version of the sublime wants to bring nature itself along in the sublime movement of transcendence, not negate it as in Kant.作者: 背帶 時間: 2025-3-24 11:07
‘Ye signs and wonders of the element! Utter forth God’: Divine Presence and Divine Withdrawal in the a logic which reads off divine presence through signs of authorship which speak out in the landscape. As Raimonda Modiano and Seamus Perry have both noted, this version of the sublime wants to bring nature itself along in the sublime movement of transcendence, not negate it as in Kant.作者: 考古學 時間: 2025-3-24 17:12 作者: CARK 時間: 2025-3-24 20:18 作者: enhance 時間: 2025-3-25 00:20 作者: condemn 時間: 2025-3-25 05:29
Mahboobeh Moghaddam,Joseph G. Davisit very simply as ‘a(chǎn) kind of eminence or excellence of discourse’.. Although the Longinian sublime has now receded somewhat from view, it was formerly central, as one can see from Theodore Wood’s classic survey of usage or a representative anthology like that edited by Andrew Ashfield and Peter de B作者: DEMUR 時間: 2025-3-25 07:44 作者: majestic 時間: 2025-3-25 15:32
Teuku Aulia Geumpana,Fethi Rabhi,Liming Zhuo the Departing Year’ — as exemplary of a sublime mode in his early poetic output. Stylistically, Axcelson emphasises the ‘grand, world historical approach … [and] extravagant rhetoric’ of these texts, a set of characteristics echoed by Peter Kitson in singling out ‘The Destiny of Nations’ as articu作者: cuticle 時間: 2025-3-25 17:38
Amin Beheshti,Mustafa Hashmi,Wei Emma Zhangard eighteenth-century terror-sublime. We may see this by beginning with obscurity. Obscurity had an established affinity with the sublime, as we find, for example, in Burke’s preference for perceptions that were dim, indeterminate or irregular. However, in turning to Coleridge’s ‘The Rime of the An作者: pancreas 時間: 2025-3-25 20:15
Service Research and Innovationandscape that would become prototypical in Romantic literary and visual culture, as well as being the . of Kant’s discussion in the .. Hence, any discussion of sublimity in Coleridge’s work must turn at some point to this poem, the writing and revision of which encompassed the period of Coleridge’s 作者: 返老還童 時間: 2025-3-26 01:26
Service Research and Innovationithdrawal from the world, mirroring Kant’s analysis of the Judaic interdiction on idols and the veil of Isis. Far from asserting reconciliation between the sensible and the transcendent (as Coleridge’s visionary aesthetic demanded), the name marked its own inadequacy of reference in a complex, . ges作者: 鼓掌 時間: 2025-3-26 05:49
https://doi.org/10.1007/978-3-030-32242-7the famous final pages of the first volume of the . and the strange, compelling poetry found in the ., usually anthologised in fragments under titles such as ‘On Donne’s First Poem’ or ‘Limbo’. Treating the deduction of the imagination in terms of aesthetics, I argue that Coleridge makes a common Ro作者: 不能根除 時間: 2025-3-26 09:01 作者: ordain 時間: 2025-3-26 12:39 作者: 粉筆 時間: 2025-3-26 17:56 作者: 輕浮女 時間: 2025-3-26 21:52
Introductionf Romanticism, and monographs entitled ‘Poet X and the Sublime’ are predictably common.. If we look at the recent Coleridge’s Writings series, the sublime was chosen as a theme equal in importance to those of politics, humanity, language and religion.. And given Coleridge’s immersion in German thoug作者: 中世紀 時間: 2025-3-27 03:33
‘Violently Agitated by a Real Passion’: Longinus and Coleridge’s Effusionsit very simply as ‘a(chǎn) kind of eminence or excellence of discourse’.. Although the Longinian sublime has now receded somewhat from view, it was formerly central, as one can see from Theodore Wood’s classic survey of usage or a representative anthology like that edited by Andrew Ashfield and Peter de B作者: ANIM 時間: 2025-3-27 05:55 作者: 消息靈通 時間: 2025-3-27 11:01 作者: Mystic 時間: 2025-3-27 15:39 作者: 最后一個 時間: 2025-3-27 18:31 作者: mettlesome 時間: 2025-3-27 21:56 作者: CRACK 時間: 2025-3-28 04:34
‘A Specimen of the Sublime dashed to pieces’: Sublimity in the , and the Limbo Constellationthe famous final pages of the first volume of the . and the strange, compelling poetry found in the ., usually anthologised in fragments under titles such as ‘On Donne’s First Poem’ or ‘Limbo’. Treating the deduction of the imagination in terms of aesthetics, I argue that Coleridge makes a common Ro作者: 廢除 時間: 2025-3-28 09:52
10樓作者: FEMUR 時間: 2025-3-28 11:42
10樓作者: 織布機 時間: 2025-3-28 17:06
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