標(biāo)題: Titlebook: Coleridge‘s Dejection Ode; J.C.C. Mays Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Natu [打印本頁] 作者: FERN 時(shí)間: 2025-3-21 17:54
書目名稱Coleridge‘s Dejection Ode影響因子(影響力)
作者: farewell 時(shí)間: 2025-3-21 23:31
How We Got Where We Are as We Cease to Be There,eteenth century, it was seen as Coleridge’s sad farewell to poetry. At the end of the century and during the earlier part of the twentieth, it provided a reference point for interpreting Coleridge’s ideas of beauty and the Imagination. In the later part of the twentieth century, following the discov作者: isotope 時(shí)間: 2025-3-22 01:11
Editorial Excursion,evealing, they should be understood as separate: both editorially and in terms of literary ambition. The Ode began as an oral composition of highly wrought stanzas and groups of stanzas that stalled: viz. failed to come together as a whole. The Letter incorporated them into a reckless, muddled confe作者: Expertise 時(shí)間: 2025-3-22 06:13 作者: BRAWL 時(shí)間: 2025-3-22 10:39
Language and Allusion,t are not always obvious. The meaning of a word often depends on its etymology and changing history; at other times, it changes as it is heard in a different context. The practice sometimes consolidates meaning, at other times appears to destabilise it, and at all times requires close attention. The作者: 膽小鬼 時(shí)間: 2025-3-22 16:04 作者: 膽小鬼 時(shí)間: 2025-3-22 19:01 作者: 躺下殘殺 時(shí)間: 2025-3-23 00:18 作者: 粘連 時(shí)間: 2025-3-23 04:53
Beyond the Poem,s within a broader frame of reference. Dejection Ode is taken as the central text of a poet-philosopher (as distinct from philosophic poet) for the manner in which it applies the resources of verse to the process of conceptual understanding. Such an enterprise positions Coleridge obliquely to the ma作者: 可忽略 時(shí)間: 2025-3-23 08:56
2691-1256 d “dejection”.Examines the second half of Coleridge’s career.Coleridge‘s Dejection Ode.?completes J.C.C. Mays’ analysis of Coleridge’s poetry, following?.Coleridge’s Ancient Mariner.?(Palgrave 2016) and?.Coleridge’s Experimental Poetics.?(Palgrave 2013).?"Dejection: An Ode" stands alone in Coleridge作者: CANON 時(shí)間: 2025-3-23 13:45
The Case to Be Made,ifferent ways the Ode has been read in the past, its editorial relation to the Letter, the three major dimensions of the style of the Ode, and finally its ideas: how it built a platform for the poems that Coleridge wrote later, and its broader implications.作者: 可觸知 時(shí)間: 2025-3-23 16:16 作者: MOAT 時(shí)間: 2025-3-23 18:04
Editorial Excursion,ssion in an unfinished style, and the published Ode was constructed in reaction against the Letter: compelled by regret that the Letter had ever been sent. There are historical explanations of how two separate textual histories became entangled, and overwhelming other reasons why the original project should be recovered.作者: 神秘 時(shí)間: 2025-3-24 01:57
The Sweet New Style,ing—numb, ecstatic, confused, angry, and reconciled; lonely, shared, and public—as magical in itself as any of the three great Mystery Poems and geared exactly to a specific task. It stands behind the different kind of poetry Coleridge wrote in subsequent years, in ways described in Chapter ..作者: Oversee 時(shí)間: 2025-3-24 04:26 作者: 不斷的變動(dòng) 時(shí)間: 2025-3-24 09:19
Shape into Form,argument is left hanging like a loose thread, so the poem itself hangs from a position outside itself: in equipoise but changing as a reader regards it from changing positions. This is again something never attempted or achieved by Coleridge before.作者: 石墨 時(shí)間: 2025-3-24 10:49
Understanding Feeling, of the Ode in an 1814 essay can lead to erroneous conclusions, as can the attempt to join the argument of the Ode to that of .; and that only thereafter did his thinking begin to recover its earlier direction, with further revision and sophistication.作者: 不溶解 時(shí)間: 2025-3-24 14:50 作者: 彎曲的人 時(shí)間: 2025-3-24 22:15
Beyond the Poem,in English literary tradition, but in a way that challenges a range of present-day assumptions. A fresh reading of “Work without Hope”—a poem often read as a late despairing restatement of Dejection Ode—is used to cement the argument.作者: Kaleidoscope 時(shí)間: 2025-3-25 00:58
Service Productivity Managementifferent ways the Ode has been read in the past, its editorial relation to the Letter, the three major dimensions of the style of the Ode, and finally its ideas: how it built a platform for the poems that Coleridge wrote later, and its broader implications.作者: Venules 時(shí)間: 2025-3-25 04:48 作者: Chronic 時(shí)間: 2025-3-25 09:21
Applying DEA to Health Care Organizations,ssion in an unfinished style, and the published Ode was constructed in reaction against the Letter: compelled by regret that the Letter had ever been sent. There are historical explanations of how two separate textual histories became entangled, and overwhelming other reasons why the original project should be recovered.作者: hangdog 時(shí)間: 2025-3-25 12:20
Government Productivity Management,ing—numb, ecstatic, confused, angry, and reconciled; lonely, shared, and public—as magical in itself as any of the three great Mystery Poems and geared exactly to a specific task. It stands behind the different kind of poetry Coleridge wrote in subsequent years, in ways described in Chapter ..作者: 比賽用背帶 時(shí)間: 2025-3-25 16:43
Data Envelopment Analysis Explained,re are allusions to texts by other authors but most of all to Coleridge’s own: in particular, to his earlier verse. The poem is revealed as a dialogue with his earlier self and a starting point for his later writing, in which changing positions are compared, weighed and adjusted.作者: Acetabulum 時(shí)間: 2025-3-25 23:18
Government Productivity Management,argument is left hanging like a loose thread, so the poem itself hangs from a position outside itself: in equipoise but changing as a reader regards it from changing positions. This is again something never attempted or achieved by Coleridge before.作者: Basilar-Artery 時(shí)間: 2025-3-26 01:21 作者: fibula 時(shí)間: 2025-3-26 04:45 作者: Insul島 時(shí)間: 2025-3-26 09:10 作者: 打谷工具 時(shí)間: 2025-3-26 13:10
Book 2019dge’s Experimental Poetics.?(Palgrave 2013).?"Dejection: An Ode" stands alone in Coleridge‘s oeuvre: written at a time of personal crisis, it reaches far back and deeply into his thinking in an attempt to find a poematic solution to ideas and problems he had mulled over for a long time. Mays reveals作者: Thrombolysis 時(shí)間: 2025-3-26 20:32
Book 2019etter to Sara Hutchinson; re-evaluates the position of Wordsworth in the poem apropos the political statement it makes; clarifies the distinction between the views on Imagination expressed and those contained in .Biographia Literaria.; and traces the links of the concept "dejection" as it underpins 作者: Isthmus 時(shí)間: 2025-3-27 00:23 作者: 眨眼 時(shí)間: 2025-3-27 04:01 作者: 肥料 時(shí)間: 2025-3-27 06:46
J.C.C. MaysReevaluates the position of Wordsworth in “Dejection: An Ode” and its political statement.Clarifies Coleridge’s concepts of “imagination” and “dejection”.Examines the second half of Coleridge’s career作者: 行業(yè) 時(shí)間: 2025-3-27 12:38
Nineteenth-Century Major Lives and Lettershttp://image.papertrans.cn/c/image/229330.jpg作者: heartburn 時(shí)間: 2025-3-27 15:27
https://doi.org/10.1007/978-3-030-04131-1Samuel Taylor Coleridge; William Wordsworth; nineteenth-century literature; Romanticism; Romantic poet; D作者: Irremediable 時(shí)間: 2025-3-27 21:46
The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 世俗 時(shí)間: 2025-3-28 01:09
Service Productivity Managementdes. At the same time, while the writing reaches after detachment, it has by definition, as poetry, also to please; and the two-fold commitment—to understanding and to feeling—determines the course of the argument that follows. This is outlined as it proceeds chapter by chapter, and touches on the d作者: 委屈 時(shí)間: 2025-3-28 04:43
Service Productivity Managementeteenth century, it was seen as Coleridge’s sad farewell to poetry. At the end of the century and during the earlier part of the twentieth, it provided a reference point for interpreting Coleridge’s ideas of beauty and the Imagination. In the later part of the twentieth century, following the discov作者: 割讓 時(shí)間: 2025-3-28 09:17
Applying DEA to Health Care Organizations,evealing, they should be understood as separate: both editorially and in terms of literary ambition. The Ode began as an oral composition of highly wrought stanzas and groups of stanzas that stalled: viz. failed to come together as a whole. The Letter incorporated them into a reckless, muddled confe作者: 分開如此和諧 時(shí)間: 2025-3-28 14:21
Government Productivity Management,ral years of experimentation. The lines of varying length fit an elaborate rhyming pattern that unfolds with appropriate variations through each stanza and the aid of a multi-hinged, predominantly appositive syntax. The resulting movement communicates a subtle and distinctive blend of shades of feel作者: Consensus 時(shí)間: 2025-3-28 14:47 作者: 演講 時(shí)間: 2025-3-28 21:26 作者: BROOK 時(shí)間: 2025-3-29 00:52 作者: Adherent 時(shí)間: 2025-3-29 04:29
