標(biāo)題: Titlebook: Coleridge and the Romantic Newspaper; The ‘Morning Post‘ a Heidi Thomson Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Pri [打印本頁] 作者: 恐怖 時(shí)間: 2025-3-21 18:11
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作者: Pessary 時(shí)間: 2025-3-21 22:44
The Return from Germany,r Daniel Stuart’s . in November 1799. The death of Coleridge’s nine-month-old son, Berkeley, during his stay in Germany marked the beginning of estrangement from his wife Sara. But while relations with his wife were strained upon his return, Coleridge resumed his friendship with his brother-in-law R作者: BRUNT 時(shí)間: 2025-3-22 02:31 作者: Fecal-Impaction 時(shí)間: 2025-3-22 05:51 作者: fleeting 時(shí)間: 2025-3-22 11:28 作者: FIN 時(shí)間: 2025-3-22 13:33
,The 1800 ,, Mary Robinson, and ‘The Mad Monk’,heir . publications. In addition to offering each other mutual admiration and support, Coleridge and Robinson shared confidences about Wordsworth’s domestic and poetic plans. The chapter includes discussions of the connections between Robinson’s . and Wordsworth’s 1800 ., the relevance of Robinson’s作者: FIN 時(shí)間: 2025-3-22 19:11 作者: Compassionate 時(shí)間: 2025-3-22 22:45 作者: obstruct 時(shí)間: 2025-3-23 05:13
,Conclusion: ‘Dejection. An Ode’ in the , as a Palimpsest,It argues that the differences between the April ‘Verse Letter’ and the October newspaper version are not so much a matter of contrasts between so-called private and public versions, but of cumulative layering and resonance, a palimpsest in which the shifts in emphases and addressees are not so much作者: 沙文主義 時(shí)間: 2025-3-23 06:33
José Barbosa,Paulo Leit?o,Joy Teixeira poetic disappointments about Sara Hutchinson and William Wordsworth, for his ideas about reciprocity, and for his own experiments with poetry and poetics. My study blurs the distinction between private and public spheres by considering how Coleridge communicated private matters publicly.作者: Atrium 時(shí)間: 2025-3-23 11:46 作者: 詞匯記憶方法 時(shí)間: 2025-3-23 14:55 作者: 無底 時(shí)間: 2025-3-23 19:31
Jonas Queiroz,Paulo Leit?o,Eugénio Oliveira October 1802. At the same time, Coleridge was also asserting his own poetic identity, against Wordsworth’s, in ‘Chamouni’, and expressing his passion for Sara Hutchinson in ‘The Picture’, ‘The Keep-Sake’, ‘the Day-Dream’, and ‘An Ode on the Rain’.作者: WAX 時(shí)間: 2025-3-24 01:01
Anna De Carolis,Giacomo Tavola,Marco Taischer than most biographies and critical studies have indicated. In the . Coleridge found a place for the performance and circulation of his frustrations and afflictions. By taking the location of publication as the unifying focus of my discussion, I have tried to shed new light on the intricacies of Coleridge’s life and work between 1799 and 1802.作者: 有其法作用 時(shí)間: 2025-3-24 05:20 作者: Mettle 時(shí)間: 2025-3-24 06:46 作者: Intend 時(shí)間: 2025-3-24 11:58
Homeless at Grieta Hall,cription for a Seat by a Road Side’, published on 21 October 1800. The chapter concludes with a discussion of Coleridge’s joyful seaside holiday, in the company of Sara Hutchinson, and a consideration of ‘Ode, After Bathing in the Sea’ and a satirical piece about bathing decorum, both published on 15 September 1801 in the ..作者: NUDGE 時(shí)間: 2025-3-24 16:31
,‘Merely the Emptying Out of My Desk’, October 1802. At the same time, Coleridge was also asserting his own poetic identity, against Wordsworth’s, in ‘Chamouni’, and expressing his passion for Sara Hutchinson in ‘The Picture’, ‘The Keep-Sake’, ‘the Day-Dream’, and ‘An Ode on the Rain’.作者: harrow 時(shí)間: 2025-3-24 20:32 作者: 巫婆 時(shí)間: 2025-3-24 23:50 作者: 情感脆弱 時(shí)間: 2025-3-25 06:56
,The 1800 ,, Mary Robinson, and ‘The Mad Monk’, ‘The Granny Grey’ for her knowledge of Wordsworth’s relationship with Annette Vallon, and the publication of ‘The Mad Monk’. The publication of ‘The Mad Monk’ on 13 October 1800, shortly after the exclusion of ‘Christabel’ from the new edition of ., may be read as Coleridge’s public response to his sense of defeat and abandonment by Wordsworth.作者: Audiometry 時(shí)間: 2025-3-25 09:23
Book 2016ch first published one of his most famous poems,?.Dejection. An Ode. .It?reveals how he found a socially sanctioned public outlet for poetic disappointments and personal frustrations which he could not possibly articulate in any other way.?Featuring fresh, contextual readings of established major po作者: 玉米 時(shí)間: 2025-3-25 14:37 作者: STALE 時(shí)間: 2025-3-25 18:48 作者: 顛簸下上 時(shí)間: 2025-3-25 22:23
Tatiana Avdeenko,Marina Murtazinathe chapter interprets two satirical epigrams, transliterated from the German, in terms of Coleridge’s despondency about his own poetic genius and his troubled emotional state about his wife’s pregnancy.作者: 無法治愈 時(shí)間: 2025-3-26 03:24
https://doi.org/10.1007/978-3-030-03003-2 morale. The chapter concludes with a discussion of Coleridge’s ‘A Stranger Minstrel’, showing its relevance to Coleridge’s appreciation of Mary Robinson and his own unhappy predicament with respect to Sara Hutchinson and his wife.作者: 神秘 時(shí)間: 2025-3-26 04:45 作者: 取消 時(shí)間: 2025-3-26 12:11 作者: 浪費(fèi)時(shí)間 時(shí)間: 2025-3-26 16:33
Mary Robinson and the Poet Coleridge, morale. The chapter concludes with a discussion of Coleridge’s ‘A Stranger Minstrel’, showing its relevance to Coleridge’s appreciation of Mary Robinson and his own unhappy predicament with respect to Sara Hutchinson and his wife.作者: 拋棄的貨物 時(shí)間: 2025-3-26 19:09
https://doi.org/10.1007/978-3-030-03003-2 ‘The Granny Grey’ for her knowledge of Wordsworth’s relationship with Annette Vallon, and the publication of ‘The Mad Monk’. The publication of ‘The Mad Monk’ on 13 October 1800, shortly after the exclusion of ‘Christabel’ from the new edition of ., may be read as Coleridge’s public response to his sense of defeat and abandonment by Wordsworth.作者: gout109 時(shí)間: 2025-3-26 23:17
omplex and ambivalent private emotions about his marriage, his relationship with the Wordsworths and the Hutchinsons, and the effect of these dynamics on his own poetry and poetics.978-3-319-81168-0978-3-319-31978-0作者: diabetes 時(shí)間: 2025-3-27 03:40
José Barbosa,Paulo Leit?o,Joy Teixeira personal nature in the unambiguously public space of the newspaper. The focus is on Coleridge’s personal and poetical relationships between 1799, when he returned from Germany, and 1802, when he published ‘Dejection. An Ode’ in the . newspaper on 4 October, the wedding day of his best friend Willia作者: Intercept 時(shí)間: 2025-3-27 07:29 作者: Inferior 時(shí)間: 2025-3-27 12:10
https://doi.org/10.1007/978-3-319-73751-5er reconfigured as ‘Love’, this poem proclaimed Coleridge’s love for Sara Hutchinson and his need for a sympathetic audience. In a reading of both the letter ‘To the Editor of the .’ and the poem itself, I analyse how this poem departs from ‘The Eolian Harp’ and how it stages an alternative response作者: PRE 時(shí)間: 2025-3-27 14:37 作者: Misnomer 時(shí)間: 2025-3-27 20:20
Architecture for Production Internetlt in the Lake District through a study of newspaper notices, articles, and poems. I relate the use of the word ‘Grieta’, and its associations with loud lamentation, to the publication of ‘To an Old Man’ on 16 July 1801. I attribute the . notice about Wordsworth’s wedding to Coleridge through a cont作者: Cursory 時(shí)間: 2025-3-27 22:13 作者: impaction 時(shí)間: 2025-3-28 04:13 作者: 核心 時(shí)間: 2025-3-28 08:17 作者: limber 時(shí)間: 2025-3-28 11:52 作者: 可轉(zhuǎn)變 時(shí)間: 2025-3-28 15:51
Heidi ThomsonLooks at a significant yet under-explored period/aspect of Coleridge‘s career and literary output.Fills a considerable gap in understandings of Coleridge’s private torment and how this relates to his 作者: Indelible 時(shí)間: 2025-3-28 21:04 作者: 誰在削木頭 時(shí)間: 2025-3-29 02:47 作者: charisma 時(shí)間: 2025-3-29 03:49 作者: 業(yè)余愛好者 時(shí)間: 2025-3-29 08:19
10樓作者: 偏狂癥 時(shí)間: 2025-3-29 11:48
10樓作者: CLAY 時(shí)間: 2025-3-29 15:36
10樓
