標(biāo)題: Titlebook: Cognition, Mindreading, and Shakespeare‘s Characters; Nicholas R. Helms Book 2019 The Editor(s) (if applicable) and The Author(s), under e [打印本頁(yè)] 作者: STRI 時(shí)間: 2025-3-21 17:05
書目名稱Cognition, Mindreading, and Shakespeare‘s Characters影響因子(影響力)
書目名稱Cognition, Mindreading, and Shakespeare‘s Characters影響因子(影響力)學(xué)科排名
書目名稱Cognition, Mindreading, and Shakespeare‘s Characters網(wǎng)絡(luò)公開度
書目名稱Cognition, Mindreading, and Shakespeare‘s Characters網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Cognition, Mindreading, and Shakespeare‘s Characters被引頻次
書目名稱Cognition, Mindreading, and Shakespeare‘s Characters被引頻次學(xué)科排名
書目名稱Cognition, Mindreading, and Shakespeare‘s Characters年度引用
書目名稱Cognition, Mindreading, and Shakespeare‘s Characters年度引用學(xué)科排名
書目名稱Cognition, Mindreading, and Shakespeare‘s Characters讀者反饋
書目名稱Cognition, Mindreading, and Shakespeare‘s Characters讀者反饋學(xué)科排名
作者: 廣告 時(shí)間: 2025-3-21 23:58
Cognition, Mindreading, and Shakespeare‘s Characters作者: ADORE 時(shí)間: 2025-3-22 01:34 作者: ETHER 時(shí)間: 2025-3-22 07:35
Reading the Mind: Cognitive Science and Close Reading,uing for a criticism that considers characters as if they were real people living in recognizable worlds. Mindreading is the human ability to look at a person or a literary character and contemplate what that person is thinking, feeling, and planning. Drawing particularly on the work of Simon Baron-作者: semiskilled 時(shí)間: 2025-3-22 10:14
Inferring the Mind: Parasites and the Breakdown of Inference in ,,wn as levels of intentionality. Inference is a powerful tool for predicting human behavior based upon general principles, but as those principles are applied to more and more complex cases, inference can overload the mind and lead to misreading. Reading the minds of others can be a form of parasitis作者: CAMP 時(shí)間: 2025-3-22 15:40
Imagining the Mind: Empathy and Misreading in ,d simultaneously. To circumvent this difficulty, characters rely on the empathic connection they have with others, and overconfidence in that empathy leads to misreading. Recent criticism has focused on the inferential errors that Claudio makes when he misinterprets Hero’s blush in act four. Drawing作者: CAMP 時(shí)間: 2025-3-22 17:23 作者: Adornment 時(shí)間: 2025-3-22 22:11 作者: 災(zāi)禍 時(shí)間: 2025-3-23 02:37
Reading Incoherence: How Shakespeare Speaks Back to Cognitive Science,cal realm of experience, such as early modern madness. Contemporary cognitive science has shown difficulty conceptualizing non-normative modes of thought, particularly those the field classifies as “empathy deficit disorders,” such as autism, psychopathy, and sociopathy. While theories of mindreadin作者: Vasoconstrictor 時(shí)間: 2025-3-23 07:19
,Mindreading as Engagement: Active Spectators and “The Strangers’ Case”, much mindreading can occur automatically and unconsciously, both inference and imagination draw upon the mindreader’s own knowledge and experiences to flesh out the target of mindreading. As such, all literary characters are constructed, in part, from a mindreader’s own mind. Helms illustrates this作者: 遣返回國(guó) 時(shí)間: 2025-3-23 10:13
Nicholas R. HelmsApplies theories of mindreading to Shakespeare.Considers disability studies and age studies.Provides practical methods for scholars, students, and performers作者: Headstrong 時(shí)間: 2025-3-23 17:42 作者: 反對(duì) 時(shí)間: 2025-3-23 21:24 作者: dissolution 時(shí)間: 2025-3-24 00:06
https://doi.org/10.1007/978-3-030-03565-5cognitive pyschology; cognitive literary studies; literary disability studies; ecocriticism; literary an作者: 我沒有強(qiáng)迫 時(shí)間: 2025-3-24 04:20 作者: 廚房里面 時(shí)間: 2025-3-24 06:53 作者: 枕墊 時(shí)間: 2025-3-24 13:52
https://doi.org/10.1007/978-3-658-36149-5uing for a criticism that considers characters as if they were real people living in recognizable worlds. Mindreading is the human ability to look at a person or a literary character and contemplate what that person is thinking, feeling, and planning. Drawing particularly on the work of Simon Baron-作者: LUMEN 時(shí)間: 2025-3-24 17:20 作者: Cloudburst 時(shí)間: 2025-3-24 21:50
https://doi.org/10.1007/978-3-658-36362-8d simultaneously. To circumvent this difficulty, characters rely on the empathic connection they have with others, and overconfidence in that empathy leads to misreading. Recent criticism has focused on the inferential errors that Claudio makes when he misinterprets Hero’s blush in act four. Drawing作者: nocturnal 時(shí)間: 2025-3-24 23:16
Maike Napp-Zinn,Ottmar L. Braun a story where inference frames strongly imaginative character building. . illustrates how inference and imagination might be integrated through Mark Johnson’s theory of conceptual blending: in the case of Duke Orsino, inference and imagination can blend together to produce ambiguity and surprise. A作者: 聽寫 時(shí)間: 2025-3-25 06:50 作者: 收集 時(shí)間: 2025-3-25 07:54
D. Georg Adlmaier-Herbst,Annette Mayercal realm of experience, such as early modern madness. Contemporary cognitive science has shown difficulty conceptualizing non-normative modes of thought, particularly those the field classifies as “empathy deficit disorders,” such as autism, psychopathy, and sociopathy. While theories of mindreadin作者: 蝕刻 時(shí)間: 2025-3-25 11:55 作者: NAG 時(shí)間: 2025-3-25 17:33
https://doi.org/10.1007/978-3-658-36149-5Cohen and Alvin Goldman, Helms reviews contemporary cognitive science and the philosophy of mind to identify two methods of mindreading: inference (the theory-theory of mindreading) and imagination (the simulation theory of mindreading). Helms adds to this conversation by applying cognitive science to discussions of character in Shakespeare’s ..作者: 吼叫 時(shí)間: 2025-3-25 21:59
https://doi.org/10.1007/978-3-658-36362-8m, a cognitive adaptation Lisa Zunshine describes as “promiscuous, voracious, and proactive.” Helms reads Iago as a social parasite, tracking the development of the parasite character type in Machiavelli’s ., Jonson’s ., and Webster’s ..作者: Pericarditis 時(shí)間: 2025-3-26 00:55 作者: outer-ear 時(shí)間: 2025-3-26 05:59
Book 2019ven after leaving the playhouse. Using this cognitive literary approach, Helms reveals how misreading fuels Shakespeare’s enduring popular appeal and investigates the ways in which Shakespeare’s characters can both corroborate and challenge contemporary cognitive theories of the human mind..作者: 彈藥 時(shí)間: 2025-3-26 08:53
https://doi.org/10.1007/978-3-658-36149-5 his character and that continues to contemplate the moral ramifications of such characters even after leaving the playhouse. Misreading fuels Shakespeare’s popular appeal and the enduring effect his works have had upon modern and early modern culture.作者: debouch 時(shí)間: 2025-3-26 15:04
https://doi.org/10.1007/978-3-658-36362-8cts to misreading of emotions, arguing that Claudio’s trouble is not external—social forces or erroneous impressions—but internal; Claudio follows the tide of imagination, failing to combine inferential distance with his own readings of others.作者: 乳汁 時(shí)間: 2025-3-26 19:04
Maike Napp-Zinn,Ottmar L. Braun When Orsino threatens to kill Cesario in the final act, these two interpretations suddenly combine into one via conceptual blending, the combination of discrete inputs into a coherent, gestalt-like whole.作者: 前奏曲 時(shí)間: 2025-3-26 22:36 作者: 特別容易碎 時(shí)間: 2025-3-27 03:07
D. Georg Adlmaier-Herbst,Annette Mayers . depicts the mad as opaque to society, inaccessible to inference or imagination alone. Incoherence operates similarly in ., a play where Shakespeare omits explicit motivations for his characters’ actions, crafting easily misread minds that catalyze his play’s conflicts and moral dilemmas.作者: 漂亮才會(huì)豪華 時(shí)間: 2025-3-27 07:31 作者: curettage 時(shí)間: 2025-3-27 13:04
,The Mind’s Construction: An Introduction to Mindreading in Shakespeare, his character and that continues to contemplate the moral ramifications of such characters even after leaving the playhouse. Misreading fuels Shakespeare’s popular appeal and the enduring effect his works have had upon modern and early modern culture.作者: NAIVE 時(shí)間: 2025-3-27 14:17 作者: 他日關(guān)稅重重 時(shí)間: 2025-3-27 21:45
Integrating Minds: Blending Methods in , and , When Orsino threatens to kill Cesario in the final act, these two interpretations suddenly combine into one via conceptual blending, the combination of discrete inputs into a coherent, gestalt-like whole.作者: 種類 時(shí)間: 2025-3-27 22:33
Finding the Frame: Inference in , and ,tion. Understanding the choices Shakespeare’s characters make can require setting aside one’s own contemporary theories of decay and inferentially adopting theirs, thinking through the lives of carrion flies alongside the lives of these young lovers.作者: irreparable 時(shí)間: 2025-3-28 03:38
Reading Incoherence: How Shakespeare Speaks Back to Cognitive Science,s . depicts the mad as opaque to society, inaccessible to inference or imagination alone. Incoherence operates similarly in ., a play where Shakespeare omits explicit motivations for his characters’ actions, crafting easily misread minds that catalyze his play’s conflicts and moral dilemmas.作者: 抗體 時(shí)間: 2025-3-28 06:50 作者: FUSE 時(shí)間: 2025-3-28 13:43
2945-7297 s, and performers.Cognition, Mindreading, and Shakespeare‘s Characters .brings cognitive science to Shakespeare, applying contemporary theories of mindreading to Shakespeare’s construction of character. Building on the work of the philosopher Alvin Goldman and cognitive literary critics such as Bruc作者: 最初 時(shí)間: 2025-3-28 14:59 作者: 胖人手藝好 時(shí)間: 2025-3-28 20:42
Inferring the Mind: Parasites and the Breakdown of Inference in ,,m, a cognitive adaptation Lisa Zunshine describes as “promiscuous, voracious, and proactive.” Helms reads Iago as a social parasite, tracking the development of the parasite character type in Machiavelli’s ., Jonson’s ., and Webster’s ..作者: Pamphlet 時(shí)間: 2025-3-29 02:31
10樓作者: GEM 時(shí)間: 2025-3-29 03:41
10樓
