標(biāo)題: Titlebook: Classification of Musical Objects for Analysis and Composition; Linshujie Zheng,Guerino Mazzola Book 2023 The Editor(s) (if applicable) an [打印本頁] 作者: 可怖 時間: 2025-3-21 17:30
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書目名稱Classification of Musical Objects for Analysis and Composition讀者反饋
書目名稱Classification of Musical Objects for Analysis and Composition讀者反饋學(xué)科排名
作者: 注意到 時間: 2025-3-21 22:36 作者: 簡潔 時間: 2025-3-22 00:28
Classification of Musical Objects for Analysis and Composition978-3-031-30183-4Series ISSN 1868-0305 Series E-ISSN 1868-0313 作者: impaction 時間: 2025-3-22 07:27 作者: 星球的光亮度 時間: 2025-3-22 10:55
Sigrun Marie Moss,Hajj Mohammed Hajj motifs, and rhythms, or else digraph maps from a digraph to a topological space/category. They are local since they are not built as configurations of smaller subsets..We describe in detail the theorem of classification of local compositions, including its proof.作者: 才能 時間: 2025-3-22 15:19
Ana Carolina Esteves Dias,Derek Armitageird 0, 4 with a minor third 4, 7. Third chains are important in harmony, and we shall demonstrate how they are applied to the management of harmonic contents of general chords. This approach is important for the harmonic analysis of musical compositions.作者: 才能 時間: 2025-3-22 18:55 作者: Cytology 時間: 2025-3-22 22:05 作者: 串通 時間: 2025-3-23 01:33 作者: Thyroid-Gland 時間: 2025-3-23 06:33 作者: adulterant 時間: 2025-3-23 09:46
978-3-031-30185-8The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: gonioscopy 時間: 2025-3-23 15:00
https://doi.org/10.1007/978-3-319-91920-1 artistic perspective of classification, in particular its often subconscious presence while musical creativity is operated. A basis of any serious investigation of musical objects/structures is the project of their reliable and precise conceptual description. And also being useful for the software 作者: 格言 時間: 2025-3-23 21:37
Lyubomir Pozharliev,Danae Gallo Gonzálezsoftware RUBATO.. However, with regard to the newer concepts of musical gestures, we now extend forms and denotators from module categories to include directed graph topoi as well as topological categories.作者: Synovial-Fluid 時間: 2025-3-24 00:50 作者: 恃強凌弱 時間: 2025-3-24 04:46 作者: Tailor 時間: 2025-3-24 08:13 作者: vocation 時間: 2025-3-24 14:41
https://doi.org/10.1007/978-3-030-99914-8This initial chapter deals with the very definition of classification. Such a definition must specify the structures to be dealt with and also the relationships among these structures.作者: 臨時抱佛腳 時間: 2025-3-24 17:52
https://doi.org/10.1007/978-3-030-99914-8This short chapter introduces first the global architecture of ontology of music, which this book is going to use extensively as an initial classifying perspective.作者: MAL 時間: 2025-3-24 20:57 作者: 充氣球 時間: 2025-3-25 00:51
Sigrun Marie Moss,Hajj Mohammed HajjThe Escher Theorem establishes an isomorphism (classification) among hyperdenotator (denotators of denotators) sets for a sequence of addresses, i.e., modules or digraphs. It establishes an isomorphism between different permutations of address sequences when applied to simple forms.作者: 杠桿支點 時間: 2025-3-25 04:44
Sigrun Marie Moss,Hajj Mohammed HajjThis chapter deals with chords, i.e., zero-addressed local composition denotators ., i.e. K : 0@.{c1 . . . ck} for the form . : .(.). Such denotators can also be interpreted as a 12-periodic rhythms, we shall occasionally consider this latter point of view.作者: Irrigate 時間: 2025-3-25 09:34 作者: 幾何學(xué)家 時間: 2025-3-25 15:24
Ana Carolina Esteves Dias,Derek ArmitageWe discuss the application of third chain classification to Riemannian harmony for general chords.作者: Yourself 時間: 2025-3-25 18:25 作者: MUT 時間: 2025-3-25 21:09
Ana Carolina Esteves Dias,Derek ArmitageClassical Fuxian counterpoint is based upon a dichotomy of the set of 12 intervals within the set of pitch classes, specifying six consonances versus six dissonances. We characterize this dichotomy by its unique autocomplementarity symmetry that exchanges consonances and dissonances, and we calculate all possible dichotomies with this property.作者: Sigmoidoscopy 時間: 2025-3-26 01:53 作者: liposuction 時間: 2025-3-26 07:00
Toward a Pedagogy of Cultural RelevanceThis section concludes the discussion of local classification with a presentation of the variety of dodecaphonic series.作者: 贊美者 時間: 2025-3-26 12:30 作者: thwart 時間: 2025-3-26 16:27
Ontology, Oniontology, and CreativityThis short chapter introduces first the global architecture of ontology of music, which this book is going to use extensively as an initial classifying perspective.作者: 指耕作 時間: 2025-3-26 20:49 作者: 昏暗 時間: 2025-3-26 22:11 作者: 一大塊 時間: 2025-3-27 02:48 作者: DUCE 時間: 2025-3-27 06:33 作者: Heart-Attack 時間: 2025-3-27 13:13
Harmony through Third ChainsWe discuss the application of third chain classification to Riemannian harmony for general chords.作者: pacifist 時間: 2025-3-27 17:35
Counterpoint WorldsThe classification of strong dichotomies yields a basis for the rules of counterpoint. We discuss some “exotic” counterpoint worlds (five besides the Fux world) that are generated by this classification.作者: deceive 時間: 2025-3-27 20:58
Strong Interval DichotomiesClassical Fuxian counterpoint is based upon a dichotomy of the set of 12 intervals within the set of pitch classes, specifying six consonances versus six dissonances. We characterize this dichotomy by its unique autocomplementarity symmetry that exchanges consonances and dissonances, and we calculate all possible dichotomies with this property.作者: 真實的人 時間: 2025-3-28 00:54
Microtonal Contrapuntal TheoriesWe shortly present the extension of counterpoint worlds to microtonal environments, an extension that would be very problematic, if at all possible, without the theory exposed above.作者: Occupation 時間: 2025-3-28 05:55 作者: 進取心 時間: 2025-3-28 07:57
Classification of Musical Objects for Analysis and Composition作者: Confound 時間: 2025-3-28 13:47 作者: 尊重 時間: 2025-3-28 14:46 作者: BILIO 時間: 2025-3-28 21:58
Denotators over General Categoriessoftware RUBATO.. However, with regard to the newer concepts of musical gestures, we now extend forms and denotators from module categories to include directed graph topoi as well as topological categories.作者: 寬度 時間: 2025-3-29 00:26
Gestural Denotators: A First Overviewo a first step to a software-oriented implementation of gestural perspectives. This generalization generates a powerful conceptual symmetry between compositions and gestures. Both contexts start with simple forms, be it over the category of modules or the category of digraphs. Presheaves over these 作者: Palter 時間: 2025-3-29 04:58 作者: 語言學(xué) 時間: 2025-3-29 07:55
Third Chain Classesird 0, 4 with a minor third 4, 7. Third chains are important in harmony, and we shall demonstrate how they are applied to the management of harmonic contents of general chords. This approach is important for the harmonic analysis of musical compositions.作者: 填滿 時間: 2025-3-29 13:36
1868-0305 music.Accessible to mathematically non-trained readers.This book presents and discusses the fundamental topic of classification of musical objects, such as chords, motifs, and gestures. Their classification deals with the exhibition of isomorphism classes. Our structure types include local and glob作者: exquisite 時間: 2025-3-29 15:41 作者: GULP 時間: 2025-3-29 21:05 作者: ASTER 時間: 2025-3-30 01:18
Formal Representation of Musical Structuresvestigation of musical objects/structures is the project of their reliable and precise conceptual description. And also being useful for the software management of music. Such a representation should include not only the objects, but also their possible relationships.作者: 開玩笑 時間: 2025-3-30 05:21
Gestural Denotators: A First Overviewmpositions and gestures. Both contexts start with simple forms, be it over the category of modules or the category of digraphs. Presheaves over these categories then introduce higher compound concepts by one and the same topostheoretical technique starting from Yoneda’s Lemma.作者: phlegm 時間: 2025-3-30 11:44
Book 2023ions of classical and jazz styles...We also discuss software that enables the application of classification to musical creativity...The volume is addressed to an audience that would apply classification to programming and creative musical construction..作者: 史前 時間: 2025-3-30 12:52 作者: 表臉 時間: 2025-3-30 19:31
8樓作者: ACME 時間: 2025-3-30 22:51
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9樓作者: Inflammation 時間: 2025-3-31 05:11
9樓作者: Delectable 時間: 2025-3-31 11:20
9樓作者: Forehead-Lift 時間: 2025-3-31 13:26
10樓作者: Minutes 時間: 2025-3-31 18:00
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