標題: Titlebook: Classical Masculinity and the Spectacular Body on Film; The Mighty Sons of H Daniel O’Brien Book 2014 Palgrave Macmillan, a division of Mac [打印本頁] 作者: 郊區(qū) 時間: 2025-3-21 16:07
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書目名稱Classical Masculinity and the Spectacular Body on Film讀者反饋學(xué)科排名
作者: 在前面 時間: 2025-3-22 00:10 作者: 創(chuàng)造性 時間: 2025-3-22 01:49
Hercules Reformedms in terms of academic debates in this field. From its initial reception onwards, the film’s representation of Hercules has been identified as substantially and significantly different from that embodied by Steve Reeves in . and . (Francisci, 1959). I am interested in the nature of this difference,作者: 膽小鬼 時間: 2025-3-22 08:28
Hercules Diminishede film is linked to the Italian-produced . films on various levels: chronological, thematic, industrial and economic. It was financed and distributed by Hollywood major Columbia Pictures and filmed in 1961, the mid-point of the . cycle and shortly after the US release of . in 1960. Very few American作者: MUTED 時間: 2025-3-22 12:36
Hercules Rebootednd television, as with . (Arthur A. Seidelman, 1969), a low-budget comedy starring Arnold Schwarzenegger as an immature, arrogant demigod. The US-Italian co-production . (Luigi Cozzi, 1983), starring bodybuilder Lou Ferrigno, revived the hero as a sword-and-sorcery protagonist whose bulky physique s作者: resistant 時間: 2025-3-22 13:12
I’m Spartacus!st-classical, Christian male forms (lithe and lean) as illustrated by the Hercules figure versus the figure of Christ on the cross. While not all Greco-Roman forms of masculinity are as enlarged as the Herculean model, classical action films, . or otherwise, may purposely posit the two forms in oppo作者: resistant 時間: 2025-3-22 17:08 作者: 撫慰 時間: 2025-3-22 22:22 作者: 全能 時間: 2025-3-23 05:26
Fight Like a Manah in . (Francisci, 1963). Though clad in armour and carrying weapons, they do not engage in actual combat, whether against men or other women. . (Leonviola, 1963) depicts women fighting for the entertainment of their queen, inflicting both wounds and fatalities on each other. While individual skill作者: metropolitan 時間: 2025-3-23 07:42 作者: 合唱團 時間: 2025-3-23 12:17
Doom’s Childrens era, including those associated, however loosely, with the Reagan presidency. Ronald Reagan’s Republican administration (1981–1989) promoted ideas and images of masculine toughness that drew in part on the male body, though Reagan was not the creative progenitor of this ideal, rather a refraction 作者: 細微差別 時間: 2025-3-23 16:48 作者: 南極 時間: 2025-3-23 20:50 作者: 健談 時間: 2025-3-24 01:06 作者: 釘牢 時間: 2025-3-24 04:40
Hercules Rebootedsequel, shot back-to-back, was barely released. The demigod achieved a higher profile in the television series . (1995–9), starring Kevin Sorbo, and the Disney animated feature . (Ron Clements, John Musker, 1997), both of which generated shortlived TV spinoffs focused on the young Hercules.作者: 脊椎動物 時間: 2025-3-24 10:04 作者: 赦免 時間: 2025-3-24 13:35 作者: LIKEN 時間: 2025-3-24 17:17
Hercules Reformedntially and significantly different from that embodied by Steve Reeves in . and . (Francisci, 1959). I am interested in the nature of this difference, how it has been presented in previous commentary and what if may reflect of wider debates during the early 1960s, both in Italy and elsewhere.作者: spinal-stenosis 時間: 2025-3-24 20:41 作者: constitutional 時間: 2025-3-25 00:16
F. H. Bronson,Claude Desjardinsisation, individualism and humanism, and intellectual prowess: ‘Every age in Greece recast Herakles in its own image, and he thus became the incarnation of her history and aspirations’ (Galinsky, 1972, pp. 148–9). While this parallel may be criticised as simplistic, the progression outlined by Galin作者: 后退 時間: 2025-3-25 04:11
Henry P. David Ph.D.,Henry P. Mclntyre Ph.D. to existing ., which involved a relatively small financial outlay and the chance of a significant profit in relation to cost. A new project, by contrast, entailed a significant period of gestation— through initial pitches to post-production — with no guarantee that the . genre would still be popula作者: 去掉 時間: 2025-3-25 07:38 作者: Explosive 時間: 2025-3-25 14:56
Concepts in the Study of Animal Behavior,masculinity and signifying “biological” disparity between the genders’ (Bolin, 1996, p, 126). A strong, muscular figure can only be male, as women, by their nature, cannot attain this form, although there are female bodybuilders and, moreover, a physique achieved through bodybuilding is itself hardl作者: 繼而發(fā)生 時間: 2025-3-25 19:48
https://doi.org/10.1007/978-1-4684-2625-0 island. Oomphale commands an army of men but seems concerned mainly with selecting a succession of male sexual partners, who are routinely killed and embalmed as trophies once she has tired of them. An tinea’s ambitions, however, are not confined to Atlantis or her own sexual appetite, extending ac作者: aphasia 時間: 2025-3-25 21:07
Mechanisms of Microspore Embryogenesiss hit on the nose with a shield, drawing blood, the injury is played for laughs. Despite scenes of the Amazons in training, their first combat, late in the film, is depicted as a scrappy, graceless catfight among themselves, complete with biting, kicks in the rear and torn clothing. Attacked by male作者: nocturnal 時間: 2025-3-26 03:13
Reproductive Biology of Bacteria,te male skin could be problematic due to its association with ‘peasants and working-class labour’ (Dyer, 1997, p. 49). Subsequently, it became valued for connoting manliness, health, leisure and affluence; it was also associated closely with the predominantly white bodybuilding culture.作者: 個人長篇演說 時間: 2025-3-26 05:28 作者: ABYSS 時間: 2025-3-26 08:28 作者: 悅耳 時間: 2025-3-26 16:29
https://doi.org/10.1007/978-1-4612-2866-0er and racial politics. For all the film’s limitations, it features at least two notable scenes. During a combat sequence, two female gladiators drop their weapons, weep and embrace, and take their own lives rather than kill each other. Furthermore, their actions connote defiance, strength and frien作者: BOLUS 時間: 2025-3-26 17:55 作者: BIPED 時間: 2025-3-27 00:38
Hercules Unchainedisation, individualism and humanism, and intellectual prowess: ‘Every age in Greece recast Herakles in its own image, and he thus became the incarnation of her history and aspirations’ (Galinsky, 1972, pp. 148–9). While this parallel may be criticised as simplistic, the progression outlined by Galin作者: vitrectomy 時間: 2025-3-27 01:11 作者: Armory 時間: 2025-3-27 06:11
I’m Spartacus!and iconography is beyond question. Leon Hunt describes the crucified body as contradictor)’, exhibiting passivity and control, humiliation and nobility (of sacrifice), eroticism and (religious) transcendence (Hunt, 1993, p. 73). Over the centuries, these contradictions have been carried over and of作者: commune 時間: 2025-3-27 12:50
The Loves of Herculesmasculinity and signifying “biological” disparity between the genders’ (Bolin, 1996, p, 126). A strong, muscular figure can only be male, as women, by their nature, cannot attain this form, although there are female bodybuilders and, moreover, a physique achieved through bodybuilding is itself hardl作者: 王得到 時間: 2025-3-27 15:31
The Temptress from Beyond island. Oomphale commands an army of men but seems concerned mainly with selecting a succession of male sexual partners, who are routinely killed and embalmed as trophies once she has tired of them. An tinea’s ambitions, however, are not confined to Atlantis or her own sexual appetite, extending ac作者: 休戰(zhàn) 時間: 2025-3-27 19:51 作者: 脆弱帶來 時間: 2025-3-27 23:24 作者: Breach 時間: 2025-3-28 05:31
Doom’s Children. 148). By implication at least, these same values are denied the non-white body, marked as an alien entity that lacks true masculinity. This approach may be criticised as over-generalised and overly simplistic, suggesting as it does that racial tensions within America were being addressed and worke作者: Mercantile 時間: 2025-3-28 07:17 作者: Kinetic 時間: 2025-3-28 12:39 作者: 蟄伏 時間: 2025-3-28 18:13 作者: 專心 時間: 2025-3-28 20:52 作者: 做作 時間: 2025-3-28 23:05
Book 2014The muscle-bound male body is a perennial feature of classically-inflected action cinema. This book reassesses these films as a cinematic form, focusing on the depiction of heroic masculinity. In particular, Hercules in his many incarnations has greatly influenced popular cultural interpretations of manliness and the exaggerated male form.作者: floodgate 時間: 2025-3-29 05:30 作者: 典型 時間: 2025-3-29 08:06
978-1-349-48102-6Palgrave Macmillan, a division of Macmillan Publishers Limited 2014作者: 緩和 時間: 2025-3-29 11:35
Heinz Fraenkel-Conrat,Robert R. Wagnerin forms linked to classical Greco-Roman culture. Examples include muscle-bound heroes of Italian silent film, the . cycle launched by . (Pietro Francisci, 1958), Hollywood epics such as . (Stanley Kubrick, 1960) and the 1980s sword-and-sorcery cycle and post-millennial epics such as . (Wolfgang Pet作者: 加花粗鄙人 時間: 2025-3-29 19:22
F. H. Bronson,Claude Desjardinsns of Hercules, or Herakles, may date back to the eighth century BC, with more permutations than any other mythological figure, characterised variously as both tragic and comic, a lecher, a glutton, a romantic, a symbol of virtue, an intellectual and an embodiment of extraordinary physical strength 作者: 果仁 時間: 2025-3-29 20:27
Neural Control of Gonadotropin Secretionms in terms of academic debates in this field. From its initial reception onwards, the film’s representation of Hercules has been identified as substantially and significantly different from that embodied by Steve Reeves in . and . (Francisci, 1959). I am interested in the nature of this difference,作者: 時代錯誤 時間: 2025-3-30 02:52
Henry P. David Ph.D.,Henry P. Mclntyre Ph.D.e film is linked to the Italian-produced . films on various levels: chronological, thematic, industrial and economic. It was financed and distributed by Hollywood major Columbia Pictures and filmed in 1961, the mid-point of the . cycle and shortly after the US release of . in 1960. Very few American作者: esculent 時間: 2025-3-30 05:45
Henry P. David Ph.D.,Henry P. Mclntyre Ph.D.nd television, as with . (Arthur A. Seidelman, 1969), a low-budget comedy starring Arnold Schwarzenegger as an immature, arrogant demigod. The US-Italian co-production . (Luigi Cozzi, 1983), starring bodybuilder Lou Ferrigno, revived the hero as a sword-and-sorcery protagonist whose bulky physique s
