標題: Titlebook: Class, Culture and Tragedy in the Plays of Jez Butterworth; Sean McEvoy Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 Jez [打印本頁] 作者: 司法權 時間: 2025-3-21 18:36
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作者: 財主 時間: 2025-3-21 23:34
ys and traces the evolution of both his dramatic technique aJez Butterworth is undoubtedly one of the most popular and commercially successful playwrights to have emerged in Britain in the early twenty-first century. This book, only the second so far to have been written on him, argues that the powe作者: colostrum 時間: 2025-3-22 03:29
Arzneimittel in der Palliativmedizin,fied nature and for fulfilled desire are united together in the figure of Joy. Her emotionally stunted marriage provokes vengefulness and self-hatred. She only glimpses freedom in a dream of running in the wood which haunts Ned’s nightmare. She fails to escape and ends a tragic figure caught between two uncomprehending comic men.作者: ANTH 時間: 2025-3-22 04:33
W. Diemer,M. Freistühler,M. Th?nstation of himself as Yeats’s Aengus the play draws on a variety of myths and fictional narratives to reveal the self-delusion and powerlessness of The Man, whose lack of concern for truth and fidelity leaves him frozen in time, not in ecstasy: rather as a ghost of himself.作者: agglomerate 時間: 2025-3-22 09:12
Teamarbeit und Selbstreflexion,for its characters. Tragic allusion and the supernatural come together in the play’s final moments where in Quinn’s rash actions can be seen to evoke an immanent force hitherto outside history which erupts into the present, figured by the banshee. Yet . can perhaps be seen to be present enduring colonialist stereotypes.作者: Coma704 時間: 2025-3-22 14:07 作者: Coma704 時間: 2025-3-22 18:40
J?rg Christian Brokmann,Rolf Rossaintther and son relationships. Finally, the comic framing of play’s violent ending possesses the ideological subversiveness of Jacobean tragedy rather than being a Nietzschean tragic presentation of postmodern affectless cruelty.作者: 獸皮 時間: 2025-3-22 22:20 作者: 廣大 時間: 2025-3-23 04:28
https://doi.org/10.1007/978-3-642-36997-1s brutal world. Even the pervasive warplanes, which represent a state violence in tune with both nature and the play’s men, reorient themselves when they encounter the fort. A supernatural force figures and speaks to present anxieties.作者: Antagonism 時間: 2025-3-23 08:54 作者: Hyperplasia 時間: 2025-3-23 11:33 作者: 死貓他燒焦 時間: 2025-3-23 16:23 作者: 冬眠 時間: 2025-3-23 18:15
Exclusion from the Garden: , (2002),nhabitants of Fen Ditton is marked by their membership of an absurd, archaic Christian cult. Unlike the mysterious presence of the past haunting later plays it shows how comically marginalised they have become.作者: intangibility 時間: 2025-3-24 01:28
Homage: , (2006),s brutal world. Even the pervasive warplanes, which represent a state violence in tune with both nature and the play’s men, reorient themselves when they encounter the fort. A supernatural force figures and speaks to present anxieties.作者: Pander 時間: 2025-3-24 02:58
The Enchanted Wood: , (2009),d by classical literary allusion destabilising the notion that Flintock must remain as it is now. . locates an idea of the sacred in the material land of England itself, but is far from evoking xenophobic nationalism.作者: 墻壁 時間: 2025-3-24 09:29
Drought: , (2008),fied nature and for fulfilled desire are united together in the figure of Joy. Her emotionally stunted marriage provokes vengefulness and self-hatred. She only glimpses freedom in a dream of running in the wood which haunts Ned’s nightmare. She fails to escape and ends a tragic figure caught between two uncomprehending comic men.作者: 現(xiàn)任者 時間: 2025-3-24 11:30 作者: 使服水土 時間: 2025-3-24 17:39 作者: exercise 時間: 2025-3-24 20:01 作者: 為寵愛 時間: 2025-3-25 02:32 作者: 天氣 時間: 2025-3-25 04:52
Yakkety Yak: , (1995),workers is expressed in the panache of their shared language standing in opposition to the embrace of rock and roll by the damaged, narcissistic Baby. Further, if . also addresses the late-twentieth-century crisis of masculinity it does so in the context of a historical clash between the indigenous 作者: guzzle 時間: 2025-3-25 08:21 作者: FOVEA 時間: 2025-3-25 12:10
Homage: , (2006),l representation to imitate the entertaining but unsettling nastiness of Pinterian social competitiveness. However, he moves beyond the paratactic structure of Pinter’s writing to take an unequivocal moral position. The evocation of the supernatural, in the presence of the fort, takes the place of t作者: infelicitous 時間: 2025-3-25 17:25 作者: 古文字學 時間: 2025-3-26 00:01 作者: 擁護者 時間: 2025-3-26 01:32
Time, Myth and Power: , (2012),ent of catching a trout. In doing so he swears faithful love to two different women, and even a third. The Woman and The Other Woman, however, show that mythology is a social narrative that comes inscribed with power relations and cannot simply be defined by individual fiat. Against The Man’s presen作者: 流浪者 時間: 2025-3-26 07:34 作者: 流動才波動 時間: 2025-3-26 11:22 作者: 節(jié)省 時間: 2025-3-26 13:49
http://image.papertrans.cn/c/image/227013.jpg作者: Aggrandize 時間: 2025-3-26 17:27
https://doi.org/10.1007/978-3-030-62711-9Jez Butterworth; Tragedy; Contemporary Drama; Myth and drama; Class and contemporary theatre; Allusion an作者: orthopedist 時間: 2025-3-26 23:46 作者: 咆哮 時間: 2025-3-27 04:59 作者: Atmosphere 時間: 2025-3-27 09:03 作者: MURKY 時間: 2025-3-27 12:42
W. Diemer,M. Freistühler,M. Th?nsce a restriction on participation in literary art and culture in a class-divided society. Their lodger Bolla, who had an education in poetry in prison, possesses an energy, wit and mobility which they lack. Sympathy for the characters’ situation, and for the suicidal Wattmore in particular, is under作者: Filibuster 時間: 2025-3-27 15:59 作者: 分期付款 時間: 2025-3-27 18:59 作者: 飲料 時間: 2025-3-27 22:41 作者: 不透明 時間: 2025-3-28 03:30
W. Diemer,M. Freistühler,M. Th?nsent of catching a trout. In doing so he swears faithful love to two different women, and even a third. The Woman and The Other Woman, however, show that mythology is a social narrative that comes inscribed with power relations and cannot simply be defined by individual fiat. Against The Man’s presen作者: amorphous 時間: 2025-3-28 06:50 作者: Carcinogen 時間: 2025-3-28 10:27
Class, Culture and Tragedy in the Plays of Jez Butterworth作者: 折磨 時間: 2025-3-28 17:22 作者: 悲痛 時間: 2025-3-28 21:12
to .The Ferryman. (2017), each chapter offers detailed critical readings of a single play, exploring how myth and legend become significantin a variety of ways to Butterworth’s presentation of cultural and personal crisis.978-3-030-62713-3978-3-030-62711-9作者: Minatory 時間: 2025-3-29 00:09
10樓作者: Gossamer 時間: 2025-3-29 03:18
10樓作者: CLAM 時間: 2025-3-29 08:05
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