標題: Titlebook: Class on Screen; The Global Working C Sarah Attfield Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to [打印本頁] 作者: minutia 時間: 2025-3-21 17:20
書目名稱Class on Screen影響因子(影響力)
書目名稱Class on Screen影響因子(影響力)學科排名
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書目名稱Class on Screen網(wǎng)絡公開度學科排名
書目名稱Class on Screen被引頻次
書目名稱Class on Screen被引頻次學科排名
書目名稱Class on Screen年度引用
書目名稱Class on Screen年度引用學科排名
書目名稱Class on Screen讀者反饋
書目名稱Class on Screen讀者反饋學科排名
作者: Myocarditis 時間: 2025-3-21 20:15
Introduction,ss are provided along with a section regarding the importance of representation. The chapter contains a brief historical overview of working-class representation in cinema around the world and includes descriptions of the chapters to follow.作者: 向下 時間: 2025-3-22 04:10
Work and Unemployment,including a number of films under discussion. The first section focuses on the changing nature of work and the movement from secure to insecure work globally. The film discussed in this section is Ken Loach’s 2019 .. The next section looks at the representation of industrial disputes and considers w作者: Vulvodynia 時間: 2025-3-22 07:05 作者: Palpable 時間: 2025-3-22 09:01
Immigration and Diaspora,ions of diasporas can potentially reinforce negative stereotypes and discusses some films about Afro-Caribbean diasporas in the UK as examples such as Saul Dibb’s 2005 .. As a contrast are representations in the UK of South Asian groups, which have tended to be much more positive and the films inclu作者: brachial-plexus 時間: 2025-3-22 13:59 作者: brachial-plexus 時間: 2025-3-22 20:12 作者: 放逐 時間: 2025-3-23 01:06 作者: adjacent 時間: 2025-3-23 04:26 作者: 大洪水 時間: 2025-3-23 06:50 作者: progestogen 時間: 2025-3-23 12:50
Race and Class in Australian Indigenous Film,mmakers. Australian Indigenous films show how class intersects with race and include stories of racism, survival and resistance to colonial forces as well as depicting the continuing legacies of colonialism on Indigenous people.作者: induct 時間: 2025-3-23 13:57 作者: gene-therapy 時間: 2025-3-23 18:49 作者: conspicuous 時間: 2025-3-23 22:24
Book 2020ound the world. The book argues that representation is important because it shapes the way people understand working-class experience and can either reinforce or challenge stereotypical depictions. Film can shape and shift discussions of class, and this book provides an interdisciplinary study of th作者: 松雞 時間: 2025-3-24 05:04
Intensivmedizinische Arbeitstechnikenms featuring migrant and itinerant workers with Fan Lixin’s 2009 documentary . and Fernández Geara’s 2015 documentary . included. The representation of the effects of neo-liberalism is the topic of the next section and the chapter also contains sections on films about workers in the informal sectors and rural workers.作者: 反叛者 時間: 2025-3-24 07:58 作者: 征服 時間: 2025-3-24 12:15 作者: 袋鼠 時間: 2025-3-24 17:25 作者: Junction 時間: 2025-3-24 19:49
Immigration and Diaspora,nd warm-hearted . (Aki Kaurism?ki, 2011) to the much grimmer . (2009) by Philippe Lioret. There is a discussion of the dearth of films that represent Eastern European and Chinese diasporas, and the chapter concludes with an examination of Palestinian film.作者: Nuance 時間: 2025-3-25 02:50 作者: FAWN 時間: 2025-3-25 04:53
Intensivmedizinische Arbeitstechnikenss are provided along with a section regarding the importance of representation. The chapter contains a brief historical overview of working-class representation in cinema around the world and includes descriptions of the chapters to follow.作者: 形上升才刺激 時間: 2025-3-25 09:34 作者: 原始 時間: 2025-3-25 14:59
Matthias Kochanek,Guido Michels working-class subcultures such as Shane Meadow’s 2006 autobiographical film .. There is a discussion of the importance of subcultures in working-class culture, particularly music subcultures. The importance of sport in working-class communities is also featured, with a focus on films that centre on作者: 6Applepolish 時間: 2025-3-25 16:12 作者: Organization 時間: 2025-3-25 20:20
Sven Dittrich,J?rg Schirrmeisterng-class environments. There is an outline of some feminist film theory and an assertion that feminism works differently for working-class women compared to their middle- and upper-class counterparts. The chapter begins with a focus on Spanish filmmaker Pedro Almodóvar who is known as a maker of wom作者: Benzodiazepines 時間: 2025-3-26 02:35
Repetitorium Kinder- und Jugendmedizino all examples of self-representation and therefore depart from some of the films included in previous chapters that are made by non-working-class filmmakers. Australian Indigenous films show how class intersects with race and include stories of racism, survival and resistance to colonial forces as 作者: 想象 時間: 2025-3-26 07:46 作者: irreparable 時間: 2025-3-26 11:47 作者: 諂媚于人 時間: 2025-3-26 13:32 作者: 要控制 時間: 2025-3-26 19:20 作者: Buttress 時間: 2025-3-27 00:45 作者: 謙虛的人 時間: 2025-3-27 03:28
Ernst Tabori,Sebastian Schulz-StübnerThis afterword offers some reflections on the book as a whole, acknowledges the book’s limitations and poses a series of questions/directions for future research.作者: 痛得哭了 時間: 2025-3-27 07:38
Afterword,This afterword offers some reflections on the book as a whole, acknowledges the book’s limitations and poses a series of questions/directions for future research.作者: VAN 時間: 2025-3-27 10:44 作者: HAUNT 時間: 2025-3-27 14:32
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