標(biāo)題: Titlebook: Cities, Words and Images; From Poe to Scorsese Patrizia Lombardo Book 2003 Patrizia Lombardo 2003 David Lynch.film.Lost Highway [打印本頁] 作者: 審美家 時(shí)間: 2025-3-21 19:27
書目名稱Cities, Words and Images影響因子(影響力)
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作者: hangdog 時(shí)間: 2025-3-21 21:28
Van Gogh and Hofmannsthal: Colours and Silence,rucial questions in modern art: the interplay between the past and the present, the discrepancy between reality and language, and the attempt to express this very discrepancy through the link between literature and painting.作者: 吹牛大王 時(shí)間: 2025-3-22 02:39
Baudelaire, Haussmann, Fustel de Coulanges: The Modern Metropolis and the Ancient City,man who wanders day and night in London. The narrator tries to follow him, day after day, night after night: impossible to see him resting anywhere.. ‘The big city’s genius’ is continuously rushing, running, retracing his steps ‘with a mad energy’. To the narrator’s surprise, there is no rationale i作者: 凝結(jié)劑 時(shí)間: 2025-3-22 08:19
Aldo Rossi: The White Walls of the City,hen happiness reaches its height that we would like to withdraw, regain our freedom, since ‘every moment that we become aware of things is coloured by the longing to be able to give them up’. . is the title that Aldo Rossi would have liked to give to his . (1981), a work published in English, in the作者: 錯(cuò)誤 時(shí)間: 2025-3-22 11:30 作者: 歸功于 時(shí)間: 2025-3-22 12:52
Absence and Revelation: Photography as the Art of Nostalgia,ature; it is also cultural since it explores the impact of such media on the ways in which we live, think and act. In making such an assertion one has to mention Raymond Williams, one of the most important critics of our time, who from the 1950s to his death in 1988 worked to redefine the meaning of作者: 歸功于 時(shí)間: 2025-3-22 17:50 作者: 樸素 時(shí)間: 2025-3-22 22:09
Martin Scorsese and the Rhythm of the Metropolis,ra in documentaries and in fictions, continuing the tradition of the literary works that represent people, events and feelings in a metropolitan environment. For a whole century urban landscapes have been coming and going on screens in no particular order and with no recognizable development or them作者: DOTE 時(shí)間: 2025-3-23 03:40 作者: NOVA 時(shí)間: 2025-3-23 09:20
978-1-349-40206-9Patrizia Lombardo 2003作者: 改良 時(shí)間: 2025-3-23 12:46 作者: 自然環(huán)境 時(shí)間: 2025-3-23 14:47 作者: 聽寫 時(shí)間: 2025-3-23 18:11
Am Reiseverkehr beteiligte Unternehmen, essays, poems and short stories are strikingly coherent with his aesthetic beliefs and judgements. Sometimes his tales, so often connected with fear and terror, are fictions constructed on a deep rejection of his contemporaries, and their ethical and aesthetic myths. Although Poe did not often ment作者: MINT 時(shí)間: 2025-3-23 22:12 作者: 貝雷帽 時(shí)間: 2025-3-24 02:32 作者: BIAS 時(shí)間: 2025-3-24 10:30
Friedhofskapelle in Berlin-Tegel 1968–73hen happiness reaches its height that we would like to withdraw, regain our freedom, since ‘every moment that we become aware of things is coloured by the longing to be able to give them up’. . is the title that Aldo Rossi would have liked to give to his . (1981), a work published in English, in the作者: 細(xì)節(jié) 時(shí)間: 2025-3-24 14:45
Dreifamilienhaus in Berlin-Grunewald 1960tself was transformed: in every . (square) there were red flags, bookstalls, public speeches, food, wine, music, songs, . (comrades) from everywhere, Italy and abroad, of every age, every social class. One could hear a lot of discussion, a mixture of voices and accents from various regions of Italy,作者: Debrief 時(shí)間: 2025-3-24 17:59
Dreifamilienhaus in Berlin-Grunewald 1960ature; it is also cultural since it explores the impact of such media on the ways in which we live, think and act. In making such an assertion one has to mention Raymond Williams, one of the most important critics of our time, who from the 1950s to his death in 1988 worked to redefine the meaning of作者: Detain 時(shí)間: 2025-3-24 22:20
https://doi.org/10.1007/978-3-662-09736-6ere physical sensation and the immediate feelings connected with it are constantly solicited. The richness of the visual is boundless: the gaze dominates every human activity. Cinema has magnified the power of the gaze. One need only think of Michael Powell’s . (1960): the protagonist is obsessed by作者: entreat 時(shí)間: 2025-3-25 01:59
https://doi.org/10.1007/978-3-662-09736-6ra in documentaries and in fictions, continuing the tradition of the literary works that represent people, events and feelings in a metropolitan environment. For a whole century urban landscapes have been coming and going on screens in no particular order and with no recognizable development or them作者: 改變 時(shí)間: 2025-3-25 05:27 作者: PHON 時(shí)間: 2025-3-25 07:33 作者: 褪色 時(shí)間: 2025-3-25 14:24
https://doi.org/10.1007/978-3-322-91765-2Scipio Slataper described himself as Slav, and wished to be Slav and a bar-barian.. In 1912, when he was only 24 years old, he published ., a novel which, despite being subtitled ‘lyrical autobiography’, begins with a dramatic movement in three parts, in which ‘I’ is opposed to ‘you’, ‘savagery’ to ‘Italianità’, and the ‘fatherland’ to ‘here’:作者: 河流 時(shí)間: 2025-3-25 17:38 作者: Misnomer 時(shí)間: 2025-3-25 21:34 作者: 多產(chǎn)子 時(shí)間: 2025-3-26 01:29
2947-0188 tigated, in Europe and the United States. Lombardo reflects on the way in which the changes in human perception created by urbanization are expressed in the various arts, in terms of form and content.978-1-349-40206-9978-0-230-28669-6Series ISSN 2947-0188 Series E-ISSN 2947-0196 作者: calamity 時(shí)間: 2025-3-26 06:51 作者: stressors 時(shí)間: 2025-3-26 09:34 作者: 蒸發(fā) 時(shí)間: 2025-3-26 16:41
https://doi.org/10.1007/978-3-322-94171-8me, without a name. If he gets inside, it is in a public place, in ‘one of the huge suburban temples of Intemperance’, in ‘the most noisome quarter of London, where everything wore the worst impress of the most deplorable poverty, and of the most desperate crime’,. next to anonymous, wretched people, drinking gin, mixing misery and despair.作者: 字謎游戲 時(shí)間: 2025-3-26 19:01 作者: 消音器 時(shí)間: 2025-3-26 21:45 作者: Outspoken 時(shí)間: 2025-3-27 02:33 作者: Paleontology 時(shí)間: 2025-3-27 09:13
Dreifamilienhaus in Berlin-Grunewald 1960 which corresponded to the realities and tensions of Western liberal democracy. In . (1958), he wrote: ‘The history of the idea of culture is a record of our reactions, in thought and feeling, to the changed conditions of our common life.’作者: orthodox 時(shí)間: 2025-3-27 12:55
Absence and Revelation: Photography as the Art of Nostalgia, which corresponded to the realities and tensions of Western liberal democracy. In . (1958), he wrote: ‘The history of the idea of culture is a record of our reactions, in thought and feeling, to the changed conditions of our common life.’作者: 蕨類 時(shí)間: 2025-3-27 16:25 作者: 尊重 時(shí)間: 2025-3-27 17:50 作者: sebaceous-gland 時(shí)間: 2025-3-27 23:12
Dreifamilienhaus in Berlin-Grunewald 1960e Christian Democratic tradition of the Veneto, the most ‘white’ region of Italy. Maybe the Revolution — a word used in those years, not yet bereft of its sound and meaning — is like a great Festival dell’Unità in an unreal city like Venice, a huge coming together, a vast Communist International, wo作者: 珊瑚 時(shí)間: 2025-3-28 02:29
https://doi.org/10.1007/978-3-662-09736-6lm-making have as close a relationship as cinema and theatre or painting or literature — the arts which have most typically been associated with film (one need only think of André Bazin’s essays on these topics)..作者: 過份 時(shí)間: 2025-3-28 09:23 作者: Monocle 時(shí)間: 2025-3-28 12:09
Aldo Rossi: The White Walls of the City, Chirico?), cabins and the primary elements of architecture such as cylinders, columns, pillars, walls. But forgetting architecture also means breaking up its outlines, integrating architecture into a broader comprehension of the discipline, where the written page, the sketch, the plan and the const作者: SPASM 時(shí)間: 2025-3-28 17:17 作者: 歡樂中國 時(shí)間: 2025-3-28 19:33
Martin Scorsese and the Rhythm of the Metropolis,lm-making have as close a relationship as cinema and theatre or painting or literature — the arts which have most typically been associated with film (one need only think of André Bazin’s essays on these topics)..作者: 是貪求 時(shí)間: 2025-3-29 00:53
Book 2019s (e.g. gratitude; humour),? cognitions (e.g. hope; optimism) and? behaviours (e.g. emotional regulation; positive relationship building) within various multicultural contexts. Thereby, it shows how positive psychology interventions can be replicated to a wide-range of contexts beyond those in which作者: Pathogen 時(shí)間: 2025-3-29 03:20 作者: 濃縮 時(shí)間: 2025-3-29 08:35 作者: Preserve 時(shí)間: 2025-3-29 12:53
