標(biāo)題: Titlebook: Circus, Science and Technology; Dramatising Innovati Anna-Sophie Jürgens Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Tec [打印本頁(yè)] 作者: JADE 時(shí)間: 2025-3-21 18:30
書(shū)目名稱Circus, Science and Technology影響因子(影響力)
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書(shū)目名稱Circus, Science and Technology網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱Circus, Science and Technology被引頻次
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書(shū)目名稱Circus, Science and Technology讀者反饋
書(shū)目名稱Circus, Science and Technology讀者反饋學(xué)科排名
作者: Inertia 時(shí)間: 2025-3-21 21:51
Engineers of Curiosity: The Barnum Erases on how he set out to transform a museum collection of ‘stuffed money and gander skins’ through an exercise in reanimation that introduced elements of Frankenstein’s forbidden adventurism while appealing to the family values of a growing bourgeois clientele. Pride of place amongst his Gallery of 作者: 情愛(ài) 時(shí)間: 2025-3-22 04:07 作者: commensurate 時(shí)間: 2025-3-22 06:32
Circus as Laboratory: Imagineering Legitimacynhanced and defended to ensure survival and success. Circus emerged as a viable form of entertainment in London on the eve of the Industrial Revolution. Ever since, circus entrepreneurs have faced the challenge of securing ‘legitimacy’ in the face of variable, inconsistent and often adversarial, soc作者: MERIT 時(shí)間: 2025-3-22 11:15 作者: 盲信者 時(shí)間: 2025-3-22 12:52 作者: 盲信者 時(shí)間: 2025-3-22 19:12
The Circus and the Magic Lantern: A Portfolio of Hand-Painted Mechanical Magic Lantern Slidesd eighteenth centuries as showmen and performers tramped across Europe. In the nineteenth century, while the itinerant tradition continued, the magic lantern and the circus became a part of urban theatrical culture as entrepreneurs developed elaborate phantasmagoria exhibitions and circuses incorpor作者: Exonerate 時(shí)間: 2025-3-23 00:20
The Circus and Technologies of Animation the tensions between truth and deception, as these circus entertainments produce spectacles of wonder. Technologies of cinematic animation have also long produced such encounters between the real and the imagined while acknowledging the constructed nature of the medium. Although early cinema’s conn作者: 似少年 時(shí)間: 2025-3-23 04:19
Engineering Circus Enchantment: Automagic Technology and Electrifying Performances in Fictions in a range of illusive experiences. But how does technology affect the performing body in literary and filmic circus fantasies? Does it bypass or transcend human physical skill? This chapter explores cultural imaginaries of the (re)creation of circus performers through technology; scenarios in whi作者: 珠寶 時(shí)間: 2025-3-23 06:49
Book 2020by leading scholars – from fields as varied as performance and circus studies, art, media and cultural history, and engineering – the book discusses to what extent the engineering of circus and performing bodies can be understood as a strategy to promote awe, how technological inventions have shaped作者: Rustproof 時(shí)間: 2025-3-23 13:32 作者: sterilization 時(shí)間: 2025-3-23 15:09
2947-5848 des a rich account of the circus’ past, how it was and is foThis book explores the circus as a site in and through which science and technology are represented in popular culture. Across eight chapters written by leading scholars – from fields as varied as performance and circus studies, art, media 作者: Parabola 時(shí)間: 2025-3-23 20:06
,Circus Matters: Engineering, Imagineering and Popular Stages of Technology—Introduction,e material, practical nature of popular entertainments, and to their imaginaries in other media. (Studying) circus contributes to a better understanding of the globalised modern culture of technological wonder, and how it is formative for the present and the future.作者: 旁觀者 時(shí)間: 2025-3-24 02:08
Engineers of Curiosity: The Barnum Eraof human skill in motion, specialising in illusions, transformations and gravity-defying feats. This involved engineering in the broadest sense, from the design of new physical tricks to the construction of apparatus to enable them. In an era of imperial and industrial advancement, the Greatest Show作者: 惰性氣體 時(shí)間: 2025-3-24 05:00
Unreal Limbs: Erin Ball and the Extended Body in Contemporary Circus in her determination to re-imagineer her adaptive body and to explore the world of surreal prosthetic limbs in Contemporary Circus performance. The writing also explores the emerging collaboration between Erin Ball and Kristina Walsh, a Canadian prosthetics designer, currently Artist in Residence a作者: CLEAR 時(shí)間: 2025-3-24 09:51 作者: Dysplasia 時(shí)間: 2025-3-24 12:09 作者: 使虛弱 時(shí)間: 2025-3-24 15:30 作者: BLAZE 時(shí)間: 2025-3-24 21:12
The Circus and the Magic Lantern: A Portfolio of Hand-Painted Mechanical Magic Lantern Slidesmechanical glass slides. This chapter presents a curated selection of these slides drawn from private and public collections. The portfolio of images and sequences in the chapter will be contextualised by a discussion of the evolution of lantern and circus traditions in nineteenth-century colonial A作者: ALLEY 時(shí)間: 2025-3-25 02:48
The Circus and Technologies of Animation early animation technologies and circus, including animated representations of circus. The chapter also draws attention to the new connections between animation and circus, invoking animation as a means to enact wonder—a ‘sleight-of-hand’ that foregrounds its constructed nature, producing an encoun作者: 扔掉掐死你 時(shí)間: 2025-3-25 06:04
Engineering Circus Enchantment: Automagic Technology and Electrifying Performances in Fiction an expansion of the notion of the engineer in literature. The chapter argues that in addition to being responsible for constructing tents and props, circus and engineering also participate in building worlds of meaning and cultural ideas of our technological future.作者: Arthropathy 時(shí)間: 2025-3-25 07:42
2947-5848 d popular culture? .Circus, Science and Technology. examines the ways circus can provide a versatile frame for interpreting our relationship with technology..978-3-030-43300-0978-3-030-43298-0Series ISSN 2947-5848 Series E-ISSN 2947-5856 作者: 發(fā)誓放棄 時(shí)間: 2025-3-25 12:50
https://doi.org/10.1007/978-3-658-15294-9e material, practical nature of popular entertainments, and to their imaginaries in other media. (Studying) circus contributes to a better understanding of the globalised modern culture of technological wonder, and how it is formative for the present and the future.作者: 最初 時(shí)間: 2025-3-25 17:03 作者: laceration 時(shí)間: 2025-3-25 23:34 作者: Glossy 時(shí)間: 2025-3-26 00:41
https://doi.org/10.1007/978-3-322-86636-3 well before entertainment could be broadcast electronically, the peripatetic circus offered an economic solution to the delivery and distribution of entertainment. This chapter therefore argues that circus is not only a . but a medium for experiment and innovation, a ‘laboratory’ by which legitimac作者: NATAL 時(shí)間: 2025-3-26 07:25 作者: Insul島 時(shí)間: 2025-3-26 08:39 作者: 長(zhǎng)矛 時(shí)間: 2025-3-26 16:11
https://doi.org/10.1007/978-3-658-42478-7mechanical glass slides. This chapter presents a curated selection of these slides drawn from private and public collections. The portfolio of images and sequences in the chapter will be contextualised by a discussion of the evolution of lantern and circus traditions in nineteenth-century colonial A作者: 串通 時(shí)間: 2025-3-26 20:01
Jens Pohlmann,Adrien Barbaresi,Peter Leinen early animation technologies and circus, including animated representations of circus. The chapter also draws attention to the new connections between animation and circus, invoking animation as a means to enact wonder—a ‘sleight-of-hand’ that foregrounds its constructed nature, producing an encoun作者: parallelism 時(shí)間: 2025-3-26 23:14
Tobias Gostomzyk,Victor Meckenstock an expansion of the notion of the engineer in literature. The chapter argues that in addition to being responsible for constructing tents and props, circus and engineering also participate in building worlds of meaning and cultural ideas of our technological future.作者: Encoding 時(shí)間: 2025-3-27 01:45
Circus, Science and Technology978-3-030-43298-0Series ISSN 2947-5848 Series E-ISSN 2947-5856 作者: accessory 時(shí)間: 2025-3-27 05:20 作者: 運(yùn)動(dòng)吧 時(shí)間: 2025-3-27 10:57
978-3-030-43300-0The Editor(s) (if applicable) and The Author(s) 2020作者: 苦笑 時(shí)間: 2025-3-27 14:53
https://doi.org/10.1007/978-3-658-15294-9written by leading scholars from fields as varied as performance and circus studies, art, media and cultural history, and engineering, the book breaks new ground in examining to what extent the engineering of circus and performing bodies can be understood as a strategy to promote awe, how technologi作者: 黃油沒(méi)有 時(shí)間: 2025-3-27 21:08
https://doi.org/10.1007/978-3-658-15294-9ses on how he set out to transform a museum collection of ‘stuffed money and gander skins’ through an exercise in reanimation that introduced elements of Frankenstein’s forbidden adventurism while appealing to the family values of a growing bourgeois clientele. Pride of place amongst his Gallery of 作者: arousal 時(shí)間: 2025-3-28 01:28 作者: Antioxidant 時(shí)間: 2025-3-28 03:31 作者: intuition 時(shí)間: 2025-3-28 07:19
https://doi.org/10.1007/978-3-322-86636-3been previously acknowledged. Identifying that the emergence of the modern circus was synchronous with late?eighteenth-century experimentation with electricity, discussion then shifts to the nineteenth century, and examination of various intersections between the circus and electrical science. The c作者: 現(xiàn)暈光 時(shí)間: 2025-3-28 11:40
Jens Pohlmann,Adrien Barbaresi,Peter Leinens then influences wider social practice. The Hanlon (Hanlon-Lees) Brothers set new limits in acrobatic action with aerial technology for their nineteenth-century circus act, subsequently developing the safety net for flying trapeze and inventing new stage machinery for pantomime in their macabre the作者: assail 時(shí)間: 2025-3-28 16:53 作者: ellagic-acid 時(shí)間: 2025-3-28 22:25 作者: EWE 時(shí)間: 2025-3-29 00:26
Tobias Gostomzyk,Victor Meckenstocks in a range of illusive experiences. But how does technology affect the performing body in literary and filmic circus fantasies? Does it bypass or transcend human physical skill? This chapter explores cultural imaginaries of the (re)creation of circus performers through technology; scenarios in whi作者: 過(guò)份艷麗 時(shí)間: 2025-3-29 04:39 作者: 移植 時(shí)間: 2025-3-29 08:01
Palgrave Studies in Performance and Technologyhttp://image.papertrans.cn/c/image/226658.jpg作者: Decimate 時(shí)間: 2025-3-29 14:29
