標(biāo)題: Titlebook: Cinematic Perspectives on Digital Culture; Consorting with the Norman Taylor Book 2012 Palgrave Macmillan, a division of Macmillan Publish [打印本頁] 作者: 誓約 時(shí)間: 2025-3-21 19:01
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書目名稱Cinematic Perspectives on Digital Culture讀者反饋學(xué)科排名
作者: 黃瓜 時(shí)間: 2025-3-21 23:51 作者: Painstaking 時(shí)間: 2025-3-22 01:34 作者: 彎曲道理 時(shí)間: 2025-3-22 06:09 作者: 一起平行 時(shí)間: 2025-3-22 12:15 作者: FORGO 時(shí)間: 2025-3-22 13:30
Stars and Avatarsond (., 1950).Early in . recognition (‘You’re Norma Desmond!’) gives way to affect (‘You used to be big.’). This subjective expression of affect in terms of size is then overturned in a denial of technological determinacy that attempts to restore human agency (‘I . big; it’s the . that got small!’).作者: FORGO 時(shí)間: 2025-3-22 17:02 作者: Locale 時(shí)間: 2025-3-22 22:19 作者: Range-Of-Motion 時(shí)間: 2025-3-23 05:23
https://doi.org/10.1007/978-3-319-14322-4 driving the technical and stylistic development of new media’.. Other theorists agree that a productive conceptual horizon is to be found in film, although few explore the principles involved the way Jay David Bolter and Richard Grusin do in remediation.作者: Nerve-Block 時(shí)間: 2025-3-23 05:51
Harry W. Richardson,Peter Gordon,Qisheng Pan of media at the close of the twentieth century briefly made issues that had previously been only theoretical a concrete reality. Widespread awareness of mobile communications was ensured by adverts for cheaper calls, a flurry of company take-overs, wireless connectivity in public spaces and the viability of hand-held computing.作者: gusher 時(shí)間: 2025-3-23 13:34
A Conceptual History driving the technical and stylistic development of new media’.. Other theorists agree that a productive conceptual horizon is to be found in film, although few explore the principles involved the way Jay David Bolter and Richard Grusin do in remediation.作者: 使痛苦 時(shí)間: 2025-3-23 17:25 作者: 不適當(dāng) 時(shí)間: 2025-3-23 20:27 作者: 攤位 時(shí)間: 2025-3-23 23:43
Introductionciations with corpselike similarities acquired ‘zombie’ connotations if the robot moved. Linked to a notion of the uncanny explored first by Ernst Jentsch (1906) and developed by Sigmund Freud (1919), Mori’s observation became known as the ‘uncanny valley’ hypothesis.作者: 熱情的我 時(shí)間: 2025-3-24 03:14
Francis M. Kemegue,Ousmane Seck is concerned with clarifying the intersection of approaches that aid analysis of consensual assemblages and affective networks. These approaches comprise actor network theory, the idea of hybrid agency, genealogies of new media and Deleuze’s notion of abstract desire.作者: 保守 時(shí)間: 2025-3-24 09:18 作者: 確定無疑 時(shí)間: 2025-3-24 13:10
Qisheng Pan,Harry W. Richardsonmimic human behaviour or which use automated knowledge processing.. Decades before the Tamagotchi effect was recognised, however, robotics professor Masahiro Mori observed that, despite initially prompting positive responses, increasing similarity to humans in machines provoked not emotional attachm作者: 托運(yùn) 時(shí)間: 2025-3-24 18:23
https://doi.org/10.1007/978-3-319-14322-4against which we can assess what is new’. Relieved that digital culture is not emerging in a theoretical vacuum, Rodowick nevertheless regrets that ‘a(chǎn) whole new industry and art emerged in the early twentieth century without a philosophical or sociological context that allowed its social impact and 作者: FELON 時(shí)間: 2025-3-24 22:43
Harry W. Richardson,Peter Gordon,Qisheng Pan continuum that consists of political, social and psychological uses of antecedent technologies.. While this suggests the need to look beyond a single device, an emblematic tool can nevertheless serve to illustrate typical routines in processes that blend into the background of convention and tend t作者: 小口啜飲 時(shí)間: 2025-3-24 23:22
Francis M. Kemegue,Ousmane Seckt underpin disparate issues impinging on behaviour in a network of affection. Part II will explore particular cinematic perspectives, but this chapter is concerned with clarifying the intersection of approaches that aid analysis of consensual assemblages and affective networks. These approaches comp作者: 健壯 時(shí)間: 2025-3-25 04:57
Mohamed Ben Omar Ndiaye,Robert Dauda Korsu users of analogue technology were passive. In any case, such an approach to audiences is made obsolete by new technology, users of which are now encouraged to be contributors in an inclusive discourse: Facebook, Twitter and YouTube demand participation. Their conceptual embrace of digital affordanc作者: Cervical-Spine 時(shí)間: 2025-3-25 09:48 作者: macrophage 時(shí)間: 2025-3-25 14:10 作者: disrupt 時(shí)間: 2025-3-25 16:11
https://doi.org/10.1007/978-94-017-2874-4of a photographic lens to create an impression of life in the ‘magical’ moment of viewing. Keith Broadfoot and Rex Butler, for example, observe that animation brings to light ‘a(chǎn) humanity which can no longer be known in itself: it is a humanity without any essence’.. In animating the still image, an 作者: 叢林 時(shí)間: 2025-3-25 21:44
Book 2012Exploring research into mobile phone use as props to subjective identity, Norman Taylor employs concepts from Michelle Foucault, Gilles Deleuze and actor network theory to discuss the affect of mechanisms of make-believe, from celebrity culture to avatar-obsessed game players, and digital culture.作者: 思想靈活 時(shí)間: 2025-3-26 02:47
https://doi.org/10.1057/9781137284624cinema; film; Hollywood作者: SLAY 時(shí)間: 2025-3-26 06:56
978-1-349-33518-3Palgrave Macmillan, a division of Macmillan Publishers Limited 2012作者: 泄露 時(shí)間: 2025-3-26 09:58
Overview: Exploring research into mobile phone use as props to subjective identity, Norman Taylor employs concepts from Michelle Foucault, Gilles Deleuze and actor network theory to discuss the affect of mechanisms of make-believe, from celebrity culture to avatar-obsessed game players, and digital culture.978-1-349-33518-3978-1-137-28462-4作者: Munificent 時(shí)間: 2025-3-26 14:55 作者: JADED 時(shí)間: 2025-3-26 17:20
Classical Hollywood’s Mature Technologye. ., 1984) gave way to reassuring myths of mechanical saviours, programmed to privilege human agency (i.e. ., 1991). Such texts point to a perennial feature of technological change, in which producer–consumer relations become embedded in the assemblage.作者: Acclaim 時(shí)間: 2025-3-26 22:25
Stars and Avatarstinuous exchange of forms’.. The foundation that reconfigured the moving image as cinema and allowed a new industry to flourish was the exchange of forms that calibrated subjectivity, as Norma tells the gatekeeper at Paramount Studios (above).作者: 放棄 時(shí)間: 2025-3-27 02:51
Film and Hybridityesentation in films (., 1992; ., 2001) and television texts might suggest that a ‘distinguishing birth’ was taking place. Gaudreault and Marion’s model of a ‘double birth’ for cinema (Figure 6.1) details how a new technology, emerging to complement existing practice, departs from a subordinate role 作者: CRANK 時(shí)間: 2025-3-27 09:06
Celebrating Metamorphosisy historians, who point to examples of vibrant celebrity cultures in eighteenth-century London and nineteenth-century France.. Oscar Wilde’s . (1890) is a seminal text of celebrity, an obsession with youth and ageing for a culture now capable of digital manipulation: ‘Celebrity Dorian Grays’ (as one作者: 過份 時(shí)間: 2025-3-27 11:20
Mohamed Ben Omar Ndiaye,Robert Dauda Korsue. ., 1984) gave way to reassuring myths of mechanical saviours, programmed to privilege human agency (i.e. ., 1991). Such texts point to a perennial feature of technological change, in which producer–consumer relations become embedded in the assemblage.作者: Biomarker 時(shí)間: 2025-3-27 13:56
Regional Economic Integration in West Africatinuous exchange of forms’.. The foundation that reconfigured the moving image as cinema and allowed a new industry to flourish was the exchange of forms that calibrated subjectivity, as Norma tells the gatekeeper at Paramount Studios (above).作者: 無可爭(zhēng)辯 時(shí)間: 2025-3-27 21:28
Alternative Model Specificationsesentation in films (., 1992; ., 2001) and television texts might suggest that a ‘distinguishing birth’ was taking place. Gaudreault and Marion’s model of a ‘double birth’ for cinema (Figure 6.1) details how a new technology, emerging to complement existing practice, departs from a subordinate role 作者: Flatus 時(shí)間: 2025-3-28 00:46 作者: Temporal-Lobe 時(shí)間: 2025-3-28 02:16 作者: 捕鯨魚叉 時(shí)間: 2025-3-28 09:11
Amanda Spink,Charles Coleive consent of potential donor children serve as an orientation and an ethically reliable justification for the decision taken by the parents, as proxies, to allow a young child to become a donor? The chapter advocates the perspective of an ethics of care.作者: JOT 時(shí)間: 2025-3-28 13:52 作者: 嫻熟 時(shí)間: 2025-3-28 15:34
Book 2021. It brings together a unique perspective for researchers to learn effective pest management practices across all crops. This book is a reference guide to researchers and also useful for academicians and students of entomology..???????? .作者: PRISE 時(shí)間: 2025-3-28 22:39
The Hadza and the Studies That Document Their Use of the Baobab rocky outcrops and uplands that surround Lake Eyasi in the Eastern Rift Valley of northern Tanzania. What sets them apart from their neighbors is their central-place hunting and gathering way of life; the development of this mode of adaptation became the economic foundation of hominin evolution for作者: 颶風(fēng) 時(shí)間: 2025-3-29 00:24 作者: 支柱 時(shí)間: 2025-3-29 03:08
Kleine Stresskunde: Das Adrenalinzeitalter,sforderungen und Ideen aus meinem Buch mit den jeweiligen Anforderungen der unterschiedlichen Ziel- und Berufsgruppen verbindet. Die Autoren, die jeweils aus Ihrem T?tigkeitsprofil kommen, schneiden diese Inhalte dann für Sie zu. Viel Erfolg, und passen Sie auf sich auf.
