標(biāo)題: Titlebook: Cinematic Intermedialities and Contemporary Holocaust Memory; Victoria Grace Walden Book 2019 The Editor(s) (if applicable) and The Author [打印本頁(yè)] 作者: Assert 時(shí)間: 2025-3-21 17:41
書(shū)目名稱(chēng)Cinematic Intermedialities and Contemporary Holocaust Memory影響因子(影響力)
書(shū)目名稱(chēng)Cinematic Intermedialities and Contemporary Holocaust Memory影響因子(影響力)學(xué)科排名
書(shū)目名稱(chēng)Cinematic Intermedialities and Contemporary Holocaust Memory網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱(chēng)Cinematic Intermedialities and Contemporary Holocaust Memory網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱(chēng)Cinematic Intermedialities and Contemporary Holocaust Memory被引頻次
書(shū)目名稱(chēng)Cinematic Intermedialities and Contemporary Holocaust Memory被引頻次學(xué)科排名
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書(shū)目名稱(chēng)Cinematic Intermedialities and Contemporary Holocaust Memory讀者反饋
書(shū)目名稱(chēng)Cinematic Intermedialities and Contemporary Holocaust Memory讀者反饋學(xué)科排名
作者: cavity 時(shí)間: 2025-3-21 22:36
The Editor(s) (if applicable) and The Author(s) 2019作者: Nebulizer 時(shí)間: 2025-3-22 03:51
https://doi.org/10.1007/3-540-34829-8In this introduction to the book, I ground this work in the existing literature about intermediality and offer a chapter breakdown of the rest of the monograph.作者: Infraction 時(shí)間: 2025-3-22 07:27 作者: HEDGE 時(shí)間: 2025-3-22 12:04
Victoria Grace WaldenMarks the first book to foreground cinematic intermedialities in relation to Holocaust memory.Turns from the visual and representational quality of images to the space in-between them.Emphasises Holoc作者: 陶瓷 時(shí)間: 2025-3-22 16:21 作者: 陶瓷 時(shí)間: 2025-3-22 19:20
https://doi.org/10.1007/3-540-34829-8cular type of cinematic experience. Here, I explore what is at stake when we decide to look beyond representation and attend to the inbetweens that characterise intermedial cinematic experiences that confront the Holocaust through a review of Alain Resnais’s . (. 1956). This chapter starts by positi作者: atopic-rhinitis 時(shí)間: 2025-3-22 22:59 作者: Demonstrate 時(shí)間: 2025-3-23 03:04
Regional Economic Development in Russiaoth within the films, and through the spectator’s engagement with the film. I am interested in the ways tangible, yet nonorganic lines, marks and things can encourage the contemporary spectator to feel affects such as trauma and destruction related to the very human experience of the Holocaust witho作者: Ligneous 時(shí)間: 2025-3-23 06:21 作者: 鬼魂 時(shí)間: 2025-3-23 12:15 作者: CHIDE 時(shí)間: 2025-3-23 15:11 作者: Condescending 時(shí)間: 2025-3-23 19:38 作者: 尖叫 時(shí)間: 2025-3-24 02:12
Book 2019objects and bodies during the film experience. This work challenges the existing concentration on representation in writing about Holocaust films, turning instead to the materials of screen works and the spectatorial experience to highlight the powerful contribution of the cinematic to Holocaust memory.?.作者: absorbed 時(shí)間: 2025-3-24 04:14
tion on representation in writing about Holocaust films, turning instead to the materials of screen works and the spectatorial experience to highlight the powerful contribution of the cinematic to Holocaust memory.?.978-3-030-10877-9作者: 大猩猩 時(shí)間: 2025-3-24 08:41 作者: FLIT 時(shí)間: 2025-3-24 14:07
Cinematic Intermedialities and Contemporary Holocaust Memory978-3-030-10877-9作者: ingenue 時(shí)間: 2025-3-24 18:24
https://doi.org/10.1007/3-540-34829-8ion of Holocaust memory. In the final section of the chapter, I then explain how we might think about Holocaust memory as something that can be produced by working through several ideas that have shaped recent developments in memory studies.作者: Tidious 時(shí)間: 2025-3-24 18:59
Andrey Nechaev,Elena Ilina,Miaomiao Liive materials to perpetuate memory of the Holocaust. My discussion of . particularly highlights the archaeological nature of the film and how its desire to disrupt any previous meaning related to perpetrator-commissioned images can be a powerful tool for memory.作者: Exterior 時(shí)間: 2025-3-25 02:17 作者: Obliterate 時(shí)間: 2025-3-25 05:14
Petr I. Ospishchev,Maja Andjelkovicsted in the ways material presence highlights absence and virtuality through the use of the digital. In relation to ., I also challenge the assumption that repetition prevents memory (as many trauma theorists, Holocaust historians and Deleuze, have claimed). I explore the ways in which repetition ar作者: 分發(fā) 時(shí)間: 2025-3-25 09:18
Qisheng Pan,Harry W. Richardson what it might be like to have violence enacted upon us. After this brief summary of the book’s ideas, I focus on two installations and an augmented reality app recently developed at the Bergen-Belsen Memorial (.) in Germany to consider how recent developments in screen memory might be moving toward作者: Junction 時(shí)間: 2025-3-25 14:17
Holocaust Film Beyond Representation,ion of Holocaust memory. In the final section of the chapter, I then explain how we might think about Holocaust memory as something that can be produced by working through several ideas that have shaped recent developments in memory studies.作者: acrophobia 時(shí)間: 2025-3-25 18:46
The Archive, Assemblage and Archaeology,ive materials to perpetuate memory of the Holocaust. My discussion of . particularly highlights the archaeological nature of the film and how its desire to disrupt any previous meaning related to perpetrator-commissioned images can be a powerful tool for memory.作者: modifier 時(shí)間: 2025-3-25 23:56 作者: 音樂(lè)會(huì) 時(shí)間: 2025-3-26 02:36
Digital Augmentation, Assemblage, the Actual and the Virtual,sted in the ways material presence highlights absence and virtuality through the use of the digital. In relation to ., I also challenge the assumption that repetition prevents memory (as many trauma theorists, Holocaust historians and Deleuze, have claimed). I explore the ways in which repetition ar作者: 吃掉 時(shí)間: 2025-3-26 07:45 作者: ABYSS 時(shí)間: 2025-3-26 11:11
Holocaust Film Beyond Representation,cular type of cinematic experience. Here, I explore what is at stake when we decide to look beyond representation and attend to the inbetweens that characterise intermedial cinematic experiences that confront the Holocaust through a review of Alain Resnais’s . (. 1956). This chapter starts by positi作者: Panther 時(shí)間: 2025-3-26 16:06
The Archive, Assemblage and Archaeology,nterrogate and manipulate, archive footage. It explores what emerges when celluloid archive footage and video or digital are juxtaposed together in . (Péter Forgács, 1996) and . (Yael Hersonski, 2010) respectively. It considers what happens when past and contemporary media and images come into conta作者: 健談 時(shí)間: 2025-3-26 17:17
Animation, Assemblage, the Affection-Form,oth within the films, and through the spectator’s engagement with the film. I am interested in the ways tangible, yet nonorganic lines, marks and things can encourage the contemporary spectator to feel affects such as trauma and destruction related to the very human experience of the Holocaust witho作者: Cumbersome 時(shí)間: 2025-3-26 21:21 作者: certain 時(shí)間: 2025-3-27 02:49
Epilogue,aust commemoration. I conclude by considering how the ways in which the intermedial works discussed in this book position us in an inbetween space which might be more productive than offering a more simple empathetic relationship with victims. I argue that a liminal position helps the spectator to r作者: 智力高 時(shí)間: 2025-3-27 07:16
The Rio de la Plata River Basin: The Path Towards Basin Institutions,onfluence extends geographically until reaching the common terminus of the Río de la Plata.. These sub-basins spread over extensive territories of some of the basin countries, and their features will be briefly described to provide the physical characteristics that will introduce the institutional and legal framework..作者: Ascribe 時(shí)間: 2025-3-27 09:56 作者: 灌溉 時(shí)間: 2025-3-27 16:24
explains human motivation; whether it incorporates cybernetic and semiotic perspectives; and how it explains the integration and stability of self We conclude the chapter with a cursory discussion of two additional theories from psychology that focus on self-consistency—Swann’s self-verification the作者: 環(huán)形 時(shí)間: 2025-3-27 20:51
Textbook 1996the theory of Grabner bases nearly two decades ago, B. F. Caviness and B. D. Saunders, who first stimulated my interest in various problems in computer algebra, G. E. Collins, who showed me how to compute in algebraic domains, and J. R. Sendra, with whom I started to apply computer algebra methods t作者: Foolproof 時(shí)間: 2025-3-28 01:22 作者: Blemish 時(shí)間: 2025-3-28 05:37 作者: OMIT 時(shí)間: 2025-3-28 06:34
Book 2019r im Bereich professioneller Umgang mit Stress weiter. Dabei geben sie viele nützliche Praxistipps, die leicht in den Alltag integriert werden k?nnen und Sie so den sch?nen Beruf des Erziehers trotz Stress wieder genie?en lassen.?
