標(biāo)題: Titlebook: Cinema, Gender, and Everyday Space; Comedy, Italian Styl Natalie Fullwood Book 2015 Palgrave Macmillan, a division of Nature America Inc. 2 [打印本頁(yè)] 作者: 搖尾乞憐 時(shí)間: 2025-3-21 20:05
書(shū)目名稱Cinema, Gender, and Everyday Space影響因子(影響力)
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書(shū)目名稱Cinema, Gender, and Everyday Space被引頻次
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書(shū)目名稱Cinema, Gender, and Everyday Space讀者反饋
書(shū)目名稱Cinema, Gender, and Everyday Space讀者反饋學(xué)科排名
作者: 宿醉 時(shí)間: 2025-3-21 21:54
Regional Convergence in the European Unionpaces. By day, he inhabits plush offices in an ornate Roman . that speak of male power, where he instructs wayward advertisers to remove nudity from their adverts. By night, he moves among nightclub spaces, which are arranged specifically for the display of a commodified form of female sexuality to 作者: Insulin 時(shí)間: 2025-3-22 03:30
Regional Convergence in the European Unionend of the film with Manfredi in drag, as he tries to stop Spaak from sleeping with a company executive by seducing the man himself. Manfredi makes a very successful performance of femininity. One shot shows the executive eyeing up Manfredi’s legs and he is compared favorably to Ursula Andress. Afte作者: Platelet 時(shí)間: 2025-3-22 05:47
Tomaz Dentinho,Joaquim Ramos Silvals” competing for a 10,000 Franc prize. The scene encapsulates many of the key themes of Comedy, Italian’s Style representation of both the beach and the nightclub: the bikini, the objectification of the female body, and the use of diegetic male spectators whose looking structures the scene. A quint作者: acetylcholine 時(shí)間: 2025-3-22 09:31
Regional Cooperation in South Asiathe genre’s concern with the office: an emphasis on modernization, the links between power and space, the drawbacks of the open plan office, and the relationship between characters’ gendered identities and their offices.作者: conflate 時(shí)間: 2025-3-22 15:52 作者: conflate 時(shí)間: 2025-3-22 18:55 作者: Exuberance 時(shí)間: 2025-3-22 22:23 作者: 束以馬具 時(shí)間: 2025-3-23 05:12 作者: Polydipsia 時(shí)間: 2025-3-23 05:57 作者: 剛毅 時(shí)間: 2025-3-23 10:08
Comedy, Italian Styleend of the film with Manfredi in drag, as he tries to stop Spaak from sleeping with a company executive by seducing the man himself. Manfredi makes a very successful performance of femininity. One shot shows the executive eyeing up Manfredi’s legs and he is compared favorably to Ursula Andress. Afte作者: 排出 時(shí)間: 2025-3-23 14:04 作者: 神秘 時(shí)間: 2025-3-23 19:20 作者: 拒絕 時(shí)間: 2025-3-24 01:58 作者: fidelity 時(shí)間: 2025-3-24 05:26
Recipe for Change: Kitchens in Comedy, Italian Styletuated firmly in the kitchen. Yet the wife only finds herself cooking that evening in . because they have fired their maid. A simple association of the kitchen with femininity in fact hides an array of different experiences of the space where issues of gender, sexuality, and class intersect.作者: JUST 時(shí)間: 2025-3-24 08:34
Conclusionstructs sexual difference. Whether the images are of kitchens, cars, offices, beaches or nightclubs, there is a repeated insistence that men and women must necessarily interact with social and cinematic spaces in different ways; in Comedy, Italian Style, space matters to gender, and vice versa.作者: Irremediable 時(shí)間: 2025-3-24 12:05
Italy from 1958-70, examines the genre‘s representation of gender in the everyday spaces of beaches and nightclubs, offices, cars, and kitchens, through the exploration of key spatial motifs.978-1-349-48704-2978-1-137-40357-5作者: charisma 時(shí)間: 2025-3-24 18:08
Introductiont-paced, modern consumer lifestyle of 1960s Italy to become a mountain-dwelling hermit. At the start of the film, Pietro returns to Rome as a counterculture figure, promoting vegetarianism, staging protests against traffic, and living with a group of young hippies in a camp. If Pietro is highly crit作者: embolus 時(shí)間: 2025-3-24 21:08 作者: bronchiole 時(shí)間: 2025-3-24 23:29
Comedy, Italian Style(failed) gender equality. When Spaak discovers that Manfredi has been unfaithful, she agrees to forgive him only after she has had sex with someone else. In an unusual statement of gender equality for Comedy, Italian Style, she explains to him, “Women are equal to men, you know, you need to learn th作者: 情節(jié)劇 時(shí)間: 2025-3-25 07:21 作者: ensemble 時(shí)間: 2025-3-25 11:27
Masculinity at Work: Offices in Comedy, Italian Stylea human relations specialist employed to modernize an office in an antiquated Roman . staffed by resistant male employees, whose ringleader, Nando, is played by Nino Manfredi. The film is a treasure trove of scenes concerned with organizational culture and the role of space within it. It features di作者: Glucose 時(shí)間: 2025-3-25 15:44 作者: ARIA 時(shí)間: 2025-3-25 17:16
Recipe for Change: Kitchens in Comedy, Italian StyleMen should not be in the kitchen.” The line reasserts the age-old gendering of space in many societies, including Italy, which has traditionally categorized domestic space as female, in particular the kitchen. Yet despite this traditional attitude, the kitchen in the film is a bright, modern space w作者: 噴出 時(shí)間: 2025-3-25 20:59 作者: 基因組 時(shí)間: 2025-3-26 01:45
Screening Spaceshttp://image.papertrans.cn/c/image/226542.jpg作者: 放縱 時(shí)間: 2025-3-26 08:11 作者: crease 時(shí)間: 2025-3-26 11:53 作者: Enervate 時(shí)間: 2025-3-26 13:23
978-1-349-48704-2Palgrave Macmillan, a division of Nature America Inc. 2015作者: Chivalrous 時(shí)間: 2025-3-26 16:51
Italy from 1958-70, examines the genre‘s representation of gender in the everyday spaces of beaches and nightclubs, offices, cars, and kitchens, through the exploration of key spatial motifs.978-1-349-48704-2978-1-137-40357-5作者: Accrue 時(shí)間: 2025-3-26 21:21 作者: Invigorate 時(shí)間: 2025-3-27 03:10 作者: 柏樹(shù) 時(shí)間: 2025-3-27 07:55
Regional Convergence in the European Union(failed) gender equality. When Spaak discovers that Manfredi has been unfaithful, she agrees to forgive him only after she has had sex with someone else. In an unusual statement of gender equality for Comedy, Italian Style, she explains to him, “Women are equal to men, you know, you need to learn th作者: Debark 時(shí)間: 2025-3-27 11:15 作者: Inkling 時(shí)間: 2025-3-27 14:53
Regional Cooperation in South Asiaa human relations specialist employed to modernize an office in an antiquated Roman . staffed by resistant male employees, whose ringleader, Nando, is played by Nino Manfredi. The film is a treasure trove of scenes concerned with organizational culture and the role of space within it. It features di作者: 橢圓 時(shí)間: 2025-3-27 18:51 作者: 通便 時(shí)間: 2025-3-27 21:55
Energy Interdependency in South AsiaMen should not be in the kitchen.” The line reasserts the age-old gendering of space in many societies, including Italy, which has traditionally categorized domestic space as female, in particular the kitchen. Yet despite this traditional attitude, the kitchen in the film is a bright, modern space w作者: 整潔漂亮 時(shí)間: 2025-3-28 06:08
Regional Culture and Social Changee in the period 1958–70. The answers to this question are of course multiple and complex; many different profilmic spaces are represented in the genre, and a multiplicity of male and female identities are represented interacting with these spaces, and with each other, in many different ways. But amo作者: manifestation 時(shí)間: 2025-3-28 07:23
2730-6860 uktivit?t durch einen besseren Umgang mit Stresssituationen.Stress geh?rt zum Berufs- und Privatleben der meisten Menschen dazu. Immer mehr Menschen bekommen jedoch durch Stress gesundheitliche Probleme. Das wiederum führt zu vermehrten Ausfallzeiten in den Unternehmen und stellt somit zunehmend ein
