作者: anniversary 時(shí)間: 2025-3-21 23:45 作者: nuclear-tests 時(shí)間: 2025-3-22 00:27 作者: LINES 時(shí)間: 2025-3-22 07:21 作者: PSA-velocity 時(shí)間: 2025-3-22 10:07 作者: Pde5-Inhibitors 時(shí)間: 2025-3-22 16:23
https://doi.org/10.1007/978-3-662-52676-7cifically, what it means to be woman, black, human. . broadens the diasporic terrain significantly, encompassing Britain, Jamaica, Panama (Central America), and the United States, focalizes the genealogy and meaning of the term “African diaspora” and presents a theory for reading Afro-Caribbean real作者: Pde5-Inhibitors 時(shí)間: 2025-3-22 21:01 作者: 陪審團(tuán)每個(gè)人 時(shí)間: 2025-3-23 01:11 作者: 滴注 時(shí)間: 2025-3-23 05:17 作者: 殘廢的火焰 時(shí)間: 2025-3-23 08:02 作者: Mere僅僅 時(shí)間: 2025-3-23 09:46 作者: gusher 時(shí)間: 2025-3-23 17:24
Reglerentwurf zur Polzuweisung, Indo-Caribbean religion and the erotic application of pain in a dominatrix/submissive relationship. And, following the work of scholars such as Giselle Anatol who explore how that which is repressed and denigrated about womanhood emerges in Caribbean folkloric figures, I examine the reclaiming of s作者: 圓錐體 時(shí)間: 2025-3-23 21:38
Reglerentwurf zur Polzuweisung,ffers a praxis by which one might live with the ghosts of the past, to bring their voices to life, without being dominated by them: a skeptical acceptance of events like the Bois-Ca?man ceremony that individuals may simultaneously doubt and accept as truth.作者: Customary 時(shí)間: 2025-3-24 00:59
https://doi.org/10.1007/978-3-642-29562-1, the heroine Paama, and the goddess Atabey. In doing so, Lord offers a new futuristic, feminocentric Ananse story whose weblike concentric patterns interweave the African past with the Caribbean present, the ancestral homeland with the diaspora.作者: Classify 時(shí)間: 2025-3-24 05:22 作者: ARENA 時(shí)間: 2025-3-24 08:35 作者: Crayon 時(shí)間: 2025-3-24 12:51 作者: outskirts 時(shí)間: 2025-3-24 17:05
Past Histories and Present Realities: The Paradox of Time and the Ritual of Performance in Mayra Sanrs as a handful of short vignettes disseminated throughout the text, highlights the ways in which official stories have silenced black women’s lives. Countering this erasure, Santos Febres’ text anchors the black female body, depicting it as a site of cultural inscription and resilience.作者: 主動(dòng) 時(shí)間: 2025-3-24 21:38 作者: urethritis 時(shí)間: 2025-3-24 23:18
Connecting Diasporas: Reading Erna Brodber’s , through African Fractal Theorycifically, what it means to be woman, black, human. . broadens the diasporic terrain significantly, encompassing Britain, Jamaica, Panama (Central America), and the United States, focalizes the genealogy and meaning of the term “African diaspora” and presents a theory for reading Afro-Caribbean real作者: nullify 時(shí)間: 2025-3-25 04:09
Writing “In Transit”: Literary Constructions of Sovereignty in Julia Alvarez’s ola-rooted, diasporic text. The chapter critically approaches how . both centers and decenters global sites of “contested sovereignty” and how the various interpretations of Dominican (American) women as well as undocumented workers in Vermont relate to gendered constructions of nation and citizensh作者: 外表讀作 時(shí)間: 2025-3-25 08:56
When the Tout-Monde Is Not One: Maryse Condé’s Problematic ‘World-in-Motion’ in , (2008) and , (2017eveal skepticism with respect to Glissantian ideals about Relation in the Tout-Monde of exchange. The fundamental questions she asks in her radical remapping of Glissantian philosophy in her novels demonstrate a concern that positive mobility, transnationalism, human contact and exchange are illusio作者: affluent 時(shí)間: 2025-3-25 15:34
Re-mapping the Caribbean Gothic in Nalo Hopkinson’s , and Shani Mootoo’s bbean family traditions can place on their female family members to arrive at a new Caribbean Canadian Gothic. Both novels reject the misogynistic traditions that require a woman’s complicity in her own disempowerment, like remaining in a loveless marriage or acquiescing to an overbearing mother-in-作者: Prologue 時(shí)間: 2025-3-25 19:20 作者: 憂傷 時(shí)間: 2025-3-25 22:46 作者: 把…比做 時(shí)間: 2025-3-26 00:50 作者: 態(tài)度暖昧 時(shí)間: 2025-3-26 05:48 作者: 矛盾心理 時(shí)間: 2025-3-26 11:14
Fiction as a Spider’s Web? Ananse and Gender in Karen Lord’s Speculative Folktale , the heroine Paama, and the goddess Atabey. In doing so, Lord offers a new futuristic, feminocentric Ananse story whose weblike concentric patterns interweave the African past with the Caribbean present, the ancestral homeland with the diaspora.作者: 角斗士 時(shí)間: 2025-3-26 12:50 作者: STIT 時(shí)間: 2025-3-26 20:51 作者: 運(yùn)動(dòng)的我 時(shí)間: 2025-3-26 23:20
,Einstellregeln für PI-Mehrgr??enregler,topian world time and again in order to repair ourselves and move forward toward a new future of liberation, one that will emerge from the spatio-temporal crossroads opened by the forgotten mysteries of the sea.作者: Acquired 時(shí)間: 2025-3-27 03:00 作者: 損壞 時(shí)間: 2025-3-27 06:26
Spiritual Crossings: Olokun and Caribbean Futures Past in , by?Rita Indianatopian world time and again in order to repair ourselves and move forward toward a new future of liberation, one that will emerge from the spatio-temporal crossroads opened by the forgotten mysteries of the sea.作者: indicate 時(shí)間: 2025-3-27 10:37
ively deconstructs the androcentric, modern western.Focuses .This book deconstructs androcentric approaches to spacetime. .inherited from western modernity through its theoretical frame of the chronotropics. It sheds light on the literary acts of archival disruption, radical remapping, and epistemic作者: jet-lag 時(shí)間: 2025-3-27 16:19
Book‘‘‘‘‘‘‘‘ 2023 sheds light on the literary acts of archival disruption, radical remapping, and epistemic .marronnage. by twenty-first-century Caribbean women writers to restore a? connection to?spacetime, expanding it within and beyond the region. Arguing that the chronotropics points to a vocation for social jus作者: 簡(jiǎn)略 時(shí)間: 2025-3-27 20:44 作者: GNAT 時(shí)間: 2025-3-27 22:13
Poetics and Politics of the Chronotropics: Introduction,atriarchy and reverse the damage of the extractive logic that rules an asymmetrical global order. This pan-Caribbean volume presents alternative conceptions of spacetime from across the region and its diaspora, what we call the “chronotropics.” Stemming from . (time) and ., “a turn,” this term does 作者: 先兆 時(shí)間: 2025-3-28 05:49 作者: debase 時(shí)間: 2025-3-28 08:49 作者: incubus 時(shí)間: 2025-3-28 13:09 作者: Bronchial-Tubes 時(shí)間: 2025-3-28 18:26
A Site of Memory: Revisiting (in) Gisèle Pineau’s y to the reader’s expectations, however, this memory jail functions as a welcoming, nurturing, womb-like space, as conceptualized by Betty Wilson. Scenes from the past are revisioned and at times, reenacted, as Pineau’s eighteenth-century ancestor Angélique, grandmother Julia, mother Daisy, and aunt作者: debunk 時(shí)間: 2025-3-28 22:02 作者: guardianship 時(shí)間: 2025-3-28 23:21
Writing “In Transit”: Literary Constructions of Sovereignty in Julia Alvarez’s 00 Dominicans of Haitian descent. The ruling, from the Dominican Republic’s highest court, reinterpreted the constitutional use of the word “in transit” to claim that the term describes the descendants of any undocumented residents in the country, thus thrusting these individuals into statelessness.作者: 使乳化 時(shí)間: 2025-3-29 04:06 作者: 難聽(tīng)的聲音 時(shí)間: 2025-3-29 08:33
Re-mapping the Caribbean Gothic in Nalo Hopkinson’s , and Shani Mootoo’s and Canadian-born characters. Hopkinson’s . (2013) is a supernatural fantasy caper, whereas Mootoo’s . (2005) tells a postcolonial, neo-Gothic love story. Both novels use water imagery to convey the diasporic connections linking Caribbean and Canadian life; these novels discuss Canadian lakes rathe作者: 圖表證明 時(shí)間: 2025-3-29 14:42
Imagining Beyond Division, an Environmental Future: Pauline Melville’s , and Elizabeth Nunez’s ,. Haraway calls “worlding.” Caribbean colonial cultures were built on division, ignorant, indifferent or hostile to the interconnected fabric by which all life exists. Those chickens have come home to roost in our present moment of environmental peril. Pauline Melville’s . (1997) and Elizabeth Nunez’作者: Spirometry 時(shí)間: 2025-3-29 16:17 作者: 高調(diào) 時(shí)間: 2025-3-29 21:59
Creolizing Science in Mayra Montero’s ccurred between science and art, science and an imaginative psychological, even magical apprehension of the universe” (41). The novel reveals that it is in the violent subjugation of women that the costs of such a break are most visibly articulated. Montero’s narrative represents an Afro-Caribbean c作者: aristocracy 時(shí)間: 2025-3-30 03:06 作者: 用肘 時(shí)間: 2025-3-30 05:07
At the Crossroads of History: The Cohabitation of Past and Present in Kettly Mars’s as a conduit for historical discourse that too often silences women. Similarly, Kettly Mars’s . (2018) shifts the emphasis of the Bois-Ca?man ceremony from Boukman to the lesser-known woman said to have assisted at the ritual. In the novel, the spirit of Marinette ., a vengeful . believed to have be作者: 肉身 時(shí)間: 2025-3-30 09:59
Fiction as a Spider’s Web? Ananse and Gender in Karen Lord’s Speculative Folktale class inequality. Demonstrating her trickster powers, Lord merges folk gods and hero(ines) from different African traditions, for example Akan, Ashanti, Xhosa, and Karamba, with those found in Caribbean cultures. This syncretic textual strategy not only emphasizes the subversive, liminal qualities 作者: 嚴(yán)重傷害 時(shí)間: 2025-3-30 14:57 作者: 紅腫 時(shí)間: 2025-3-30 17:41
https://doi.org/10.1007/978-3-031-32111-5Literature, Gender and Sexuality; Literature and Postcolonial Studies; Literature and the Environment; 作者: GOAD 時(shí)間: 2025-3-30 22:19
978-3-031-32113-9The Editor(s) (if applicable) and The Author(s) 2023作者: Condyle 時(shí)間: 2025-3-31 02:45
Reglerentwurf zur Polzuweisung,atriarchy and reverse the damage of the extractive logic that rules an asymmetrical global order. This pan-Caribbean volume presents alternative conceptions of spacetime from across the region and its diaspora, what we call the “chronotropics.” Stemming from . (time) and ., “a turn,” this term does 作者: NOMAD 時(shí)間: 2025-3-31 05:25 作者: perpetual 時(shí)間: 2025-3-31 11:43
https://doi.org/10.1007/978-3-662-52676-7ed this issue in her writing, and in her recent work of poetry she structures her interrogation with two figures, the “author” and the “clerk.” The author and clerk sometimes spar and sometimes mirror one another in their ongoing arguments and conversations about the poet’s writing and the clerk’s d作者: 形上升才刺激 時(shí)間: 2025-3-31 16:25 作者: languid 時(shí)間: 2025-3-31 17:59
