派博傳思國際中心

標題: Titlebook: Chroma; Design, Architecture Barbara Glasner,Petra Schmidt Book 2010Latest edition Birkh?user Basel 2010 Designer.Farbe.architects.architec [打印本頁]

作者: 灰塵    時間: 2025-3-21 17:54
書目名稱Chroma影響因子(影響力)




書目名稱Chroma影響因子(影響力)學科排名




書目名稱Chroma網(wǎng)絡公開度




書目名稱Chroma網(wǎng)絡公開度學科排名




書目名稱Chroma被引頻次




書目名稱Chroma被引頻次學科排名




書目名稱Chroma年度引用




書目名稱Chroma年度引用學科排名




書目名稱Chroma讀者反饋




書目名稱Chroma讀者反饋學科排名





作者: LIKEN    時間: 2025-3-21 22:11
Gerhard Richter Ways of Seeingan landscapes and roman- tic seascapes as worthy of portrayal as photos from newspaper reports such as those used for . (1966)? How could someone literally ‘exhibit’ colors in serial color charts and simply call the result . (1974)? How could someone produce gray canvases, family portraits, flower still lifes, and abstract paintings?
作者: judiciousness    時間: 2025-3-22 01:46
Reconsidering Identity Economicsing at what would otherwise be an intolerable blinding light—you are filled with light and warmth and have an immediate, intense perception of color. Geiger’s paintings are similar to the after-im- ages or memory-related pictures that we see with our eyes closed: the perception is of pure color.
作者: 燈泡    時間: 2025-3-22 07:26
Rupprecht Geiger ‘High on red’ing at what would otherwise be an intolerable blinding light—you are filled with light and warmth and have an immediate, intense perception of color. Geiger’s paintings are similar to the after-im- ages or memory-related pictures that we see with our eyes closed: the perception is of pure color.
作者: Toxoid-Vaccines    時間: 2025-3-22 08:51

作者: 機密    時間: 2025-3-22 15:16

作者: 機密    時間: 2025-3-22 18:05
Book 2010Latest editionw do other designers and artists deal with the issue? With "Chroma," the Greek word for color, as its title, this illustrated book provides answers to these questions and makes it clear that color is much more than mere decoration – it is one of the central problems of creative work. In the process,
作者: Palpitation    時間: 2025-3-22 23:43
for their color choices.Presents the chromatic worlds of le.Designers and architects have to make decisions regarding color every day. But how does one find the necessary inspiration? The appropriate color? How do other designers and artists deal with the issue? With "Chroma," the Greek word for co
作者: Mindfulness    時間: 2025-3-23 05:07
https://doi.org/10.1057/978-1-137-52561-1omputers. The firm’s two founders, Ben van Berkel and Caroline Bos, are both digital designers who work not only with free-form shapes but also networked planning and construction—and a new understanding of color. For them color is at once a display element and an orientation mark, a statement, and a digital signature.
作者: Defiance    時間: 2025-3-23 06:05

作者: LATHE    時間: 2025-3-23 09:57

作者: 皺痕    時間: 2025-3-23 17:26

作者: Minutes    時間: 2025-3-23 18:43
Rupprecht Geiger ‘High on red’ of ‘force fields’ ‘meditation objects,’ and the ‘cosmic energy’ that they emit. Still others focus on the sensation they create: that of sinking into an infinite, undefined space. Geiger’s color-based paint- ings are evidently not easy to grasp concep- tually. Art critic Thomas Wagner used an apt a
作者: 排名真古怪    時間: 2025-3-23 22:46

作者: ingrate    時間: 2025-3-24 03:01
Gerhard Richter Ways of Seeingg to a succession of stylistic incongruities or admired as fascinat- ingly radical. The possibility of this work being informed by a consistent outlook was something that did not even occur to most observers. For how could someone produce blurred paintings based on amateur photo- graphs and find urb
作者: Interim    時間: 2025-3-24 08:57
Anselm Reyle ‘What I look for first is dissonance’cheap glossy foil, and neon colors. He thereby tests the boundaries of what is considered aesthetically acceptable, not only to provoke but also to illuminate our cultural taboos and the allure they have.
作者: 鍍金    時間: 2025-3-24 14:24

作者: 不可救藥    時間: 2025-3-24 15:42

作者: 名次后綴    時間: 2025-3-24 22:24
Reconsidering Historical Epistemology to stuffed toys, ropes, and scraps of leather. The colors of their designs are just as varied and bold, even if the brothers themselves prefer natural colors, as Fernando Campana says in the interview.
作者: Lipoprotein(A)    時間: 2025-3-25 02:33

作者: Individual    時間: 2025-3-25 06:47

作者: 憤世嫉俗者    時間: 2025-3-25 08:39
Anselm Reyle ‘What I look for first is dissonance’cheap glossy foil, and neon colors. He thereby tests the boundaries of what is considered aesthetically acceptable, not only to provoke but also to illuminate our cultural taboos and the allure they have.
作者: exquisite    時間: 2025-3-25 14:15

作者: 無目標    時間: 2025-3-25 18:01
Birkh?user Basel 2010
作者: inchoate    時間: 2025-3-25 20:54

作者: ineluctable    時間: 2025-3-26 02:21

作者: 使閉塞    時間: 2025-3-26 06:09

作者: gerontocracy    時間: 2025-3-26 09:19
Sauerbruch Hutton ‘For us color is a tool’Louisa Hutton and Matthias Sauerbruch have used finely balanced color concepts to develop their own design language. Their work is characterized by color combinations rather than monochrome blocks. The main difficulty of this approach, says Louisa Hutton, is linking colors and materials to form a unified whole.
作者: albuminuria    時間: 2025-3-26 13:54

作者: HOWL    時間: 2025-3-26 18:30
Ronan & Erwan Bouroullec ‘Coloris like a skin’Given the choice, French designers Ronan and Erwan Bouroullec prefer to design objects that don’t steal the show. Subdued colors with gradated shades of gray dominate the color palette of their furniture and objects—even though consumers usually favor black, white, and red over shades of brown and green.
作者: MAZE    時間: 2025-3-26 21:23

作者: 加劇    時間: 2025-3-27 03:47

作者: declamation    時間: 2025-3-27 07:03

作者: Ancillary    時間: 2025-3-27 09:30

作者: Obstacle    時間: 2025-3-27 17:03
https://doi.org/10.1057/978-1-137-52561-1g to a succession of stylistic incongruities or admired as fascinat- ingly radical. The possibility of this work being informed by a consistent outlook was something that did not even occur to most observers. For how could someone produce blurred paintings based on amateur photo- graphs and find urb
作者: neolith    時間: 2025-3-27 20:04
Suze van der Poll,Rob van der Zalmcheap glossy foil, and neon colors. He thereby tests the boundaries of what is considered aesthetically acceptable, not only to provoke but also to illuminate our cultural taboos and the allure they have.
作者: 澄清    時間: 2025-3-27 23:55
ions, from brilliant and colorful through tasteful and subdued all the way to black-and-white contrasts. An additional chapter analyzes the work of outstanding artists, architects, and designers like Gerhard Ri
作者: GUILT    時間: 2025-3-28 03:41
Book 2010Latest editionchromatic," and "achromatic." The spectrum encompasses all conceivable shades and combinations, from brilliant and colorful through tasteful and subdued all the way to black-and-white contrasts. An additional chapter analyzes the work of outstanding artists, architects, and designers like Gerhard Ri
作者: xanthelasma    時間: 2025-3-28 09:37

作者: 吝嗇性    時間: 2025-3-28 13:19

作者: overreach    時間: 2025-3-28 18:26
Lorenzo Tortolina,Nicoletta Castagnino,Cristina De Ambrosi,Annalisa Barla,Alessandro Verri,Gabriele he ANN algorithms (multilayer perceptron (MLP), recurrent neural network (RNN), and long short-term memory (LSTM)) and two classification algorithms (linear regression and logistic regression algorithms) are considered acceptable and could be applied as medical decision support to identify patients
作者: 殺子女者    時間: 2025-3-28 21:49

作者: 盲信者    時間: 2025-3-28 23:23

作者: declamation    時間: 2025-3-29 07:00
Industrialise and Innovate to Deliver Banking 4.0 Services,ing, and industrialising their information technology to build a profitable, systemic risk resilient, and cyber-secure business franchise. The banking business model has evolved with the development of technology.
作者: 山頂可休息    時間: 2025-3-29 09:53

作者: OCTO    時間: 2025-3-29 12:46





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