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標(biāo)題: Titlebook: Christina Stead; Diana Brydon Textbook 1987Latest edition Diana Brydon 1987 Bronte.Charlotte Bronte.fiction.Jane Austen.novel.Victorian er [打印本頁(yè)]

作者: Consonant    時(shí)間: 2025-3-21 18:48
書目名稱Christina Stead影響因子(影響力)




書目名稱Christina Stead影響因子(影響力)學(xué)科排名




書目名稱Christina Stead網(wǎng)絡(luò)公開度




書目名稱Christina Stead網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Christina Stead被引頻次




書目名稱Christina Stead被引頻次學(xué)科排名




書目名稱Christina Stead年度引用




書目名稱Christina Stead年度引用學(xué)科排名




書目名稱Christina Stead讀者反饋




書目名稱Christina Stead讀者反饋學(xué)科排名





作者: GUISE    時(shí)間: 2025-3-21 22:21
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作者: TATE    時(shí)間: 2025-3-22 12:14
Iyad Muhsen AlDajani,Martin Leiner own way without regard to literary fashion. The key to this woman of many apparent contradictions lies in her belief in integrity, her sense that she was a born ‘word-stringer’ whose function in life was to record with honesty what she saw and heard in the world around her.. Insisting that she wrot
作者: FER    時(shí)間: 2025-3-22 13:05
Amjad M. al-Dajani,Muhsen A. al-Dajani their pioneering work to demonstrate how an explicitly feminist reading, through narrowing the focus, can reveal dimensions overlooked, too quickly skimmed over or misunderstood by the wider scan. Feminist criticism begins by making two related assumptions about literary experience: that women writ
作者: FER    時(shí)間: 2025-3-22 19:04
Amjad M. al-Dajani,Muhsen A. al-Dajani to the correspondence course in her work as a teacher. As a writer too, her voice is muted. Whereas many writers stamp their work with the unmistakeable quality of their own articulation, Stead’s stamp is the flexibility with which she allows her characters to speak through her. She wrote not so mu
作者: FLORA    時(shí)間: 2025-3-22 22:53

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作者: 拘留    時(shí)間: 2025-3-23 21:47
A Waker and Dreamer, own way without regard to literary fashion. The key to this woman of many apparent contradictions lies in her belief in integrity, her sense that she was a born ‘word-stringer’ whose function in life was to record with honesty what she saw and heard in the world around her.. Insisting that she wrot
作者: 同時(shí)發(fā)生    時(shí)間: 2025-3-24 00:06
Redrawing the Boundaries, their pioneering work to demonstrate how an explicitly feminist reading, through narrowing the focus, can reveal dimensions overlooked, too quickly skimmed over or misunderstood by the wider scan. Feminist criticism begins by making two related assumptions about literary experience: that women writ
作者: overture    時(shí)間: 2025-3-24 04:47

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作者: expound    時(shí)間: 2025-3-24 12:20

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作者: 格子架    時(shí)間: 2025-3-25 13:41
Cybersecurity in Sovereignty Reform and therefore meeting with more enthusiasm from readers. Both are novels of growing up that focus on the female artist as she learns to articulate her own special sense of what it means to be alive in her world.
作者: gain631    時(shí)間: 2025-3-25 17:58
Autobiographical Fiction, and therefore meeting with more enthusiasm from readers. Both are novels of growing up that focus on the female artist as she learns to articulate her own special sense of what it means to be alive in her world.
作者: LURE    時(shí)間: 2025-3-25 22:10
Iyad Muhsen AlDajani,Martin Leinerhe American novels that followed it consider the tenacity of such myths. Despite their failure, people clung to them. So Stead’s novels returned to their Depression preoccupations with the power of dreams to obscure reality, leading people to mistake their own best interests or to give up hope of anything better.
作者: 沙草紙    時(shí)間: 2025-3-26 02:40

作者: 厭食癥    時(shí)間: 2025-3-26 07:25
A Waker and Dreamer,e out of instinct and would continue to write on a desert island if her only materials were her fingers and the sand, she nonetheless worked hard at revising her writing to sharpen the vision that shaped her work.
作者: 他一致    時(shí)間: 2025-3-26 10:28

作者: ESO    時(shí)間: 2025-3-26 12:38
Redrawing the Boundaries,sal’: boundaries between what is and what is not literature, between what constitutes a well-made and what a poorly-made work of art, between what is and what is not ‘realistic’, and between what is and is not an acceptable literary subject.
作者: Compatriot    時(shí)間: 2025-3-26 17:11
In the Hall of Mirrors,ilia Trollope is a victim, but a victim who eventually finds the strength to take her freedom. Eleanor Herbert is a ‘suburban wife’, but her desperate adherence to convention only serves to show its inadequacies.
作者: fringe    時(shí)間: 2025-3-26 21:45
Stead and her Critics,tradition of the English novel identified by Leavis. Stead wrote the history of her experience of the major periods of the twentieth century — from the twenties to the fifties — as an involved participant who saw those times within the framework of a materialist analysis.
作者: connoisseur    時(shí)間: 2025-3-27 03:36
Amjad M. al-Dajani,Muhsen A. al-Dajanisal’: boundaries between what is and what is not literature, between what constitutes a well-made and what a poorly-made work of art, between what is and what is not ‘realistic’, and between what is and is not an acceptable literary subject.
作者: 虛假    時(shí)間: 2025-3-27 09:09

作者: 厭倦嗎你    時(shí)間: 2025-3-27 10:46

作者: 閃光你我    時(shí)間: 2025-3-27 15:06
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