標(biāo)題: Titlebook: Choreography as Embodied Critical Inquiry; Embodied Cognition a Shay Welch Book 2022 The Editor(s) (if applicable) and The Author(s), under [打印本頁] 作者: concession 時(shí)間: 2025-3-21 16:23
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書目名稱Choreography as Embodied Critical Inquiry讀者反饋
書目名稱Choreography as Embodied Critical Inquiry讀者反饋學(xué)科排名
作者: Obliterate 時(shí)間: 2025-3-21 20:57
Kai Arzheimer,Harald Schoen,Jürgen W. Faltermbodied metaphors in mining the body for questions. I argue that our creative embodied movements facilitate our ability to bodily engage in critical analysis about the world. I set out the core areas related to my inquiry and introduce some of their foundational tenets used in the arguments.作者: Isolate 時(shí)間: 2025-3-22 03:44 作者: monochromatic 時(shí)間: 2025-3-22 06:01 作者: Tailor 時(shí)間: 2025-3-22 09:05 作者: 占卜者 時(shí)間: 2025-3-22 13:05
al inquiry process.Demonstrates how to utilize movement to e.In this book, Shay Welch expands on the contemporary cognitive thinking-in-movement framework, which has its roots in the work of Maxine Sheets-Johnstone but extends and develops within contemporary embodied cognition theory.? Welch believ作者: 占卜者 時(shí)間: 2025-3-22 20:03 作者: 膽汁 時(shí)間: 2025-3-22 21:40 作者: Schlemms-Canal 時(shí)間: 2025-3-23 03:54 作者: 束以馬具 時(shí)間: 2025-3-23 09:16 作者: Observe 時(shí)間: 2025-3-23 13:20
Dancing: Phenomenology and Embodied Cognition,mbodied metaphors in mining the body for questions. I argue that our creative embodied movements facilitate our ability to bodily engage in critical analysis about the world. I set out the core areas related to my inquiry and introduce some of their foundational tenets used in the arguments.作者: 光滑 時(shí)間: 2025-3-23 14:37
Movement-Knowings: Affect and Embodied Intuition,. To do so, I examine why and how consciousness is tied directly to affect to better understand the role of affect in intuition. I hold that if one can understand how affect is experienced in, and through, movement, they can better learn how to access and direct embodied knowledges.作者: unstable-angina 時(shí)間: 2025-3-23 21:15 作者: negotiable 時(shí)間: 2025-3-24 01:03
Dancing: Phenomenology and Embodied Cognition,the purpose of the book, which is to, first, present the theoretical underpinnings of what this process is and how it can work; and second, to introduce the empirical method as a tool that can be used by movers for the purpose of doing embodied inquiry. I explore the role of embodied cognition and e作者: 昆蟲 時(shí)間: 2025-3-24 06:20 作者: Expand 時(shí)間: 2025-3-24 06:53 作者: wreathe 時(shí)間: 2025-3-24 13:04 作者: 共同確定為確 時(shí)間: 2025-3-24 16:21 作者: 凹室 時(shí)間: 2025-3-24 21:31
The Movers: Results,t the outset, how we went through the method, how we resolved the initial questions, and in what ways were some parts more successful than others. I include commentary from my movement partners regarding their experience with the experiment.作者: 乞討 時(shí)間: 2025-3-24 23:31
es how to utilize movement to explore embodied practices of knowing.? She argues that our creative embodied movements facilitate our ability to bodily engage in critical analysis about the world.?.978-3-030-93497-2978-3-030-93495-8作者: abduction 時(shí)間: 2025-3-25 04:25
Kai Arzheimer,Harald Schoen,Jürgen W. Falterthe purpose of the book, which is to, first, present the theoretical underpinnings of what this process is and how it can work; and second, to introduce the empirical method as a tool that can be used by movers for the purpose of doing embodied inquiry. I explore the role of embodied cognition and e作者: excrete 時(shí)間: 2025-3-25 10:00 作者: DAMN 時(shí)間: 2025-3-25 15:38 作者: ANT 時(shí)間: 2025-3-25 16:27 作者: GRACE 時(shí)間: 2025-3-25 22:38
https://doi.org/10.1007/978-3-322-99575-9demonstrate how the phenomenology of dance counts as a naturalized phenomenology. In “.” section, I provide a thorough summation of Di Paolo et al.’s theory of linguistic bodies, since it is best suited to helping understand how bodied can communicate. A rendering of bodies as fully communicative is作者: commonsense 時(shí)間: 2025-3-26 00:31 作者: 開玩笑 時(shí)間: 2025-3-26 04:42
Shay WelchThe first account of how to use choreography as a means of engaging in critical inquiry.Develops a method for using choreography as a critical inquiry process.Demonstrates how to utilize movement to e作者: 反抗者 時(shí)間: 2025-3-26 08:53
http://image.papertrans.cn/c/image/226205.jpg作者: 庇護(hù) 時(shí)間: 2025-3-26 15:34 作者: ARCHE 時(shí)間: 2025-3-26 17:23
https://doi.org/10.1007/978-3-030-93495-8Dance; Choreography; embodied metaphors; critical inquiry; enactivism; embodiment; somatics; Phenomenology; 作者: 全部逛商店 時(shí)間: 2025-3-26 21:35
978-3-030-93497-2The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 庇護(hù) 時(shí)間: 2025-3-27 04:00
The Movers: Results,t the outset, how we went through the method, how we resolved the initial questions, and in what ways were some parts more successful than others. I include commentary from my movement partners regarding their experience with the experiment.作者: 執(zhí)拗 時(shí)間: 2025-3-27 06:40
Versammlungsfreiheit (Art. 8 GG),ive und selbstloses Handeln zu vielen Beziehungskonstellationen, etwa Freundschaft und Liebe, ganz und gar ?natürlich‘ sind. Der Beitrag zeigt, dass eine Differenzierung in Schopenhauers problematischem Mitleidsbegriff den Konflikt aufl?st. Zumindest dieses Lehrstück Schopenhauers kann von dem Vorwurf der Paradoxie entlastet werden.作者: 不足的東西 時(shí)間: 2025-3-27 10:22
Fremdmanagement in Familienunternehmen: Ann?herung an eine vielschichtige Thematikschwierig ist, sich dem Gegenstand ausreichend zu n?hern und gar von situationsspezifischen Umst?nden unabh?ngige Aussagen zu treffen. Um eine entsprechende Diskussion zu führen wird im Folgenden zun?chst auf einige durchaus wichtige begriffliche Unterscheidungen eingegangen.作者: 無法破譯 時(shí)間: 2025-3-27 13:47 作者: 樂器演奏者 時(shí)間: 2025-3-27 20:34 作者: fatuity 時(shí)間: 2025-3-27 23:53 作者: 磨碎 時(shí)間: 2025-3-28 06:04 作者: 協(xié)迫 時(shí)間: 2025-3-28 06:30 作者: CROW 時(shí)間: 2025-3-28 11:42
