作者: 親屬 時(shí)間: 2025-3-21 20:57
Book 2015This book illuminates the relationship between philosophy and experimental choreographic practice today in the works of leading European choreographers. A discussion of key issues in contemporary performance from the viewpoint of Deleuze, Spinoza and Bergson is accompanied by intricate analyses of seven groundbreaking dance performances. ?作者: 轉(zhuǎn)換 時(shí)間: 2025-3-22 04:29
https://doi.org/10.1057/9781137437396Performance philosophy; contemporary performance; choreography; Baruch de Spinoza; bibliography; body; con作者: Gratulate 時(shí)間: 2025-3-22 06:55 作者: Campaign 時(shí)間: 2025-3-22 11:19
https://doi.org/10.1007/978-3-642-96666-8 kind of thought that they both arise from and give rise to. It is an attempt to account, under the philosophical theme of “problems,” for the thought that differentiates specific practices of making, performing, and attending in seven works of dance. . and . by Xavier Le Roy, . by Jonathan Burrows 作者: 浪蕩子 時(shí)間: 2025-3-22 14:45
https://doi.org/10.1007/978-3-322-97113-5es or formulates a “problem,” and the thorough interpretation of each work requires a distinctive kind of conceptual practice to which that problem gives rise. My claim is based on the study of three varieties of sources: firstly, I draw on the documentation of all seven works’ creation process, on 作者: 浪蕩子 時(shí)間: 2025-3-22 18:35 作者: 偶然 時(shí)間: 2025-3-23 01:10
Platon und das Muster des Staates,West European and North American) tradition within which the choreographies considered here are made and presented. The attribute of “theater” means more than an institutional distinction from nonartistic dance practices such as social dancing or traditional folkloric dance. Since its modern profess作者: galley 時(shí)間: 2025-3-23 05:20
Kees Schuyt,Kees Groenendijk,Bernard Slootlosophy and dance criticism and at once an important question raised by the concept of “choreographing problems”: can dancing be equated with thinking, and if so, under which conditions and terms? The topic of the relationship between dance and thought is further complicated by claims related to imp作者: Priapism 時(shí)間: 2025-3-23 08:22
Die schwedische Rechtshilfereform,en the body and movement and between performing and attending. There I discussed concepts such as “part-bodies” and “part-machines” as well as theatrical apparatuses of disjunction such as the “head-box,” “de-figurement” of the stage, and heterogeneous “assemblings” (wirings of bodies and things). I作者: 禁止,切斷 時(shí)間: 2025-3-23 12:25
https://doi.org/10.1007/978-3-663-05387-3ich they are determined. The multiplicity instantiated in the becoming of the performer’s body in .; the modulations of the body-trampoline . in .; the involution of movement coupled with sensation in radical slowness in .; the syntax of stutterances in .; the transitions from power to crisis-motion作者: 不如屎殼郎 時(shí)間: 2025-3-23 17:23
Rechtsbegriffe in der Notfallmedizin of conclusion. Firstly how has the rupture of the organic regime in dance that these choreographies achieved impacted more broadly on the field of dance and performance? And then, if these works succeeded in philosophically reconceptualizing the body, bodily movement, and the temporality of perform作者: archetype 時(shí)間: 2025-3-23 19:12 作者: DEVIL 時(shí)間: 2025-3-24 01:55
Performance Philosophyhttp://image.papertrans.cn/c/image/226200.jpg作者: 情感脆弱 時(shí)間: 2025-3-24 05:04 作者: visceral-fat 時(shí)間: 2025-3-24 09:18 作者: 不可救藥 時(shí)間: 2025-3-24 11:37 作者: 裹住 時(shí)間: 2025-3-24 17:15
During and After Performance: Processes, Caesuras, and Resonances,ghts, and voices in .—all these entail various compositions of time. If we were to ask what would be left in these performances if time was evacuated from them, the answer would confirm the indispensible function of time. None of the problems could be divested of the durations which their operation constitutes.作者: GROVE 時(shí)間: 2025-3-24 22:59
2947-5589 reographers. A discussion of key issues in contemporary performance from the viewpoint of Deleuze, Spinoza and Bergson is accompanied by intricate analyses of seven groundbreaking dance performances. ?978-1-349-55610-6978-1-137-43739-6Series ISSN 2947-5589 Series E-ISSN 2057-7176 作者: 財(cái)產(chǎn) 時(shí)間: 2025-3-25 00:18 作者: 聰明 時(shí)間: 2025-3-25 05:06 作者: arthroplasty 時(shí)間: 2025-3-25 08:35 作者: PAD416 時(shí)間: 2025-3-25 15:37
Introduction,and Jan Ritsema, . by Boris Charmatz, . by Eszter Salamon, . by Mette Ingvartsen, and . by Ingvartsen and Jefta van Dinther can be singled out and assembled into a varied yet coherent selection when we consider their creation of a method that we might call, after Gilles Deleuze, “choreographing problems.”作者: addict 時(shí)間: 2025-3-25 17:26
Introduction, kind of thought that they both arise from and give rise to. It is an attempt to account, under the philosophical theme of “problems,” for the thought that differentiates specific practices of making, performing, and attending in seven works of dance. . and . by Xavier Le Roy, . by Jonathan Burrows 作者: 遺產(chǎn) 時(shí)間: 2025-3-25 23:33 作者: 流浪者 時(shí)間: 2025-3-26 03:32
Disjunctive Captures of the Body and Movement,ct of dance or through the physical articulation of movement as the object of dance. In particular, I will explore the forms of corporeality that defy “the predication of embodied subjectivity” (Rothfield 2011: 204), which significantly marks the modernist legacy in contemporary dance. Modern and co作者: phytochemicals 時(shí)間: 2025-3-26 04:40
Theatrical Apparatuses of Disjunction,West European and North American) tradition within which the choreographies considered here are made and presented. The attribute of “theater” means more than an institutional distinction from nonartistic dance practices such as social dancing or traditional folkloric dance. Since its modern profess作者: Dedication 時(shí)間: 2025-3-26 09:04
Exhausting Improvisation: Stutterances,losophy and dance criticism and at once an important question raised by the concept of “choreographing problems”: can dancing be equated with thinking, and if so, under which conditions and terms? The topic of the relationship between dance and thought is further complicated by claims related to imp作者: 青春期 時(shí)間: 2025-3-26 13:48
A Critical Departure from Emotionalism: Sensations and Affects in the Mode of Performing,en the body and movement and between performing and attending. There I discussed concepts such as “part-bodies” and “part-machines” as well as theatrical apparatuses of disjunction such as the “head-box,” “de-figurement” of the stage, and heterogeneous “assemblings” (wirings of bodies and things). I作者: 古文字學(xué) 時(shí)間: 2025-3-26 17:34 作者: 助記 時(shí)間: 2025-3-26 23:52
A Post Hoc Conclusion: An Expanse of Choreography, of conclusion. Firstly how has the rupture of the organic regime in dance that these choreographies achieved impacted more broadly on the field of dance and performance? And then, if these works succeeded in philosophically reconceptualizing the body, bodily movement, and the temporality of perform作者: 善變 時(shí)間: 2025-3-27 01:17
Problems and Expressive Concepts,terviews with Xavier Le Roy, Eszter Salamon, and Mette Ingvartsen involved examining ., and . (.) on the basis of published documents, unpublished notes, and frame-by-frame analysis of video recordings of the works while these were projected before an audience. The third kind of insight is provided 作者: Constant 時(shí)間: 2025-3-27 05:34 作者: 蛙鳴聲 時(shí)間: 2025-3-27 10:00 作者: hallow 時(shí)間: 2025-3-27 13:54
A Post Hoc Conclusion: An Expanse of Choreography,etaphor of thought as “a wheel that turns on itself” (Badiou 2005: 58) and that thus represents lightness, mobility, namelessness, and self-referential enclosure. This book has examined the kind of thought that, in order to be specific to dance, has to structure both the creation of dance in the con作者: legitimate 時(shí)間: 2025-3-27 19:08
https://doi.org/10.1007/978-3-322-97113-5terviews with Xavier Le Roy, Eszter Salamon, and Mette Ingvartsen involved examining ., and . (.) on the basis of published documents, unpublished notes, and frame-by-frame analysis of video recordings of the works while these were projected before an audience. The third kind of insight is provided 作者: Salivary-Gland 時(shí)間: 2025-3-27 23:24
Kant und die Pflicht zum Recht, the first person” (Portanova 2013: 4). Although the choreographies we will discuss here don’t replace the body with a nonhuman agent, such as a digital system as in Portanova’s approach, but “retain” the body as the physical prop of movement, I will demonstrate how the relationship between the body作者: 音樂(lè)戲劇 時(shí)間: 2025-3-28 05:44 作者: 展覽 時(shí)間: 2025-3-28 07:08 作者: 用手捏 時(shí)間: 2025-3-28 12:19
Dependability: Basic Concepts and Terminology,ntribution to the work undertaken within the “Reliable and Fault Tolerant Computing” scientific and technical community [Avi 67, Jes 77, Mel 77, Avi 78, Ran 78, Car 79, And 81, FTC 82, Sie 82, Cri 85a, Lap 85, Avi 86, Lap 89] in order to propose clear and widely acceptable definitions for some basic
