標(biāo)題: Titlebook: Choreographing Intersubjectivity in Performance Art; Victoria Wynne-Jones Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 C [打印本頁(yè)] 作者: EXTRA 時(shí)間: 2025-3-21 18:14
書(shū)目名稱Choreographing Intersubjectivity in Performance Art影響因子(影響力)
書(shū)目名稱Choreographing Intersubjectivity in Performance Art影響因子(影響力)學(xué)科排名
書(shū)目名稱Choreographing Intersubjectivity in Performance Art網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱Choreographing Intersubjectivity in Performance Art網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱Choreographing Intersubjectivity in Performance Art被引頻次
書(shū)目名稱Choreographing Intersubjectivity in Performance Art被引頻次學(xué)科排名
書(shū)目名稱Choreographing Intersubjectivity in Performance Art年度引用
書(shū)目名稱Choreographing Intersubjectivity in Performance Art年度引用學(xué)科排名
書(shū)目名稱Choreographing Intersubjectivity in Performance Art讀者反饋
書(shū)目名稱Choreographing Intersubjectivity in Performance Art讀者反饋學(xué)科排名
作者: 漸變 時(shí)間: 2025-3-22 00:08
Museum Bodies: Choreo-Policing and Choreo-Politics,in contemporary art museums. The history and politics of the relations created between art museums and visitors is explored, beginning with early nineteenth-century examples before moving onto the modernist “white cube” and its more hybrid twenty-first century permutations. Wynne-Jones uses André Le作者: NEXUS 時(shí)間: 2025-3-22 01:35 作者: intricacy 時(shí)間: 2025-3-22 08:02 作者: BIPED 時(shí)間: 2025-3-22 10:54 作者: DAMP 時(shí)間: 2025-3-22 15:09
,Walking the Wall and Crossing the Threshold: Angela Tiatia, Kalisolaite ‘Uhila and Shigeyuki Kihara bodies performing and creating interventions in museums and contemporary art gallery spaces in Aotearoa New Zealand. Focussing on the relations activated by such artworks, an examination of Louise Tu’u’s thesis of performance as a processual tool for drawing audiences into the dis-ease of social re作者: DAMP 時(shí)間: 2025-3-22 17:27
Conclusion: Unsettling the Museum,from Helen Rees Leahy, this chapter draws attention to the inevitable tension between conformity and freedom in exhibition spaces. Observing the impact of post-human, post-internet, queer and decolonising theories in performance art, Wynne-Jones summarises how such theories impact the practice and s作者: LINE 時(shí)間: 2025-3-22 21:22
https://doi.org/10.1007/978-3-662-66885-6 order to highlight the relational and connective aspects of performance art. The introduction concludes with a discussion of the tendency in contemporary art to focus on the prescriptive aspects of choreography rather than its emancipatory potential.作者: MORT 時(shí)間: 2025-3-23 02:48 作者: Haphazard 時(shí)間: 2025-3-23 07:16
https://doi.org/10.1007/978-3-658-39521-6ection. Wynne-Jones argues that LeRoy uses various techniques to contest the restrictions and disciplinary power of the museum. Ideas taken from Amelia Jones and Sara Ahmed are used to argue that such spaces and artistic attitudes are gendered and rooted in a history that is deeply masculine.作者: Adrenal-Glands 時(shí)間: 2025-3-23 09:55 作者: Enzyme 時(shí)間: 2025-3-23 14:33 作者: 安定 時(shí)間: 2025-3-23 21:01
Book 2021volves through places, spaces, performance and spectatorship. Drawing upon international examples, the book introduces readers to performance art from the South Pacific and the complexities of de-colonising choreography. Artists Tino Sehgal, Xavier Le Roy, Jordan Wolfson, Alicia Frankovich and Shigeyuki Kihara are discussed..作者: ungainly 時(shí)間: 2025-3-24 00:25 作者: Provenance 時(shí)間: 2025-3-24 02:55 作者: aphasia 時(shí)間: 2025-3-24 10:34
Xavier Le Roy and the Male Subject as Performance Artist,ection. Wynne-Jones argues that LeRoy uses various techniques to contest the restrictions and disciplinary power of the museum. Ideas taken from Amelia Jones and Sara Ahmed are used to argue that such spaces and artistic attitudes are gendered and rooted in a history that is deeply masculine.作者: DAMP 時(shí)間: 2025-3-24 11:27
Human, Non-human and Post-human Moving Together: Tino Sehgal and Alicia Frankovich,ovich allows for a range of encounters to be examined including one-on-one, small groupings, multitudes and even swarms of people. Wynne-Jones argues that a range of de-familiarising techniques used by artists tie into Rosi Braidotti’s theory of post-humanism and its critical stance towards the authority of the contemporary art museum.作者: painkillers 時(shí)間: 2025-3-24 16:06 作者: 無(wú)表情 時(shí)間: 2025-3-24 19:21
https://doi.org/10.1007/978-3-642-97817-3de-linking shame from subjects. “Articulating alternatives: queer choreographies” concludes with a discussion of smith’s performances as they use attuning and costume to explore ideas of transitioning, transformation and queer failure as theorised by Judith Halberstam.作者: correspondent 時(shí)間: 2025-3-25 01:26 作者: 無(wú)法取消 時(shí)間: 2025-3-25 04:40
,Articulating Alternatives: val smith’s Queer Choreographies,de-linking shame from subjects. “Articulating alternatives: queer choreographies” concludes with a discussion of smith’s performances as they use attuning and costume to explore ideas of transitioning, transformation and queer failure as theorised by Judith Halberstam.作者: aerobic 時(shí)間: 2025-3-25 09:21
,Walking the Wall and Crossing the Threshold: Angela Tiatia, Kalisolaite ‘Uhila and Shigeyuki Kiharahloe Weaver’s argument that the relational space of the . has resonances with Nicholas Bourriaud’s . “Walking the wall and crossing the threshold” concludes with a discussion of whether performance artworks taking place in museums of art should be considered decolonising or counter-hegemonic.作者: dowagers-hump 時(shí)間: 2025-3-25 13:57 作者: 暗語(yǔ) 時(shí)間: 2025-3-25 18:41
,From Elsewhere to Here: Rebecca Hobbs’ Networked and Post-Internet Choreographies,作者: chassis 時(shí)間: 2025-3-25 22:38
Choreographing Intersubjectivity in Performance Art作者: 完全 時(shí)間: 2025-3-26 01:48 作者: excursion 時(shí)間: 2025-3-26 06:32 作者: Ventricle 時(shí)間: 2025-3-26 08:47
https://doi.org/10.1007/978-3-658-39521-6ance . (1998). Examples of twentieth-century performance art by Vito Acconci, Oleg Kulik, Paul McCarthy and Bruce Nauman reinforce this story. A concept of . from Gilles Deleuze and Félix Guattari is used to explore whether such experimental practices might challenge authoritarian structures of subj作者: Insubordinate 時(shí)間: 2025-3-26 15:33
https://doi.org/10.1007/978-3-642-97582-0, particularly its relational and ethical dimensions. Focusing on philosophical theories of intersubjectivity by Hannah Arendt, Emmanuel Levinas, Gilbert Simondon and Félix Guattari, each has implication for art as encounter. Exploring performances by Sean Curham, Kalisolaite ‘Uhila and Alicia Frank作者: 新星 時(shí)間: 2025-3-26 17:49
https://doi.org/10.1007/978-3-642-97817-3 misbehaving or moving otherwise with the aid of selected performances from Auckland-based-artist val smith, together with examples by Mark Bradford and Pablo Bronstein. Sara Ahmed’s ideas of queer spatiality help to draw attention to queer ways of inhabiting the world. Focussing on the pride/shame 作者: IRATE 時(shí)間: 2025-3-26 23:12
https://doi.org/10.1007/978-3-642-97817-3 bodies performing and creating interventions in museums and contemporary art gallery spaces in Aotearoa New Zealand. Focussing on the relations activated by such artworks, an examination of Louise Tu’u’s thesis of performance as a processual tool for drawing audiences into the dis-ease of social re作者: 執(zhí)拗 時(shí)間: 2025-3-27 01:52
https://doi.org/10.1007/978-3-642-97228-7from Helen Rees Leahy, this chapter draws attention to the inevitable tension between conformity and freedom in exhibition spaces. Observing the impact of post-human, post-internet, queer and decolonising theories in performance art, Wynne-Jones summarises how such theories impact the practice and s作者: Bernstein-test 時(shí)間: 2025-3-27 06:11
https://doi.org/10.1007/978-3-030-40585-4Choreography; Intersubjectivity; Dance-related artwork; Museums; Galleries; Exhibitions; Performance art; S作者: 潔凈 時(shí)間: 2025-3-27 11:09 作者: caldron 時(shí)間: 2025-3-27 16:34 作者: Slit-Lamp 時(shí)間: 2025-3-27 21:40
New World Choreographieshttp://image.papertrans.cn/c/image/226199.jpg作者: 英寸 時(shí)間: 2025-3-27 22:41 作者: accessory 時(shí)間: 2025-3-28 04:10 作者: fatuity 時(shí)間: 2025-3-28 06:42 作者: AMPLE 時(shí)間: 2025-3-28 13:08
Classification from Simple Training Sets,Besch?ftigung mit Bankpolitik hei?t Kl?rung der Fragen nach den Beweggründen und Zielen der bankbetrieblichen T?tigkeit, nach den dabei geltenden Prinzipien und den Methoden, mit deren Hilfe die gesteckten Ziele erreicht werden sollen.作者: Insufficient 時(shí)間: 2025-3-28 18:20 作者: 牢騷 時(shí)間: 2025-3-28 20:20
2195-4356 fulfill and surpass today’s dependability requirements easily..?.This book is directed to researchers and practitioners alike. It gives a brief introduction to the holistic development approach for self-optimi978-3-662-51122-0978-3-642-53742-4Series ISSN 2195-4356 Series E-ISSN 2195-4364
