標(biāo)題: Titlebook: Choreographic Dwellings; Practising Place Gretchen Schiller (Canadian Choreographer and Prof Book 2014 Palgrave Macmillan, a division of Ma [打印本頁(yè)] 作者: 從未沮喪 時(shí)間: 2025-3-21 16:20
書(shū)目名稱(chēng)Choreographic Dwellings影響因子(影響力)
作者: Diatribe 時(shí)間: 2025-3-21 23:27 作者: enlist 時(shí)間: 2025-3-22 03:48 作者: infelicitous 時(shí)間: 2025-3-22 05:49
https://doi.org/10.1007/978-3-658-17641-9, same space performance. To this end I often make work for small audiences, from one-to-one pieces, through to ‘life raft-sized groups’. Alongside this I have made several performance works in which audiences are physically moved through and to places, finding different levels of closeness by way o作者: Felicitous 時(shí)間: 2025-3-22 10:48
https://doi.org/10.1007/978-3-642-55732-3rtheastern state that is commonly noted for the richness of its Afro-diasporic culture. Upon encountering a . — a ring of singing, clapping and dancing participants — it immediately becomes clear that motion is central to this performance tradition. While the sound that courses into and out of bodie作者: ineluctable 時(shí)間: 2025-3-22 16:30
Rechtliche Stellung von App-Storesnding and locating the self within urban architectural space’ (Lamb 2008, 2). Lamb’s approach to looking at the ‘corporeal connection with architecture’ (Lamb 2008, 2) focuses on one half of the pursuit of Parkour, the perceivable output. Yet, without the imagination or vision that Parkour requires,作者: ineluctable 時(shí)間: 2025-3-22 17:12 作者: 不滿(mǎn)分子 時(shí)間: 2025-3-22 23:58 作者: 變量 時(shí)間: 2025-3-23 02:42 作者: debase 時(shí)間: 2025-3-23 08:39
2730-9266 our, installation and walking practices. It extends the remit of the choreographic by reframing the kinaesthetic qualities of place as action.978-1-349-48134-7978-1-137-38567-3Series ISSN 2730-9266 Series E-ISSN 2730-9274 作者: Incumbent 時(shí)間: 2025-3-23 12:25 作者: chemoprevention 時(shí)間: 2025-3-23 14:32 作者: 使成整體 時(shí)間: 2025-3-23 19:42
https://doi.org/10.1007/978-3-663-11253-2The footnote is an elusive fugitive. It slips under the foot of the body of the text, tripping up the trajectory of the writing and interrupting the linear progression of an argument, creating diversions, detours and paths of consciousness that open up new horizons and dimensions of thought.作者: stress-test 時(shí)間: 2025-3-24 00:12
https://doi.org/10.1007/978-3-642-55732-3Does this slogan mean anything to you? Is it not reminiscent of the stance made by the artistic movement of 1968?作者: 救護(hù)車(chē) 時(shí)間: 2025-3-24 04:05
Rechtliche Stellung von App-StoresHere we are catalogued, shelved and filed. Everything you ever did is in here. Every place you ever went.作者: 評(píng)論性 時(shí)間: 2025-3-24 08:57
https://doi.org/10.1007/978-3-658-20982-7When we enter the theatre to see .),. we are received by a Uruguayan choreographer living in Brazil, Alejandro Ahmed. He tells us that the performance lasts 45 minutes and that ‘there will be nowhere to sit in there’.作者: 命令變成大炮 時(shí)間: 2025-3-24 11:37
Introduction,How does it . to inhabit a sandy beach in Norfolk or the desert in Morocco? How does it . to squeeze between the rails and up walls as a traceur in London, or to perform . in a crowded café in Bahia, Brazil? How can we consider these ‘places as action’, as kinaesthetic forms of inhabitance? . asks these questions.作者: 嚙齒動(dòng)物 時(shí)間: 2025-3-24 17:30 作者: 人類(lèi) 時(shí)間: 2025-3-24 22:14
, Fraying at the Edges,Does this slogan mean anything to you? Is it not reminiscent of the stance made by the artistic movement of 1968?作者: Console 時(shí)間: 2025-3-25 02:44
The ,: Chor(e)ographic Approaches to Movement, Memory and Place,Here we are catalogued, shelved and filed. Everything you ever did is in here. Every place you ever went.作者: 急性 時(shí)間: 2025-3-25 06:34 作者: Freeze 時(shí)間: 2025-3-25 08:15 作者: Dna262 時(shí)間: 2025-3-25 15:33 作者: d-limonene 時(shí)間: 2025-3-25 16:29
MedR Schriftenreihe MedizinrechtAlthough not emerging from the artistic realm, such concepts of place and agency have been useful in revealing, framing and unravelling the coupling of the choreographic as dwelling and the kinaesthetic as topological.作者: 吞下 時(shí)間: 2025-3-25 21:45
https://doi.org/10.1007/978-3-658-17641-9ing through space. I am interested in the place and placelessness of live performance, of the possibility of the live encounter, of what takes place in the live moment and what traces remain afterward; in the landscape, in the body memory of audience and of performers.作者: 煞費(fèi)苦心 時(shí)間: 2025-3-26 00:30
Rechtliche Stellung von App-Storesdespite some common misconceptions, it is an imaginative reworking of the existing spatial configurations as well as a reworking of the corporeal and a questioning of the self. It is the combination of these elements that creates and allows for Parkour to emerge as a performance of the everyday.作者: syncope 時(shí)間: 2025-3-26 04:34
Practising Place,Although not emerging from the artistic realm, such concepts of place and agency have been useful in revealing, framing and unravelling the coupling of the choreographic as dwelling and the kinaesthetic as topological.作者: 軍火 時(shí)間: 2025-3-26 12:06
Still.Moving,ing through space. I am interested in the place and placelessness of live performance, of the possibility of the live encounter, of what takes place in the live moment and what traces remain afterward; in the landscape, in the body memory of audience and of performers.作者: 專(zhuān)心 時(shí)間: 2025-3-26 15:58 作者: accordance 時(shí)間: 2025-3-26 17:59 作者: 高調(diào) 時(shí)間: 2025-3-26 23:00
Corpographia: A Processual Concept of the Urban Body,of ., which gave rise to this term, are discussed in this chapter: . (Salvador 27–31 October 2008); . 2 — . (Alagados, Salvador 27–30 November 2010 and Maré, Rio de Janeiro 20–22 November 2010); . (Salvador 23–27 April 2012 and Paris 2013).作者: ineffectual 時(shí)間: 2025-3-27 01:29
Practising Place,logical and dwelling as choreographic and traces the expansion of our thinking the choreographic. The first section asks in what way ‘place studies’ — a philosophical, psychological and geographical approach to thinking embodied place — adds an interdisciplinary dimension to our extension of the not作者: CRAMP 時(shí)間: 2025-3-27 09:11 作者: STENT 時(shí)間: 2025-3-27 11:02 作者: precede 時(shí)間: 2025-3-27 17:02 作者: 不可侵犯 時(shí)間: 2025-3-27 19:15 作者: LUDE 時(shí)間: 2025-3-28 00:20
Game Maps: Parkour Vision and Urban Relations,nding and locating the self within urban architectural space’ (Lamb 2008, 2). Lamb’s approach to looking at the ‘corporeal connection with architecture’ (Lamb 2008, 2) focuses on one half of the pursuit of Parkour, the perceivable output. Yet, without the imagination or vision that Parkour requires,作者: 向下五度才偏 時(shí)間: 2025-3-28 06:05
Practising Heritage: Weaving Actions and Meaning in the , places where sounds were recorded. The result was an acoustic map that changed over time according to people’s perceptions and interpretations of their environmental setting. By combining mobile computing, collaborative web mapping and a tangible social interface, the project combined elements of s作者: IST 時(shí)間: 2025-3-28 08:43 作者: Polydipsia 時(shí)間: 2025-3-28 12:49
Gretchen Schiller (Canadian Choreographer and Prof作者: 防御 時(shí)間: 2025-3-28 15:07 作者: minion 時(shí)間: 2025-3-28 21:00
https://doi.org/10.1007/978-3-642-55732-3variety of manifestations and meanings, since what is now referred to as . has been translated, adapted, appropriated and re-signified repeatedly by different people and to varied ends. In this chapter, we examine some of the ways that these changes are taking place and their implications (aesthetic作者: 沖擊力 時(shí)間: 2025-3-28 23:51 作者: 冥界三河 時(shí)間: 2025-3-29 05:57
https://doi.org/10.1007/978-3-030-55281-7aper, we first characterize the trees . for which .. Then we give a lower bound of . for a tree . depending on . and the number of leaves . of tree .: ., and characterize the trees . for which .. Finally we show that the decision problem that whether for a given graph ., . is NP-hard even when restricted to bipartite graphs.作者: 侵害 時(shí)間: 2025-3-29 09:59 作者: 圍巾 時(shí)間: 2025-3-29 14:10 作者: 大看臺(tái) 時(shí)間: 2025-3-29 18:14 作者: Priapism 時(shí)間: 2025-3-29 22:32 作者: 打算 時(shí)間: 2025-3-29 23:57
Ziele und Vorgehensweise der Untersuchung Ziele der vorliegenden Untersuchung. Hauptziel ist die Entwicklung und Darstellung der bankbetrieblichen Preisgestaltung aus der Sicht des Marketings und des Marketing-Managements. Im Zentrum steht dabei die Frage, ob die Grenzen traditioneller Erkl?rungsans?tze der Bankpreisgestaltung durch eine n作者: Microaneurysm 時(shí)間: 2025-3-30 06:50 作者: DEFER 時(shí)間: 2025-3-30 08:26
1614-7839 based systems.Forms a guide to decision-making based on syst.The measurement of dependability attributes on real systems is a very time-consuming and costly affair, making analytical or simulation modeling the only viable solutions. .Dependability of Networked Computer-based Systems .explores reliab
