標(biāo)題: Titlebook: Chinese and Western Literary Influence in Liu Cixin’s Three Body Trilogy; Will Peyton Book 2021 The Editor(s) (if applicable) and The Auth [打印本頁(yè)] 作者: 使固定 時(shí)間: 2025-3-21 17:13
書(shū)目名稱Chinese and Western Literary Influence in Liu Cixin’s Three Body Trilogy影響因子(影響力)
書(shū)目名稱Chinese and Western Literary Influence in Liu Cixin’s Three Body Trilogy影響因子(影響力)學(xué)科排名
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作者: Mercurial 時(shí)間: 2025-3-22 00:15
https://doi.org/10.1007/978-3-476-05033-5list and axiomatic system, I argue that the aesthetic modality Liu adopts is one that accommodates the speculation of ethical possibility within the boundaries of descriptive realism. I consider the role that Darwinian thought might play in tying together the behavioural aspects of this larger moral system.作者: 完全 時(shí)間: 2025-3-22 01:29
https://doi.org/10.1007/978-3-658-02355-3deployed as ethical commentary in the same sense as in Western literature. These ideas are at the service of a unified moral picture, that of a utopian narrative which overlays the dystopian normativity of Liu’s scientistic thinking.作者: laparoscopy 時(shí)間: 2025-3-22 08:26 作者: atopic 時(shí)間: 2025-3-22 11:11
Das Definieren und die Natur der Sacheal but are rather deeply psychological, carrying seemingly Confucian and Daoist undertones, and are therefore inherently distinct to the fatalism that emerged in Western political thought. It is these very underlying tensions, I argue, that made the trilogy so interesting to Western readers in the first place.作者: resistant 時(shí)間: 2025-3-22 15:06
Cosmic Sociology,list and axiomatic system, I argue that the aesthetic modality Liu adopts is one that accommodates the speculation of ethical possibility within the boundaries of descriptive realism. I consider the role that Darwinian thought might play in tying together the behavioural aspects of this larger moral system.作者: resistant 時(shí)間: 2025-3-22 20:11
Dystopian Relativism,deployed as ethical commentary in the same sense as in Western literature. These ideas are at the service of a unified moral picture, that of a utopian narrative which overlays the dystopian normativity of Liu’s scientistic thinking.作者: Fsh238 時(shí)間: 2025-3-22 21:17 作者: abolish 時(shí)間: 2025-3-23 01:41
The Paradox of Progress,al but are rather deeply psychological, carrying seemingly Confucian and Daoist undertones, and are therefore inherently distinct to the fatalism that emerged in Western political thought. It is these very underlying tensions, I argue, that made the trilogy so interesting to Western readers in the first place.作者: 移動(dòng) 時(shí)間: 2025-3-23 08:28 作者: ARBOR 時(shí)間: 2025-3-23 09:48 作者: BARK 時(shí)間: 2025-3-23 14:44
https://doi.org/10.1007/978-3-476-05033-5e discovery of Trisolaris is gradually elaborated. I discuss how Liu’s systematic approach to construing moral propositions from foundational physical schematics is displayed throughout the development of the narrative, particularly in the virtual reality scenes of ., which ends with the proposal of a predictive theory of interstellar society.作者: terazosin 時(shí)間: 2025-3-23 18:17 作者: cumulative 時(shí)間: 2025-3-23 23:34 作者: 冷淡一切 時(shí)間: 2025-3-24 03:57
https://doi.org/10.1007/978-3-658-02355-3re conceptually parallels the humanist impulse to escape the ethical prison of scientism. Liu places emphasis on the human capacity for change in the material and technological realm and views utopia as a conceptually necessary ethical orientation that is not possible to wholly instantiate in that same material reality.作者: 共同時(shí)代 時(shí)間: 2025-3-24 10:08 作者: 中古 時(shí)間: 2025-3-24 13:12
Human(ist) Agency, ending of the trilogy, in which the Solar System is destroyed, and how it relates to the philosopher Paul Davies’s ideas about the end of cosmological time. We are left with the impression that Liu has a more humanistic outlook than is previously indicated.作者: 長(zhǎng)矛 時(shí)間: 2025-3-24 18:41 作者: Fsh238 時(shí)間: 2025-3-24 19:21 作者: 多節(jié) 時(shí)間: 2025-3-25 00:31 作者: 表狀態(tài) 時(shí)間: 2025-3-25 05:26 作者: STRIA 時(shí)間: 2025-3-25 07:53
Cosmic Sociology, have concocted this idea of an ethical axiomatic system of the stars, suggesting European early modern utopian writings. In construing both a physicalist and axiomatic system, I argue that the aesthetic modality Liu adopts is one that accommodates the speculation of ethical possibility within the b作者: LIKEN 時(shí)間: 2025-3-25 15:00
Human(ist) Agency,r not to be,” an idea that conceptually bookends the overall trilogy, also exploring the role of human agency in Earth’s attempts to defend itself from invasion, which contains an implicit anthropocentrism, or humanism, that is counter to Liu Cixin’s scientistic worldview. This chapter discusses the作者: 柔軟 時(shí)間: 2025-3-25 18:05 作者: Anticoagulant 時(shí)間: 2025-3-25 22:22 作者: Essential 時(shí)間: 2025-3-26 03:48 作者: entitle 時(shí)間: 2025-3-26 04:41
The Technologist in the Historical Scheme,articular pieces of microfiction, for Liu, capture the utopian impulse of Chinese sf, something distinct from Western sf. This utopian thinking manifests in detailed descriptions of technological invention and adaptation. This technological adaptation to overcome constraints imposed by physical natu作者: 到婚嫁年齡 時(shí)間: 2025-3-26 09:45 作者: Psa617 時(shí)間: 2025-3-26 12:45 作者: 團(tuán)結(jié) 時(shí)間: 2025-3-26 17:13 作者: BILE 時(shí)間: 2025-3-27 00:03
https://doi.org/10.1007/978-3-476-05033-5se science fiction through the post-Mao period and the problem of the categorization of the genre. In understanding Liu Cixin as a literary figure influenced by a set of Western writers, the author proposes a translingual and transcultural approach to reading ..作者: Console 時(shí)間: 2025-3-27 02:59
https://doi.org/10.1007/978-3-476-05033-5 able to capture grand ethical questions at the scale of the human species. In classifying Liu’s worldview as one that conforms with scientism, a persistent ideological current in modern Chinese intellectual history, we begin an exegesis of scenes from the first volume of the trilogy, ., in which th作者: DRILL 時(shí)間: 2025-3-27 06:11 作者: misanthrope 時(shí)間: 2025-3-27 09:45
https://doi.org/10.1007/978-3-476-05033-5r not to be,” an idea that conceptually bookends the overall trilogy, also exploring the role of human agency in Earth’s attempts to defend itself from invasion, which contains an implicit anthropocentrism, or humanism, that is counter to Liu Cixin’s scientistic worldview. This chapter discusses the作者: 場(chǎng)所 時(shí)間: 2025-3-27 16:28
https://doi.org/10.1007/978-3-476-05033-5o make his narrative a convincing historicized illustration of the future. This chapter considers the use of historical deixis and realist aesthetics, through which Liu tries to enumerate a concrete reality of Earth’s future using the intertextuality of real and imaginary past events, as well as fic作者: 特別容易碎 時(shí)間: 2025-3-27 20:56 作者: AIL 時(shí)間: 2025-3-28 00:16 作者: Grievance 時(shí)間: 2025-3-28 04:44
https://doi.org/10.1007/978-3-658-02355-3articular pieces of microfiction, for Liu, capture the utopian impulse of Chinese sf, something distinct from Western sf. This utopian thinking manifests in detailed descriptions of technological invention and adaptation. This technological adaptation to overcome constraints imposed by physical natu作者: 橫條 時(shí)間: 2025-3-28 08:10 作者: kidney 時(shí)間: 2025-3-28 12:30 作者: AWL 時(shí)間: 2025-3-28 14:52 作者: CLIFF 時(shí)間: 2025-3-28 22:14
Introduction: Science Fiction with Chinese Characteristics,se science fiction through the post-Mao period and the problem of the categorization of the genre. In understanding Liu Cixin as a literary figure influenced by a set of Western writers, the author proposes a translingual and transcultural approach to reading ..作者: Exuberance 時(shí)間: 2025-3-29 00:32 作者: 形狀 時(shí)間: 2025-3-29 03:21
