標題: Titlebook: Chinese Ibsenism; Reinventions of Wome Kwok-kan Tam Book 2019 Springer Nature Singapore Pte Ltd. 2019 Chinese Ibsenism.A Doll’s House.Chine [打印本頁] 作者: Gullet 時間: 2025-3-21 19:00
書目名稱Chinese Ibsenism影響因子(影響力)
書目名稱Chinese Ibsenism影響因子(影響力)學科排名
書目名稱Chinese Ibsenism網(wǎng)絡公開度
書目名稱Chinese Ibsenism網(wǎng)絡公開度學科排名
書目名稱Chinese Ibsenism被引頻次
書目名稱Chinese Ibsenism被引頻次學科排名
書目名稱Chinese Ibsenism年度引用
書目名稱Chinese Ibsenism年度引用學科排名
書目名稱Chinese Ibsenism讀者反饋
書目名稱Chinese Ibsenism讀者反饋學科排名
作者: 煩擾 時間: 2025-3-21 20:59 作者: Serenity 時間: 2025-3-22 00:37 作者: CHOP 時間: 2025-3-22 08:17
https://doi.org/10.1007/978-3-319-66914-4en were introduced to China one after another. The publication of plays in the new dramatic form with speeches made possible the public circulation of critical discourses. When the theatre joined forces with the publishing industry, a new media platform was formed for the dissemination of critical d作者: Asymptomatic 時間: 2025-3-22 08:47 作者: 浪費時間 時間: 2025-3-22 14:50 作者: 浪費時間 時間: 2025-3-22 18:42 作者: craving 時間: 2025-3-22 21:38 作者: commune 時間: 2025-3-23 01:54
Chapter Two Iconoclasm in Chinese Ibsenism,en were introduced to China one after another. The publication of plays in the new dramatic form with speeches made possible the public circulation of critical discourses. When the theatre joined forces with the publishing industry, a new media platform was formed for the dissemination of critical d作者: 殺子女者 時間: 2025-3-23 08:30 作者: 阻礙 時間: 2025-3-23 12:39
Chapter Five Ibsenism as Individualism of the Self,xtbooks for elementary schools. This overwhelmingly successful reform has been referred to as the Chinese renaissance. Insofar as it was an attempt to reform the written language as a result of intellectual awakening, it was indeed a renaissance in the long history of China.作者: Blood-Vessels 時間: 2025-3-23 17:39
Chapter Six Noraism and Class Ideology in Modern Chinese Fiction,tre. Although . is a much more sophisticated play in dramatic technique and feminist psychology than is ., the latter is better known in China and had a greater effect on modern Chinese literature and society in general because of Nora’s daring confrontation with Helmer and the declaration of her in作者: 代理人 時間: 2025-3-23 20:31 作者: Minatory 時間: 2025-3-23 22:21 作者: 難理解 時間: 2025-3-24 05:24
Chapter Two Iconoclasm in Chinese Ibsenism, as a platform for promoting revolutionary ideas. At the same time, it was the political enthusiasm in China at the end of the nineteenth century that led to a new interest in the social and political functions of drama, because the theatre allowed the actors to deliver speeches to the audience. How作者: Offbeat 時間: 2025-3-24 09:40 作者: 表狀態(tài) 時間: 2025-3-24 11:15 作者: receptors 時間: 2025-3-24 16:50 作者: 威脅你 時間: 2025-3-24 22:01
Chapter Six Noraism and Class Ideology in Modern Chinese Fiction,l conditions for further interpretation of the work. The cause becomes the effect, and the effect becomes the cause of newer effects. Intertextuality occurs as a result of this chain relationship, succeeding interpretations referring to previous arguments. In this sense, the Chinese interpretation o作者: Curmudgeon 時間: 2025-3-25 00:06
Chapter Seven Women and Gender in Modern Chinese Drama, In this way, literary influence can be treated as an index to the interaction between the two national literatures, as well as their cultures. It is also in literary influence, or assimilation, that the recipient culture’s social and cultural needs can be seen. Just as what an interpreter of anothe作者: obstinate 時間: 2025-3-25 04:43 作者: Pandemic 時間: 2025-3-25 11:32 作者: Bureaucracy 時間: 2025-3-25 14:56 作者: synovial-joint 時間: 2025-3-25 16:13 作者: Overdose 時間: 2025-3-25 20:57 作者: emulsify 時間: 2025-3-26 03:34 作者: 過渡時期 時間: 2025-3-26 07:42
Provides an illuminating study of Chinese theatre as a publiThis book is a study of the relation between theatre art and ideology in the Chinese experimentations with new selfhood as a result of Ibsen’s impact.? It also explores Ibsenian notions of self, women and gender in China and provides an ill作者: 哺乳動物 時間: 2025-3-26 12:15 作者: VERT 時間: 2025-3-26 15:53 作者: ethereal 時間: 2025-3-26 16:51 作者: 整潔 時間: 2025-3-27 00:51
Introduction to Pediatric Psychology it could evoke among the audience. Instead of banning drama, Chinese Marxists used it as a weapon against opposing ideologies for many decades, considering it a powerful tool to disseminate their ideals and to educate the people.作者: Encoding 時間: 2025-3-27 03:32 作者: Flatus 時間: 2025-3-27 06:57 作者: epidermis 時間: 2025-3-27 10:13
Chapter Eight Postsocialist Ibsenism Beyond Class Ideology,ogy. It is ideology that has become art, and art that has become ideology. In the Chinese context, re-imagination of the self has an ideological power in reshaping social relations. Ibsenism is the art of public sphere.作者: Throttle 時間: 2025-3-27 15:27
Chapter Nine Reinventions of Women and Nation in Ibsen Performances,olves the director’s interpretation of the original and the innovation he or she wishes to make so that the audience will find it fresh and rewarding to watch a play that has been staged numerous times.作者: 技術(shù) 時間: 2025-3-27 20:16
Chapter Ten Ibsenism and Ideology in Chinese Playwriting, it could evoke among the audience. Instead of banning drama, Chinese Marxists used it as a weapon against opposing ideologies for many decades, considering it a powerful tool to disseminate their ideals and to educate the people.作者: onlooker 時間: 2025-3-27 22:56
Conclusion Chinese Ibsenism in the Politics of Global Literary Reception,er innovations, he is revered as the father of modern drama. In the theatre, Ibsen is still a most performed playwright of the twenty-first century and an all-time favourite for experimentation with new styles of performance and new interpretations of gender, femininity, self construction and deception.作者: 針葉樹 時間: 2025-3-28 02:28 作者: GRUEL 時間: 2025-3-28 09:33
Readings in Pediatric Psychology played a significant role in the initial Chinese response to Ibsen’s plays. Most early Chinese Ibsen critics and dramatists considered Ibsen a social reformer. Even when they treated Ibsen as an artist, as they sometimes did, they emphasized his plays that have moral and social dimensions in their themes.作者: BIDE 時間: 2025-3-28 11:08 作者: Etymology 時間: 2025-3-28 17:56
Chapter Seven Women and Gender in Modern Chinese Drama, played a significant role in the initial Chinese response to Ibsen’s plays. Most early Chinese Ibsen critics and dramatists considered Ibsen a social reformer. Even when they treated Ibsen as an artist, as they sometimes did, they emphasized his plays that have moral and social dimensions in their themes.作者: 詞匯記憶方法 時間: 2025-3-28 22:27
Kwok-kan TamOffers a pioneering and in-depth study of Ibsen’s ideological impacts in China.Explores Ibsenian notions of self, women and gender in China.Provides an illuminating study of Chinese theatre as a publi作者: acolyte 時間: 2025-3-29 02:49 作者: construct 時間: 2025-3-29 03:23
https://doi.org/10.1007/978-981-13-6303-0Chinese Ibsenism; A Doll’s House; Chinese Womanhood; Chinese Drama; Postsocialist Chinese Theatre作者: Hla461 時間: 2025-3-29 10:14
978-981-13-6305-4Springer Nature Singapore Pte Ltd. 2019作者: pulmonary 時間: 2025-3-29 11:56 作者: Rodent 時間: 2025-3-29 18:54
Theater, Environment, and the ThirtiesPan Jiaxun 潘家洵, trans., . 厄斯特羅特的英格夫人 (Lady Inger of Ostraat). . 易卜生文集 (Collected works by Ibsen), vol. 1. Edited by Zhang Fusheng 張福生, 204–309. Beijing: Renmin wenxue chubanshe 人民文學出版社, 1995.作者: anesthesia 時間: 2025-3-29 20:17 作者: 上流社會 時間: 2025-3-30 01:25
,Appendix One Chinese Translations and Rewritings of Ibsen’s Works,Pan Jiaxun 潘家洵, trans., . 厄斯特羅特的英格夫人 (Lady Inger of Ostraat). . 易卜生文集 (Collected works by Ibsen), vol. 1. Edited by Zhang Fusheng 張福生, 204–309. Beijing: Renmin wenxue chubanshe 人民文學出版社, 1995.作者: 艦旗 時間: 2025-3-30 05:43 作者: 細微的差異 時間: 2025-3-30 09:01
,Appendix Two Chinese Stage Performances and Film Productions of Ibsen’s Plays,sed on Chinese translation by Lin Xianghua 林驤華. Actors: Mi Le 米樂, Wen Ming 文明, Wu Zi 武姿, Zhang Haolun 張皓倫, Wen Xiaoying 文小影. Venue of performance: Penghao Theatre, Beijing 北京蓬蒿劇場. Dates of performance: 2015. Toured to different places in China in 2016 and 2017.作者: assail 時間: 2025-3-30 14:14 作者: fulmination 時間: 2025-3-30 17:39
https://doi.org/10.1007/978-3-642-75935-2etween the stage and the audience, and hence its impact upon the audience is direct and effective. Because of this didactic and social function, Western-inspired spoken drama became a platform for revolution in modern China. Compared with fiction and poetry, Chinese drama has been constantly exposed作者: chronicle 時間: 2025-3-30 23:30
https://doi.org/10.1007/978-3-319-66914-4 as a platform for promoting revolutionary ideas. At the same time, it was the political enthusiasm in China at the end of the nineteenth century that led to a new interest in the social and political functions of drama, because the theatre allowed the actors to deliver speeches to the audience. How作者: Hypopnea 時間: 2025-3-31 01:46
Ricardo Nogueira de Castro Monteiroitics. This might be explained by the fact that Ibsen came to China relatively late after he had achieved posthumous fame as a giant in European drama. By the late 1910s Ibsen was no longer controversial in Europe. His posthumous fame had reached its peak in the 1910s. Thus China was able to adopt f作者: 完成 時間: 2025-3-31 08:26
Indr? Koverien?,Danguol? Satkauskait?performance, was to translate Ibsen’s plays so that the ideology could reach the readers. Drama is unique in its medium of expression, which can be literary and theatrical. Depending on the purpose, the translation of dramatic texts can place emphasis on either of these two media of expression. In t作者: 負擔 時間: 2025-3-31 11:27 作者: 產(chǎn)生 時間: 2025-3-31 15:27
