標題: Titlebook: China’s Music Industry Unplugged; Business Models, Cop Zhen Troy Chen Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 China’ [打印本頁] 作者: Coarse 時間: 2025-3-21 18:18
書目名稱China’s Music Industry Unplugged影響因子(影響力)
書目名稱China’s Music Industry Unplugged影響因子(影響力)學科排名
書目名稱China’s Music Industry Unplugged網(wǎng)絡公開度
書目名稱China’s Music Industry Unplugged網(wǎng)絡公開度學科排名
書目名稱China’s Music Industry Unplugged被引頻次
書目名稱China’s Music Industry Unplugged被引頻次學科排名
書目名稱China’s Music Industry Unplugged年度引用
書目名稱China’s Music Industry Unplugged年度引用學科排名
書目名稱China’s Music Industry Unplugged讀者反饋
書目名稱China’s Music Industry Unplugged讀者反饋學科排名
作者: nullify 時間: 2025-3-21 21:14
http://image.papertrans.cn/c/image/225671.jpg作者: 完全 時間: 2025-3-22 02:19 作者: 過分自信 時間: 2025-3-22 06:08 作者: epicardium 時間: 2025-3-22 10:26 作者: FEAT 時間: 2025-3-22 13:05
https://doi.org/10.1007/978-3-663-02875-8orm economy discourses to analyse the unique features of the new economy. To be specific, I address the issue of the technology shift, demographic shift of fans and users, and the changes of consumption modes. This chapter follows a problem-and-tension-driven logic in order to better guide the analy作者: FEAT 時間: 2025-3-22 18:54 作者: 牢騷 時間: 2025-3-22 21:31
Richtige Anzahl der Werkzeugmaschinen,des much neglected evidence about the autonomous development of Chinese copyright law. So far, the book has addressed the paradox between the weak copyright regime in China and its recent seemingly positive development in the music industry, particularly in the online digital sector. This chapter wi作者: Triglyceride 時間: 2025-3-23 05:12
Rationeller Dieselmaschinen-Betriebusic industry is a concept derived from the cultural industry concept coined by Adorno and scholars of the Frankfurt School. It views popular music as mass produced industrial goods. To put it into a nutshell, it focuses on the creation of music and the value exchange and realisation of it through m作者: inscribe 時間: 2025-3-23 07:23 作者: FLOUR 時間: 2025-3-23 10:02 作者: 完全 時間: 2025-3-23 16:49 作者: SEEK 時間: 2025-3-23 20:31 作者: assail 時間: 2025-3-24 01:27
Richtige Anzahl der Werkzeugmaschinen,esearch in an emerging market. Understanding and doing business in China is often a full semester module in world top business schools, which makes China a unique market for both doing business and research. This chapter also prepares the policy and legal discussions in Chapter ..作者: aviator 時間: 2025-3-24 05:38 作者: 檢查 時間: 2025-3-24 07:52
Setting the Stagenese music industry is facing, namely rampant piracy issue with increased gross income in the digital music sector. It also situates the music industries in China’s grand platform ecosystem with regard to the popular discourse of cultural and creative industries. Recent developments in the music sec作者: 惰性女人 時間: 2025-3-24 11:49 作者: laceration 時間: 2025-3-24 17:59 作者: glucagon 時間: 2025-3-24 22:55 作者: 模范 時間: 2025-3-25 02:38 作者: engender 時間: 2025-3-25 04:30 作者: Grasping 時間: 2025-3-25 08:32
The Platform Ecosystem Modelmbracing an unprecedented online platform economy. A significant change in the music industry is manifested by the business model shift from music as artefact and information to music as services. This chapter continues to address the research question on business model innovation in a shifting indu作者: collagenase 時間: 2025-3-25 11:45 作者: Amplify 時間: 2025-3-25 19:36 作者: 使服水土 時間: 2025-3-25 20:09 作者: ARENA 時間: 2025-3-26 00:15 作者: 激怒 時間: 2025-3-26 06:47
The Traditional Proprietary Modelarket mechanisms with an end for consumption. This chapter will start by analysing the exploitation of music with diversified income streams constituting an established value chain. However, the primary focus of this chapter is the traditional proprietary model with music fixed in physical format as a control mechanism in a pre-digital age.作者: PARA 時間: 2025-3-26 09:31 作者: 同音 時間: 2025-3-26 14:42 作者: conscience 時間: 2025-3-26 19:02 作者: 我沒有命令 時間: 2025-3-27 00:54 作者: 不自然 時間: 2025-3-27 05:00
Rationeller Einsatz der Marketinginstrumentes gaining momentum in China. This final chapter reviews different accounts on the way people produce, consume and prosume music, and at the same time, socialise, exchange ideas and express themselves through music.作者: DAFT 時間: 2025-3-27 06:47 作者: 礦石 時間: 2025-3-27 10:52 作者: LAITY 時間: 2025-3-27 15:42 作者: Popcorn 時間: 2025-3-27 20:36
Conclusions gaining momentum in China. This final chapter reviews different accounts on the way people produce, consume and prosume music, and at the same time, socialise, exchange ideas and express themselves through music.作者: 江湖騙子 時間: 2025-3-28 00:52
Book 2021t explores the intersection of cultural and creative industries, legal studies, business studies, and new media. It uses a qualitative and mixed-method approach to study business innovations and institutions in the making in the second largest economy which is also gaining cultural and political significance around the world..作者: Postmenopause 時間: 2025-3-28 03:25 作者: cathartic 時間: 2025-3-28 07:03
Rationeller Dieselmaschinen-Betriebarket mechanisms with an end for consumption. This chapter will start by analysing the exploitation of music with diversified income streams constituting an established value chain. However, the primary focus of this chapter is the traditional proprietary model with music fixed in physical format as a control mechanism in a pre-digital age.作者: BRIBE 時間: 2025-3-28 12:55
Rationeller Einsatz der Marketinginstrumentestry landscape and changing policy environment. It first sets the stage for the discussion of the platform ecosystem model in the Chinese music industry by outlining the theories used and copyright law developments in previous chapters before moving on to detailed analyses of recent case studies.作者: 一致性 時間: 2025-3-28 16:18 作者: Frenetic 時間: 2025-3-28 22:28
2662-852X ulse und Kristallisationsmomente der Bewegung und beleuchtet anhand unterschiedlicher Fallbeispiele deren Organisationsstrukturen und Bildungsformate..978-3-658-44295-8978-3-658-44296-5Series ISSN 2662-852X Series E-ISSN 2662-8538
