標題: Titlebook: Children‘s Literature, Popular Culture, and Robinson Crusoe; Andrew O’Malley Book 2012 Palgrave Macmillan, a division of Macmillan Publish [打印本頁] 作者: 不足木 時間: 2025-3-21 18:51
書目名稱Children‘s Literature, Popular Culture, and Robinson Crusoe影響因子(影響力)
書目名稱Children‘s Literature, Popular Culture, and Robinson Crusoe影響因子(影響力)學科排名
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書目名稱Children‘s Literature, Popular Culture, and Robinson Crusoe網(wǎng)絡(luò)公開度學科排名
書目名稱Children‘s Literature, Popular Culture, and Robinson Crusoe被引頻次
書目名稱Children‘s Literature, Popular Culture, and Robinson Crusoe被引頻次學科排名
書目名稱Children‘s Literature, Popular Culture, and Robinson Crusoe年度引用
書目名稱Children‘s Literature, Popular Culture, and Robinson Crusoe年度引用學科排名
書目名稱Children‘s Literature, Popular Culture, and Robinson Crusoe讀者反饋
書目名稱Children‘s Literature, Popular Culture, and Robinson Crusoe讀者反饋學科排名
作者: 斗志 時間: 2025-3-21 20:53
John Rawls, American Philosopher (1921–2002)said about a text so copiously and carefully parsed and analysed? To rehearse very briefly and incompletely what is widely acknowledged, it has been famously hailed perhaps most influentially by Ian Watt as the progenitor of the realistic novel.. Crusoe himself has been identified as both the harbin作者: 做方舟 時間: 2025-3-22 01:15
John Stuart Mill and the Liberal Traditioncets of children’s material culture have linked the two so closely that more than once I have had students express their surprise when they read Defoe’s novel for the first time and discover that it is not, in fact, a children’s book. Taken historically, however, the now assumed appropriateness of t作者: Indecisive 時間: 2025-3-22 07:32 作者: 得體 時間: 2025-3-22 10:29
Race, Language, and Subjectivationcan be regarded as what Michael Preston calls a ‘shadow canon.’ Because they offer largely the same range of meanings as the original, such texts amount to a series of ‘Authorized Versions’ of the Crusoe story (23).. While the predominantly middle-class children’s market was busy domesticating the w作者: 尋找 時間: 2025-3-22 13:57 作者: 尋找 時間: 2025-3-22 19:54 作者: 漂浮 時間: 2025-3-22 21:14 作者: lobster 時間: 2025-3-23 03:10 作者: Inexorable 時間: 2025-3-23 05:47
Children‘s Literature, Popular Culture, and Robinson Crusoe978-1-137-02731-3Series ISSN 2753-0825 Series E-ISSN 2753-0833 作者: 仲裁者 時間: 2025-3-23 11:47
Book 2012This study of the afterlife of Robinson Crusoe offers insights into the continued popularity and relevance of Crusoe‘s story and how modern conceptions of childhood are shaped by nostalgia and ideas of ‘the popular‘. Examining many adaptations in a variety of formats, it reconsiders the place Crusoe has occupied in our culture for three centuries.作者: Blood-Vessels 時間: 2025-3-23 17:25 作者: 高歌 時間: 2025-3-23 20:07
978-1-349-32346-3Palgrave Macmillan, a division of Macmillan Publishers Limited 2012作者: 放肆的我 時間: 2025-3-24 01:34
Introduction: ,, the Child, and the People,hout some difficulties and caveats) as an icon of an emerging middle-class sensibility and of the capitalist economic order of which this class was to become both the engine and the chief beneficiary.. . takes up and renders imaginatively, with unparalleled success, many of the central ideological c作者: 繼承人 時間: 2025-3-24 04:15
Performing Crusoe and Becoming Crusoes: the Pedagogical uses of , in the Eighteenth and Nineteenth the late eighteenth and nineteenth centuries. The original status of the novel as a text mostly outside the arena of and unconcerned with childhood begs questions about how and why . came to be so fully integrated into the pedagogical writing for children in the late eighteenth and early nineteenth作者: 神圣將軍 時間: 2025-3-24 10:25
,Crusoe Comes Home: Robinsonades and Children’s Editions of ,,rds, they are stories that also include a strong focus on the usually feminine-coded practices of domesticity. Coincident with the emergence of the robinsonade, and with the pedagogical merits of . firmly established, children’s editions and abridgements began appearing in considerable numbers for t作者: 歡笑 時間: 2025-3-24 12:17
,Poaching on Crusoe’s Island: Popular Reading and Chapbook Editions of ,,ailable to common readers. Differentiating with anything like perfect confidence between chapbook abridgements aimed at a popular readership and the sorts of children’s editions discussed in the previous chapter is perhaps an impossible task.. Children certainly had access to and read chapbooks as w作者: 手榴彈 時間: 2025-3-24 18:50
,‘Animal Spirits are Everything!’: , Pantomimes and the Child of Nostalgia,y fanciful bistresses [.], and the usual pantomimical revolutions, receives the final reward in the hand of Columbine’ (. 20). Striking, perhaps, to modern readers of Defoe’s novel is the fact that Friday, rather than the protagonist Crusoe, should be transformed into the pantomime hero Harlequin. M作者: dura-mater 時間: 2025-3-24 20:15
An Island of Toys: Childhood and , Consumer Goods, the toy theatre, in 1824. These were likely bought primarily as keepsakes, as they included in parentheses the names of the actors who starred in the 1817 production at the Theatre Royal in Covent Garden (which featured Grimaldi in the role of Clown). Shortly thereafter, sheets with stage scenery a作者: 聯(lián)邦 時間: 2025-3-25 02:46
Epilogue,the child,’ raised some time ago by Carolyn Steedman, continues very much to demand our attention today (ix). Comparing children’s culture to a now largely defunct oral ‘folk’ culture, however, can still yield productive and forward-looking results that challenge, for instance, divisions of child an作者: 削減 時間: 2025-3-25 05:20 作者: PLIC 時間: 2025-3-25 09:21
John Stuart Mill and the Liberal Tradition the late eighteenth and nineteenth centuries. The original status of the novel as a text mostly outside the arena of and unconcerned with childhood begs questions about how and why . came to be so fully integrated into the pedagogical writing for children in the late eighteenth and early nineteenth作者: molest 時間: 2025-3-25 11:40 作者: HUMID 時間: 2025-3-25 19:31
Race, Language, and Subjectivationailable to common readers. Differentiating with anything like perfect confidence between chapbook abridgements aimed at a popular readership and the sorts of children’s editions discussed in the previous chapter is perhaps an impossible task.. Children certainly had access to and read chapbooks as w作者: Contort 時間: 2025-3-25 20:29 作者: fender 時間: 2025-3-26 00:36
,The Dragon and Saint George, 1910–14, the toy theatre, in 1824. These were likely bought primarily as keepsakes, as they included in parentheses the names of the actors who starred in the 1817 production at the Theatre Royal in Covent Garden (which featured Grimaldi in the role of Clown). Shortly thereafter, sheets with stage scenery a作者: 允許 時間: 2025-3-26 07:40
https://doi.org/10.1007/978-1-4615-6157-6the child,’ raised some time ago by Carolyn Steedman, continues very much to demand our attention today (ix). Comparing children’s culture to a now largely defunct oral ‘folk’ culture, however, can still yield productive and forward-looking results that challenge, for instance, divisions of child an作者: ROOF 時間: 2025-3-26 08:45 作者: 健忘癥 時間: 2025-3-26 14:32
2753-0825 conceptions of childhood are shaped by nostalgia and ideas of ‘the popular‘. Examining many adaptations in a variety of formats, it reconsiders the place Crusoe has occupied in our culture for three centuries.978-1-349-32346-3978-1-137-02731-3Series ISSN 2753-0825 Series E-ISSN 2753-0833 作者: 影響帶來 時間: 2025-3-26 20:02
Introduction: ,, the Child, and the People,said about a text so copiously and carefully parsed and analysed? To rehearse very briefly and incompletely what is widely acknowledged, it has been famously hailed perhaps most influentially by Ian Watt as the progenitor of the realistic novel.. Crusoe himself has been identified as both the harbin作者: PRISE 時間: 2025-3-27 01:02
Performing Crusoe and Becoming Crusoes: the Pedagogical uses of , in the Eighteenth and Nineteenth cets of children’s material culture have linked the two so closely that more than once I have had students express their surprise when they read Defoe’s novel for the first time and discover that it is not, in fact, a children’s book. Taken historically, however, the now assumed appropriateness of t作者: semble 時間: 2025-3-27 02:28 作者: 小母馬 時間: 2025-3-27 05:52
,Poaching on Crusoe’s Island: Popular Reading and Chapbook Editions of ,,can be regarded as what Michael Preston calls a ‘shadow canon.’ Because they offer largely the same range of meanings as the original, such texts amount to a series of ‘Authorized Versions’ of the Crusoe story (23).. While the predominantly middle-class children’s market was busy domesticating the w作者: Intend 時間: 2025-3-27 13:00
,‘Animal Spirits are Everything!’: , Pantomimes and the Child of Nostalgia, appearing on the popular stage. Indeed so reliable a source as Iona and Peter Opie suggest, as noted in Chapter 3, the song and the stage show have a shared history. . made his theatrical debut in a Richard Sheridan pantomime first performed at the Theatre Royal in 1781, which quickly became one of作者: drusen 時間: 2025-3-27 17:40
An Island of Toys: Childhood and , Consumer Goods,umer culture. Unsurprisingly, among the first Crusoe-themed consumer goods marketed to children were toy theatres, which allowed children to restage the pantos they might previously have attended. Single sheets depicting the costumed actors in a given production had earlier been printed as keepsakes作者: ADAGE 時間: 2025-3-27 19:39
Epilogue, adult-as-modern, that the nostalgic turn has hitherto tended to generate. As an example of a more productive association between the child and the people, one could turn to Iona Opie’s 1993 study of children’s schoolyard language and culture, ., wherein she suggestively offers this explanation for 作者: 遺忘 時間: 2025-3-27 23:03
Lars Jaeger,Michel Dacorognagetativen Zentren bet?ubt oder besser gesagt gel?hmt werden. Darauf gründet sich ja überhaupt die Durchführbarkeit einer Narkose, da bei gleicher Anf?lligkeit gegenüber dem Narkoticum mit dem Eintritt der Schmerzlosigkeit auch schon Atem- und Kreislaufl?hmung einsetzen würde. Jede Narkose ist eine A作者: ABASH 時間: 2025-3-28 05:52
Book 1991 vitro methodologies will provide convenient systems that can substitute for and replace animal models. Various research groups both in academia and in the pharmaceutical industry have been investigating these types of methodologies in order to develop convenient well characterized systems that can 作者: Foment 時間: 2025-3-28 08:56 作者: 填滿 時間: 2025-3-28 12:20 作者: 氣候 時間: 2025-3-28 14:34
ook probes what it means when certain ‘theatre of the real’ practices (specifically verbatim and autobiographical) interact with storytellers considered, culturally, to be ‘unreliable narrators’. It also explor978-3-030-46549-0978-3-030-46547-6
