標(biāo)題: Titlebook: Child Labor in the British Victorian Entertainment Industry; 1875–1914 Dyan Colclough Book 2016 The Editor(s) (if applicable) and The Autho [打印本頁(yè)] 作者: 從未沮喪 時(shí)間: 2025-3-21 17:53
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作者: Neutropenia 時(shí)間: 2025-3-21 22:01
Zweifaktorielle Varianzanalyse,m performing, it would “interfere with hundreds of operas and plays.”. The last 25 years of the nineteenth century saw the widespread employment and promotion of theatrical children. This fervent application of child labor points to its marked contribution to the commercial success of the entertainm作者: Plaque 時(shí)間: 2025-3-22 00:28 作者: Insul島 時(shí)間: 2025-3-22 08:09
M. P. Merrick,K. A. Iyer,T. L. Beck up these two extensive historiographies. This work helps to address the consequences of omissions that compromise our full understanding of theatre and childhood history. The book also highlights a need for revision of some past conclusions, which have been reached without taking account of a subst作者: 使人煩燥 時(shí)間: 2025-3-22 10:22
Introduction,ldren. It also became clear that the . child becomes lost within the artistic priorities of writers and directors allied to audience engagement with the . portrayed. My initial intention was to undertake a contemporary study but before embarking on work that focused on modern-day performers I sought作者: FAST 時(shí)間: 2025-3-22 13:51
Raw Material, Labor, and the Finished Product: The Theatrical Child as Employee,m performing, it would “interfere with hundreds of operas and plays.”. The last 25 years of the nineteenth century saw the widespread employment and promotion of theatrical children. This fervent application of child labor points to its marked contribution to the commercial success of the entertainm作者: FAST 時(shí)間: 2025-3-22 19:17
Laboring Fairies: The Theatrical Child as a Family Resource and a Resourceful Child,espread child labor.”. This may well have been the case in older established industries, but it was not so with regard to children employed as entertainers. The commercial provision of performance-based leisure for the masses was in its relative infancy during the formative period of protective chil作者: DENT 時(shí)間: 2025-3-22 22:40 作者: 容易生皺紋 時(shí)間: 2025-3-23 02:13 作者: Highbrow 時(shí)間: 2025-3-23 06:23 作者: Brain-Imaging 時(shí)間: 2025-3-23 12:31
Theoretical and Mathematical Physicst at the same time transient and fleeting, lasting only for the duration of the performance and among an assemblage of individuals who happened to make the audience unique to that occasion. The dramatic critic Clayton Hamilton was of this mind:作者: 毀壞 時(shí)間: 2025-3-23 16:27
The Performing Child and Its Audience,t at the same time transient and fleeting, lasting only for the duration of the performance and among an assemblage of individuals who happened to make the audience unique to that occasion. The dramatic critic Clayton Hamilton was of this mind:作者: GUEER 時(shí)間: 2025-3-23 21:26 作者: 單片眼鏡 時(shí)間: 2025-3-24 00:32
Appendix B: Mathematical Background, child. This represented a major challenge to Victorian understanding of property rights and the sanctity of private domestic life. As will become clear, it was the issues around the employment of theatrical children instigated by the NVA, that came to dominate the much debated Bill.作者: 提升 時(shí)間: 2025-3-24 06:13
Performing Their Duty: Child Savers and the Theatrical Child,eas of theatrical genres were developed to meet consumer demand and thus maximize profit potential. The key implication of all this was a massive increase in the number and visibility of child employees.作者: 侵略者 時(shí)間: 2025-3-24 08:11
Protective Legislation and the Theatrical Child, child. This represented a major challenge to Victorian understanding of property rights and the sanctity of private domestic life. As will become clear, it was the issues around the employment of theatrical children instigated by the NVA, that came to dominate the much debated Bill.作者: Legion 時(shí)間: 2025-3-24 13:45
Introduction,the period 1875–1914. I was originally drawn to this subject area by insights gained from my personal involvement in the entertainment industry as a chaperone to children who worked within the film and theatre industries. I was licensed to act as . to child performers who were younger than 16 years 作者: WAIL 時(shí)間: 2025-3-24 16:13 作者: 拖債 時(shí)間: 2025-3-24 19:09
Laboring Fairies: The Theatrical Child as a Family Resource and a Resourceful Child,needs of children. Within this period, a spate of legislations on education was implemented during the third quarter of the century. New laws around schooling were key in helping to define the Victorian perception of children and their place in society.. The domain of the child was increasingly seen作者: 磨坊 時(shí)間: 2025-3-25 02:56 作者: 戲法 時(shí)間: 2025-3-25 05:10
Performing Their Duty: Child Savers and the Theatrical Child,ho made up the audience. A belief that employment of theatrical child labor was both desirable and necessary was the uniting factor for these groups. The hunger to be entertained by children was encouraged and fed by the reciprocal relationship between contemporary culture and the theatre. The indus作者: Postmenopause 時(shí)間: 2025-3-25 09:48 作者: 彈藥 時(shí)間: 2025-3-25 15:20 作者: Efflorescent 時(shí)間: 2025-3-25 19:13 作者: etiquette 時(shí)間: 2025-3-25 19:59
Palgrave Studies in Theatre and Performance Historyhttp://image.papertrans.cn/c/image/225043.jpg作者: HOWL 時(shí)間: 2025-3-26 01:59 作者: EXALT 時(shí)間: 2025-3-26 05:18
Zweifaktorielle Varianzanalyse,ion. Producers straddled the worlds of trade and leisure and were simultaneously answerable to their backers and to the paying public. Although there was much potential for profit, fortunes might just as easily be lost. Success was allied to securing the majority audience. Industry bosses needed to 作者: BROTH 時(shí)間: 2025-3-26 09:45
https://doi.org/10.1007/978-3-662-09633-8needs of children. Within this period, a spate of legislations on education was implemented during the third quarter of the century. New laws around schooling were key in helping to define the Victorian perception of children and their place in society.. The domain of the child was increasingly seen作者: gerontocracy 時(shí)間: 2025-3-26 12:43 作者: 大喘氣 時(shí)間: 2025-3-26 19:23 作者: finite 時(shí)間: 2025-3-26 23:51 作者: 吹牛需要藝術(shù) 時(shí)間: 2025-3-27 04:39
M. P. Merrick,K. A. Iyer,T. L. Beckoyment of child performers was at its height at a time when child labor was seen legislatively and socially as neither necessary nor desirable. The deduction is that this group of children were left outside the protective umbrella which covered other child workers because their labor was not recogni作者: tic-douloureux 時(shí)間: 2025-3-27 07:34
Book 2016Child labor greatly contributed to the cultural and economic success of the British Victorian theatrical industry. This book highlights the complexities of the battle for child labor laws, the arguments for the needs of the theatre industry, and the weight of opposition that confronted any attempt to control employers. ??作者: ETCH 時(shí)間: 2025-3-27 11:20
https://doi.org/10.1057/9781137496034Victorian Theatre; Victorian Entertainment; Child Entertainers; Child Labor; theatre management; shadow w作者: 頌揚(yáng)本人 時(shí)間: 2025-3-27 14:32
The Editor(s) (if applicable) and The Author(s) 2016作者: 保存 時(shí)間: 2025-3-27 18:29 作者: defenses 時(shí)間: 2025-3-27 22:35 作者: 逗它小傻瓜 時(shí)間: 2025-3-28 05:21
Book 2014mathematics and physics..Lawvere‘s axiomatization of topos theory and Voevodsky‘s axiomatization of higher homotopy theory exemplify a new way of axiomatic theory building, which goes beyond the classical Hilbert-style Axiomatic Method. The new notion of Axiomatic Method that emerges in categorical 作者: Affectation 時(shí)間: 2025-3-28 09:02 作者: arthroscopy 時(shí)間: 2025-3-28 13:09
J. Krieg,I.-T. B?ckert-Sifeddine,L. Kiesel its creative potential. Following Deleuze, it is pedagogy, she argues, that must educate us “in becoming able to feel, to know, and to conceive: that is to create concepts” (Semetsky, 2008a, pp. vii–viii). Deleuze and Guattari describe these concepts as bricks: material blocks of sensations which c
