標(biāo)題: Titlebook: Chaucerian Aesthetics; Peggy A. Knapp Book 2008 Palgrave Macmillan, a division of Nature America Inc. 2008 aesthetics.Chaucer.language.Med [打印本頁] 作者: cucumber 時(shí)間: 2025-3-21 18:20
書目名稱Chaucerian Aesthetics影響因子(影響力)
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Book 2008ugh aesthetic reflection has sometimes seemed out of sync with modern approaches to mind and language, Knapp defends its value in general and demonstrates its importance for the analysis of Chaucer s narrative art. Focusing on language games, persons, women, humor, and community, this book ponders what makes art beautiful.作者: 騙子 時(shí)間: 2025-3-22 03:49 作者: 不容置疑 時(shí)間: 2025-3-22 06:12 作者: 蛛絲 時(shí)間: 2025-3-22 11:44
Book 2008ent, sometimes divergent perspectives illuminate both the immediate pleasure of encountering beauty and its haunting promise of intelligibility. Although aesthetic reflection has sometimes seemed out of sync with modern approaches to mind and language, Knapp defends its value in general and demonstr作者: 弓箭 時(shí)間: 2025-3-22 14:45
2945-5936 mes congruent, sometimes divergent perspectives illuminate both the immediate pleasure of encountering beauty and its haunting promise of intelligibility. Although aesthetic reflection has sometimes seemed out of sync with modern approaches to mind and language, Knapp defends its value in general an作者: 弓箭 時(shí)間: 2025-3-22 19:52
The New Middle Ageshttp://image.papertrans.cn/c/image/224188.jpg作者: 陳腐的人 時(shí)間: 2025-3-23 00:39 作者: 集中營 時(shí)間: 2025-3-23 01:55
https://doi.org/10.1007/978-1-4302-0154-0t introduced until Alexander Baumgarten’s . in 1750, nor made central to European thinking until Hume, Kant, Schiller, and Hegel took it up.. People who would not quibble with using the word . as an analytic category bearing on issues earlier than . appearance as a term in the eighteenth century, or作者: 凌辱 時(shí)間: 2025-3-23 07:56 作者: 不遵守 時(shí)間: 2025-3-23 13:18
Using the Apache Log Tag Library,rently ineradicable . that organizes Western cultural history.”. In Jacob Burckhardt’s famous nineteenth-century formulation, medieval man “was conscious of himself only as a member of a race, people, party, or corporation—only through some general category.”. Chaucerians are likely to find themselv作者: 狗窩 時(shí)間: 2025-3-23 16:16
Using the Apache Log Tag Library,ditions flow together to create a fund of longstanding common wisdom, both very loud and perfectly schizophrenic. On the one hand, female beauty is always already complicit in the descent of man into sinful lust. The pit into which the man falls to his damnation is opened by the mere sight of a woma作者: TAP 時(shí)間: 2025-3-23 20:17
Best Practices and Looking Forward to 1.3,” suggests that their author knows that he and his created pilgrims are playing weighty and hilarious language games simultaneously. The presiding Host knows about the potential for “sooth” in “game and pley” and says so to the Cook (I.4355). Everyone also knows how complex the related, but not syno作者: FUME 時(shí)間: 2025-3-24 01:52 作者: Analogy 時(shí)間: 2025-3-24 05:09
https://doi.org/10.1057/9780230613843aesthetics; Chaucer; language; Medieval Literature; medievalist; Middle Ages; mind; play; understanding; wome作者: PLAYS 時(shí)間: 2025-3-24 10:15 作者: 辯論 時(shí)間: 2025-3-24 13:08
Chaucerian Aesthetics978-0-230-61384-3Series ISSN 2945-5936 Series E-ISSN 2945-5944 作者: 后來 時(shí)間: 2025-3-24 15:24 作者: diathermy 時(shí)間: 2025-3-24 22:24 作者: Lipoprotein(A) 時(shí)間: 2025-3-25 00:24
Playing with Language Games,Sidney argued: it neither affirms nor denies but addresses imagination. Yet the imaginative freedom offered by narrative art arises, paradoxically, from its formal boundedness (Aquinas’s .). It is the bounded . of a story, its illusion of creating a self-contained virtual world designed for contempl作者: Pageant 時(shí)間: 2025-3-25 03:19
Beautiful Persons,rently ineradicable . that organizes Western cultural history.”. In Jacob Burckhardt’s famous nineteenth-century formulation, medieval man “was conscious of himself only as a member of a race, people, party, or corporation—only through some general category.”. Chaucerians are likely to find themselv作者: 弄臟 時(shí)間: 2025-3-25 09:47 作者: STAT 時(shí)間: 2025-3-25 11:53
The Aesthetics of Laughter,” suggests that their author knows that he and his created pilgrims are playing weighty and hilarious language games simultaneously. The presiding Host knows about the potential for “sooth” in “game and pley” and says so to the Cook (I.4355). Everyone also knows how complex the related, but not syno作者: airborne 時(shí)間: 2025-3-25 15:52
Imagining Community,stein’s understanding of language as game, a game deeply embedded in social lifeworlds: “To imagine a language is to imagine a life-form.”. This orientation toward language seems particularly relevant to Chaucer’s work as it concerns community. In treating the various features of his aesthetics so f作者: 相反放置 時(shí)間: 2025-3-25 21:18
Introduction: Why Aesthetics?,n the old one.. The beauty referred to in these remarks is not that of the phenomena (natural beauty) but that of ideas. Philip Fisher argues that ever since the Greeks investigated geometry and proportion, the apprehension of beauty has been seen as close to the operations of scientific discovery; 作者: 執(zhí)拗 時(shí)間: 2025-3-26 03:55 作者: 高度 時(shí)間: 2025-3-26 05:15
Beautiful Persons,ild-raising practices or social mobilities, may seem ahistorical from another direction. I have argued earlier that structures of feeling do change over time, sometimes within a generation, but these are not the “deep structures” Partner seems to refer to. This chapter addresses the interpretive and作者: 獸皮 時(shí)間: 2025-3-26 12:30 作者: lymphoma 時(shí)間: 2025-3-26 15:23 作者: 兵團(tuán) 時(shí)間: 2025-3-26 20:19 作者: 釋放 時(shí)間: 2025-3-26 23:36 作者: 通情達(dá)理 時(shí)間: 2025-3-27 04:40 作者: 挑剔小責(zé) 時(shí)間: 2025-3-27 07:52 作者: 輕打 時(shí)間: 2025-3-27 12:59 作者: 金絲雀 時(shí)間: 2025-3-27 13:37 作者: 砍伐 時(shí)間: 2025-3-27 21:36
Best Practices and Looking Forward to 1.3, would like to say, has not only rules but also a point” (#564). This chapter is an inquiry into the narrative architecture of the . that brings these . and their stories together—collectively as a pilgrimage and individually as competitors in the storytelling contest—into a coherent community witho作者: Progesterone 時(shí)間: 2025-3-28 00:59
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