書(shū)目名稱Chaucer: The Canterbury Tales影響因子(影響力)學(xué)科排名
書(shū)目名稱Chaucer: The Canterbury Tales網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱Chaucer: The Canterbury Tales網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱Chaucer: The Canterbury Tales被引頻次
書(shū)目名稱Chaucer: The Canterbury Tales被引頻次學(xué)科排名
書(shū)目名稱Chaucer: The Canterbury Tales年度引用
書(shū)目名稱Chaucer: The Canterbury Tales年度引用學(xué)科排名
書(shū)目名稱Chaucer: The Canterbury Tales讀者反饋
書(shū)目名稱Chaucer: The Canterbury Tales讀者反饋學(xué)科排名
作者: Platelet 時(shí)間: 2025-3-21 22:46 作者: ALE 時(shí)間: 2025-3-22 04:11
An Introduction to Chaucerhy poem was produced at a time when the English language was still in its infancy and the language is not always immediately recognisable to us today. In the same way, late medieval culture was very different from that of the present day.作者: overbearing 時(shí)間: 2025-3-22 08:19
https://doi.org/10.1007/978-1-349-26359-2bibliography; Chaucer; Geoffrey Chaucer; knowledge; prologue; structure; style作者: Indicative 時(shí)間: 2025-3-22 10:30
https://doi.org/10.1007/978-1-4302-0092-5hy poem was produced at a time when the English language was still in its infancy and the language is not always immediately recognisable to us today. In the same way, late medieval culture was very different from that of the present day.作者: liposuction 時(shí)間: 2025-3-22 15:43
https://doi.org/10.1007/978-1-4302-0092-5nd instruction. Perhaps because many of the individual poems within the . can be categorised by genre or type of story (rather like the way a fairy story differs from a thriller), many examination questions focus upon Chaucer’s style as if this is potentially a problem or a distinct entity unrelated作者: liposuction 時(shí)間: 2025-3-22 18:15
https://doi.org/10.1007/978-1-4302-0092-5s that each tale is told by a teller, the voice of a fictional narrator, one who is not Chaucer himself. It is a device which clearly has an effect upon the notion of tale telling as well as upon the issues each story raises. Within most tales there are two voices — Chaucer’s and the fictional narra作者: 圓桶 時(shí)間: 2025-3-22 23:15
https://doi.org/10.1007/978-1-4302-0092-5riting and use them to explore his work, but one problem remains and that is the question of Chaucer’s intent — his reasons for using some techniques and forms at the expense of others. Is there a pattern to his ideas, do you think, or an easily identifiable set of themes or concerns behind the mult作者: orthodox 時(shí)間: 2025-3-23 04:04
https://doi.org/10.1007/978-1-4302-0092-5tly been described as the ‘father of English literature’. One of the reasons behind this comment is undoubtedly the fact of Chaucer’s contribution to a tradition of writing in English. Though not the first to use the ordinary and everyday or the mother-tongue in his writing, Chaucer was the first En作者: 劇本 時(shí)間: 2025-3-23 09:33
Kunal Mittal,Srinivas Kanchanavallyf continental authors, earlier Greek and Roman writers, such as Boethius, Ovid, Virgil and, more generally, Chaucers abiding interest in all forms of narrative. His choice of English as the language of his texts . the start of a move away from traditional notions of Latin as learned or French as the作者: Limpid 時(shí)間: 2025-3-23 12:16 作者: Forsake 時(shí)間: 2025-3-23 17:44
Kunal Mittal,Srinivas Kanchanavallyn mind about the strength of their very different approaches. Discussion was mainly confined to the poems under consideration in this guide but, of course, each critic also deals with other poems written by Chaucer. Equally, their views are only some of many alternative approaches to the same, and o作者: Folklore 時(shí)間: 2025-3-23 19:22
https://doi.org/10.1007/978-1-4302-0092-5ory-telling contest devised and overseen by the Host, Harry Bailly, as indicated in the .. Then, of course, there is another character, the pilgrim who observes and narrates the proceedings, often referred to as Chaucer-the pilgrim, the . who emerges at the very start of the ..作者: AWRY 時(shí)間: 2025-3-24 01:32
Kunal Mittal,Srinivas Kanchanavallyisticated, adapted from French and Italian cultures. Our discussion noted too how early influences of French writers like Machaut and Froissart led to Chaucer’s interest in love visions and love debates, later developed through the inspiration of the highly influential ..作者: formula 時(shí)間: 2025-3-24 04:14 作者: Habituate 時(shí)間: 2025-3-24 10:22 作者: Ambulatory 時(shí)間: 2025-3-24 14:07
gue. invites you to sharpen your critical faculties, extend your knowledge and engage with the text itself in order to fully appreciate the work of this fascinating, complex and surprisingly modern writer.Whether you consider yourself an expert or a student, this study has something for you as it de作者: 暫時(shí)別動(dòng) 時(shí)間: 2025-3-24 18:39
https://doi.org/10.1007/978-1-4302-0092-5ory differs from a thriller), many examination questions focus upon Chaucer’s style as if this is potentially a problem or a distinct entity unrelated to other ideas. Yet, as you read these poems, it soon becomes clear that style, characterisation, and narration form part of an overall impression . themes and purpose.作者: Mri485 時(shí)間: 2025-3-24 21:33
https://doi.org/10.1007/978-1-4302-0092-5and forms at the expense of others. Is there a pattern to his ideas, do you think, or an easily identifiable set of themes or concerns behind the multiple voices of the .? This chapter uses the same skills as before in an attempt to open up discussion of this issue. Its focus is upon ‘why’ rather than ‘how’.作者: 等待 時(shí)間: 2025-3-25 02:47
https://doi.org/10.1007/978-1-4302-0052-9ore textual commentaries, chosen to correspond to the poems cited in Part 1. Our intention is that you form your own ideas concerning the value of these critical perspectives. The following questions are designed to help you in this and might be worth keeping in mind as you read.作者: Dendritic-Cells 時(shí)間: 2025-3-25 04:51 作者: Defraud 時(shí)間: 2025-3-25 11:23
Themes, Tensions and Ambiguitiesand forms at the expense of others. Is there a pattern to his ideas, do you think, or an easily identifiable set of themes or concerns behind the multiple voices of the .? This chapter uses the same skills as before in an attempt to open up discussion of this issue. Its focus is upon ‘why’ rather than ‘how’.作者: Exclaim 時(shí)間: 2025-3-25 13:12
Critical Approaches to Chaucer’s Workore textual commentaries, chosen to correspond to the poems cited in Part 1. Our intention is that you form your own ideas concerning the value of these critical perspectives. The following questions are designed to help you in this and might be worth keeping in mind as you read.作者: bacteria 時(shí)間: 2025-3-25 18:17
Chaucer and His Workglish poet to demonstrate the flexibility of his own language and to elevate it as a serious medium in an era when the language of the court and of officialdom was still French, and when Latin continued to be regarded as high and learned.作者: reserve 時(shí)間: 2025-3-25 23:25 作者: 混沌 時(shí)間: 2025-3-26 00:47 作者: brachial-plexus 時(shí)間: 2025-3-26 04:45
monstrates the various approaches which can be used to learn about style, structure, multiple voices and the key themes of Chaucer‘s work. It offers a careful support and thoughtful framework upon which to base your own analysis and challenging you to form your own ideas and opinions.作者: 不可侵犯 時(shí)間: 2025-3-26 11:04
Textbook 1998Latest editiones you to sharpen your critical faculties, extend your knowledge and engage with the text itself in order to fully appreciate the work of this fascinating, complex and surprisingly modern writer.Whether you consider yourself an expert or a student, this study has something for you as it demonstrates作者: Harbor 時(shí)間: 2025-3-26 16:25
https://doi.org/10.1007/978-1-4302-0092-5glish poet to demonstrate the flexibility of his own language and to elevate it as a serious medium in an era when the language of the court and of officialdom was still French, and when Latin continued to be regarded as high and learned.作者: Astigmatism 時(shí)間: 2025-3-26 17:49 作者: Synthesize 時(shí)間: 2025-3-26 22:47
An Introduction to Chaucerhy poem was produced at a time when the English language was still in its infancy and the language is not always immediately recognisable to us today. In the same way, late medieval culture was very different from that of the present day.作者: 遺棄 時(shí)間: 2025-3-27 02:27 作者: Callus 時(shí)間: 2025-3-27 06:35 作者: Feigned 時(shí)間: 2025-3-27 13:03
Themes, Tensions and Ambiguitiesriting and use them to explore his work, but one problem remains and that is the question of Chaucer’s intent — his reasons for using some techniques and forms at the expense of others. Is there a pattern to his ideas, do you think, or an easily identifiable set of themes or concerns behind the mult作者: 你正派 時(shí)間: 2025-3-27 16:23 作者: 脫水 時(shí)間: 2025-3-27 20:37 作者: arboretum 時(shí)間: 2025-3-28 00:32
Critical Approaches to Chaucer’s Workll notice that the approach used here is an open-ended one. There will be an outline of each critics views and a more detailed examination of one or more textual commentaries, chosen to correspond to the poems cited in Part 1. Our intention is that you form your own ideas concerning the value of the作者: UNT 時(shí)間: 2025-3-28 03:02 作者: 轉(zhuǎn)折點(diǎn) 時(shí)間: 2025-3-28 08:28
10樓作者: Instrumental 時(shí)間: 2025-3-28 11:41
10樓作者: 歌曲 時(shí)間: 2025-3-28 14:56
10樓作者: Ataxia 時(shí)間: 2025-3-28 20:46
10樓
