標(biāo)題: Titlebook: Charlotte Bront?, Embodiment and the Material World; Justine Pizzo,Eleanor Houghton Book 2020 The Editor(s) (if applicable) and The Author [打印本頁] 作者: 哪能仁慈 時(shí)間: 2025-3-21 19:14
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書目名稱Charlotte Bront?, Embodiment and the Material World讀者反饋學(xué)科排名
作者: 有幫助 時(shí)間: 2025-3-21 21:15 作者: 蠟燭 時(shí)間: 2025-3-22 02:51
https://doi.org/10.1007/978-1-4020-6241-4h her predecessor Jane Austen, and adopting the brash language of the body common to popular performance and the work of her male peers Charles Dickens and William Makepeace Thackeray, Bront? participates in important mid-nineteenth-century debates about gendered authorship and the literary marketplace.作者: neoplasm 時(shí)間: 2025-3-22 08:20
D. R. Illingworth,E. B. Schmidtrary & Museum in the 2016 exhibition .. It concludes that scholarship and sentimentality, often considered antithetical, both inform a complex and humane response to material remnants displayed under glass.作者: 為寵愛 時(shí)間: 2025-3-22 12:07
Emerging patterns in the landscape,pter then considers the impact that the North American Indian had upon both the contemporary British and Bront?’s own imagination, before concluding with an examination of the changing value of the moccasins themselves.作者: 哀求 時(shí)間: 2025-3-22 14:24 作者: 哀求 時(shí)間: 2025-3-22 19:38
Introduction, legacy. Focusing on the interdisciplinary conversations that comprise the volume, the editors discuss how book history, cultural heritage, the history of dress, literary criticism, and museum curation prove vital to understanding the ways in which readers have responded to Bront?’s work from its original publication to the present day.作者: peak-flow 時(shí)間: 2025-3-23 01:04
Burying Bertha: Race and the Ungraveable Body in ultimate disappearance in death, rendering her corpse not only ungrievable but .. What Rochester’s incarceration of her cannot accomplish—Bertha’s effective nonexistence—Jane’s narrative can: the madwoman had her attic; the dead woman is nowhere to be found.作者: Intervention 時(shí)間: 2025-3-23 01:53
Gendering the Comic Body: Physical Humour in h her predecessor Jane Austen, and adopting the brash language of the body common to popular performance and the work of her male peers Charles Dickens and William Makepeace Thackeray, Bront? participates in important mid-nineteenth-century debates about gendered authorship and the literary marketplace.作者: 輪流 時(shí)間: 2025-3-23 06:04 作者: 偽造者 時(shí)間: 2025-3-23 10:47
Charlotte Bront?’s Moccasins: The Wild West Brought Homepter then considers the impact that the North American Indian had upon both the contemporary British and Bront?’s own imagination, before concluding with an examination of the changing value of the moccasins themselves.作者: 草本植物 時(shí)間: 2025-3-23 16:30 作者: 上坡 時(shí)間: 2025-3-23 20:52 作者: octogenarian 時(shí)間: 2025-3-24 01:31
Analysis of PCR Amplification Products,’s Lucy is separate from, but also bound up in, Catholic material culture. This chapter shows how . implicates itself in Jesuit deployments of objects and images which mediate Lucy Snowe’s experience and underline the author’s concerns with relationships between the intangible and the tangible and the significance of material culture in religion.作者: painkillers 時(shí)間: 2025-3-24 02:34
Taq and Other Thermostable DNA Polymerases,ilver-fork fiction from the 1830s reveals this un-Victorian side of Bront?’s legacy. However, the treatment of her early manuscripts as material objects—Bront? relics—rather than as narratives has limited our understanding of the breadth of Bront?’s literary legacy.作者: evanescent 時(shí)間: 2025-3-24 08:57 作者: bleach 時(shí)間: 2025-3-24 13:08 作者: athlete’s-foot 時(shí)間: 2025-3-24 15:49 作者: 興奮過度 時(shí)間: 2025-3-24 20:07 作者: trigger 時(shí)間: 2025-3-25 00:15 作者: 衣服 時(shí)間: 2025-3-25 04:22 作者: engender 時(shí)間: 2025-3-25 09:22 作者: 廢止 時(shí)間: 2025-3-25 15:32
Book 2020y of embodied experiences that.shaped Bront?’s creative practice (from writing to book-making, painting, and.drawing),?.Charlotte Bront?, Embodiment and the Material World.?forges new.connections between historical, material, and textual approaches to the author’s.work..作者: Watemelon 時(shí)間: 2025-3-25 17:06 作者: 威脅你 時(shí)間: 2025-3-25 22:46 作者: 彩色 時(shí)間: 2025-3-26 01:56 作者: chemoprevention 時(shí)間: 2025-3-26 07:29 作者: overhaul 時(shí)間: 2025-3-26 09:09
“Grossly Material”: Catholic Things and the Jesuit Order in ongs to the martyr whose story epitomizes the lurid tales of saints Bront?’s heroine abhors. In some versions of the Saint Lucy narrative, her eyes were gouged out, and representations have portrayed Lucy holding a dish upon which rests her eyes—“grossly material” indeed and an example of how Bront?作者: Interstellar 時(shí)間: 2025-3-26 13:14
Charlotte Bront?: From a Yorkshire Girl to a Regency Writer and Dandy In her youth, Bront? produced a rich collection of literary works written during the reign of William IV that invites us to rethink the Bront? canon from a new literary and historical perspective. We should consider her not only as a Victorian writer but also as an author of the late Regency. Her s作者: PURG 時(shí)間: 2025-3-26 17:03 作者: 同音 時(shí)間: 2025-3-26 21:08 作者: Commonplace 時(shí)間: 2025-3-27 03:21
Charlotte Bront?’s “Chinese Fac-similes”: A Comparative Approach to Interpreting the Materials of Auforgery, and theft. How do these workaday practices complicate notions of authorship, as well as distinctions made between original and derivative works of literature and art? Drawing on a comparative material analysis of Charlotte Bront?’s manuscripts and artworks, this chapter suggests how reprodu作者: 松軟無力 時(shí)間: 2025-3-27 07:58
“I have read the Lady’s Magazine”: The Materialities of Charlotte Bront?’s Medievalism. in the late eighteenth century, to explore women’s place in history and in contemporary society. Studies of Charlotte Bront?’s engagement with medievalism and Romance have focused mainly on her negotiations with the discourse in . (1847) and . (1853). This chapter demonstrates how Bront? uses medi作者: evanescent 時(shí)間: 2025-3-27 09:48 作者: Hla461 時(shí)間: 2025-3-27 14:14 作者: 蛛絲 時(shí)間: 2025-3-27 18:42
Charlotte Bront?, Embodiment and the Material World978-3-030-34855-7Series ISSN 2634-6494 Series E-ISSN 2634-6508 作者: 特別容易碎 時(shí)間: 2025-3-28 01:17 作者: 免除責(zé)任 時(shí)間: 2025-3-28 03:25
978-3-030-34857-1The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 后天習(xí)得 時(shí)間: 2025-3-28 08:48 作者: UNT 時(shí)間: 2025-3-28 13:08 作者: reception 時(shí)間: 2025-3-28 15:50 作者: 反話 時(shí)間: 2025-3-28 22:33 作者: HERE 時(shí)間: 2025-3-29 01:55
https://doi.org/10.1007/978-1-4020-6241-4m, nor as naively crude as critics from George Henry Lewes to Virginia Woolf have deemed it. Drawing on Bront?’s engagement with the theatrical traditions of European Carnival and British pantomime, this chapter demonstrates how physical humour in . satirizes the gendered dictates of literary realis作者: cajole 時(shí)間: 2025-3-29 04:29
Analysis of PCR Amplification Products,lly in the context of the “Yorkshire marriage” based on wealth, rather than the mutual affinity she sets as her personal ideal. Drawing on the language of embodied subjectivity, this essay focuses on the way Bront? explores, via references to bodily sensation and material objects, the alienating exp作者: Respond 時(shí)間: 2025-3-29 08:52 作者: 上坡 時(shí)間: 2025-3-29 12:53
Taq and Other Thermostable DNA Polymerases, In her youth, Bront? produced a rich collection of literary works written during the reign of William IV that invites us to rethink the Bront? canon from a new literary and historical perspective. We should consider her not only as a Victorian writer but also as an author of the late Regency. Her s作者: depreciate 時(shí)間: 2025-3-29 17:39
