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標(biāo)題: Titlebook: Charles Dickens; A Literary Life Grahame Smith Book 1996 Palgrave Macmillan, a division of Macmillan Publishers Limited 1996 Charles Dicken [打印本頁(yè)]

作者: Agoraphobia    時(shí)間: 2025-3-21 16:44
書(shū)目名稱(chēng)Charles Dickens影響因子(影響力)




書(shū)目名稱(chēng)Charles Dickens影響因子(影響力)學(xué)科排名




書(shū)目名稱(chēng)Charles Dickens網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱(chēng)Charles Dickens網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱(chēng)Charles Dickens被引頻次




書(shū)目名稱(chēng)Charles Dickens被引頻次學(xué)科排名




書(shū)目名稱(chēng)Charles Dickens年度引用




書(shū)目名稱(chēng)Charles Dickens年度引用學(xué)科排名




書(shū)目名稱(chēng)Charles Dickens讀者反饋




書(shū)目名稱(chēng)Charles Dickens讀者反饋學(xué)科排名





作者: 襲擊    時(shí)間: 2025-3-21 22:24

作者: 記憶法    時(shí)間: 2025-3-22 04:28

作者: 縮減了    時(shí)間: 2025-3-22 05:55
Book 1996orm of literary production. It thus offers a challenge to traditional accounts which stress the private nature of Dickens‘s genius. Smith focuses on the communal nature of Dickens‘s achievement in his struggles with publishers, the expectations of a vast public, and the demands of serialization.
作者: 車(chē)床    時(shí)間: 2025-3-22 09:16
Cellular Responses to Tissue Distortionhem is more complicated than common sense would suggest. ‘Dickens’, a convenient and perhaps unavoidable label, masks a range of Dickenses which, taken together, constitute a highly complex whole. This very richness suggests the difficulty of holding the complete range of what can be meant by Dicken
作者: 車(chē)床    時(shí)間: 2025-3-22 16:29
https://doi.org/10.1007/3-540-28804-Xuently as the ‘purest’ of art forms, the one most free from the inhibitions of content. But the history of music is at least partly the history of technological development and the possibilities this reveals for composers and performers. Until Mr Sax invented his instrument in 1840, the peculiar sou
作者: 車(chē)床    時(shí)間: 2025-3-22 17:46

作者: Cpr951    時(shí)間: 2025-3-22 22:00
Cylinders Under Internal Pressure, figures in English literature have had occupations and interests outside of literature, either from necessity or choice. T. S. Eliot’s work as a banker and, later, his long involvement with the publishing house of Faber & Faber are well known, and biographies of Anthony Trollope chronicle in exhaus
作者: 延期    時(shí)間: 2025-3-23 04:27

作者: Cytokines    時(shí)間: 2025-3-23 08:34

作者: 不適當(dāng)    時(shí)間: 2025-3-23 10:05
Cylinders Under Internal Pressure,reer. It is not intended to be either a conventional biography or literary criticism; it is difficult, however, to make a rigid separation between these genres and the work in hand, and in this case perhaps not even desirable. Dickens’s personal involvement with the social world of his own time is o
作者: 排他    時(shí)間: 2025-3-23 17:02

作者: 財(cái)主    時(shí)間: 2025-3-23 20:42
Charles Dickens978-1-349-24489-8Series ISSN 2946-2037 Series E-ISSN 2946-2045
作者: Abbreviate    時(shí)間: 2025-3-23 22:24
2946-2037 een as a form of literary production. It thus offers a challenge to traditional accounts which stress the private nature of Dickens‘s genius. Smith focuses on the communal nature of Dickens‘s achievement in his struggles with publishers, the expectations of a vast public, and the demands of serializ
作者: 寬度    時(shí)間: 2025-3-24 04:12
Book 1996orm of literary production. It thus offers a challenge to traditional accounts which stress the private nature of Dickens‘s genius. Smith focuses on the communal nature of Dickens‘s achievement in his struggles with publishers, the expectations of a vast public, and the demands of serialization.
作者: 歌劇等    時(shí)間: 2025-3-24 09:34

作者: badinage    時(shí)間: 2025-3-24 12:09

作者: Synchronism    時(shí)間: 2025-3-24 18:34
Cylinders Under Internal Pressure,terary life of a completely minor writer, but this would seem to many to be a somewhat futile enterprise. Dickens’s complexity can be felt in many different ways, but its primary source has to be those books which constitute one of the outstanding achievements in the European and American, as well as the British, novel.
作者: HEDGE    時(shí)間: 2025-3-24 21:42

作者: 新鮮    時(shí)間: 2025-3-25 01:28
Dickens and Social Institutions,ne of the most fascinating aspects of his life and the transformation of this material into the social panoramas of the novels is a touchstone of his artistic process. The point is well made by one of his young male collaborators on ., Percy Fitzgerald, when he remarks that attacks on social abuses:
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作者: connoisseur    時(shí)間: 2025-3-25 13:11

作者: 蒼白    時(shí)間: 2025-3-25 18:22
https://doi.org/10.1007/3-540-28804-Xthe reality, of photography could only be conceived of after the means to make it possible had come into being. This relationship between the material world and consciousness occurs also at a crucial moment in Dickens’s career, the events which coalesced to make possible the appearance of . in April
作者: opprobrious    時(shí)間: 2025-3-25 20:54

作者: Derogate    時(shí)間: 2025-3-26 04:02
Cylinders Under Internal Pressure,er, apart from novel writing, but none exceeded his attachment to periodical journalism, for which his fascination never waned. The major purpose of this chapter will be to explore, and to explain, Dickens’s engagement with this area.
作者: STELL    時(shí)間: 2025-3-26 04:41
Cylinders Under External Pressure,onders of the Victorian postal service enabled Dickens to write to Layard again on the same day in a manner which indicates that his ‘queer question’ received a negative response. That Dickens was not put off by such rejections from his more sophisticated companions is evident from the fact that he
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作者: EVEN    時(shí)間: 2025-3-26 19:23

作者: Ostrich    時(shí)間: 2025-3-26 23:42
Periodicals, Journalism and the Literary Essay,er, apart from novel writing, but none exceeded his attachment to periodical journalism, for which his fascination never waned. The major purpose of this chapter will be to explore, and to explain, Dickens’s engagement with this area.
作者: Demulcent    時(shí)間: 2025-3-27 01:26

作者: Phenothiazines    時(shí)間: 2025-3-27 06:58
Authorship and Literary Production,hem is more complicated than common sense would suggest. ‘Dickens’, a convenient and perhaps unavoidable label, masks a range of Dickenses which, taken together, constitute a highly complex whole. This very richness suggests the difficulty of holding the complete range of what can be meant by Dicken
作者: coagulation    時(shí)間: 2025-3-27 12:38

作者: Dri727    時(shí)間: 2025-3-27 13:44

作者: STANT    時(shí)間: 2025-3-27 19:46
Periodicals, Journalism and the Literary Essay, figures in English literature have had occupations and interests outside of literature, either from necessity or choice. T. S. Eliot’s work as a banker and, later, his long involvement with the publishing house of Faber & Faber are well known, and biographies of Anthony Trollope chronicle in exhaus
作者: 桉樹(shù)    時(shí)間: 2025-3-27 22:15
Theatre and Popular Entertainment,rchaeologist: ‘Here is a queer question I am going to ask you. Have you any curiosity to see the Great Fight (at a cost of Three Guineas)?…it is to come off at Daybreak on Tuesday morning’ (Nonesuch III, 155–6). As so often Dickens’s insatiable curiosity prompted him towards an event of some general
作者: remission    時(shí)間: 2025-3-28 04:12
,Dickens’s Public: Adulation and Constraint,h his reading public; which, when all is said, is by far the most interesting love-affair of his life’.. A topic as rich as this will have to be broken down into its constituents, many of which are controversial, if it is to receive anything like satisfactory treatment. The size and nature of Dicken
作者: Guaff豪情痛飲    時(shí)間: 2025-3-28 07:08





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