標題: Titlebook: Charles Dickens; Lyn Pykett Textbook 2002Latest edition The Editor(s) (if applicable) and The Author(s) 2002 Charles Dickens.novel.Victori [打印本頁] 作者: graphic 時間: 2025-3-21 16:43
書目名稱Charles Dickens影響因子(影響力)
書目名稱Charles Dickens影響因子(影響力)學(xué)科排名
書目名稱Charles Dickens網(wǎng)絡(luò)公開度
書目名稱Charles Dickens網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Charles Dickens被引頻次
書目名稱Charles Dickens被引頻次學(xué)科排名
書目名稱Charles Dickens年度引用
書目名稱Charles Dickens年度引用學(xué)科排名
書目名稱Charles Dickens讀者反饋
書目名稱Charles Dickens讀者反饋學(xué)科排名
作者: Encapsulate 時間: 2025-3-22 00:15
Textbook 2002Latest editionric characters.She also assesses the modernity of the writer‘s alienated protagonists and their social environments, as well as reassessing his representations of the vivid, bleak and at times menacing spectacle of the metropolis, from the late modern/postmodern perspective of the twenty first centu作者: 愛哭 時間: 2025-3-22 01:20 作者: Goblet-Cells 時間: 2025-3-22 07:20
,The Making of the Novelist and the Shaping of the Novel, 1835–41, leading up to and immediately following the passing of the first Reform Act (1832) were formative of both the matter and the manner of his fiction. The parliamentary scenes which he observed provided him with the raw material for later satiric portraits as well as shaping his social vision and his 作者: 樹膠 時間: 2025-3-22 11:43 作者: Acclaim 時間: 2025-3-22 13:14 作者: Acclaim 時間: 2025-3-22 17:31
Pressure groups and the European Union, leading up to and immediately following the passing of the first Reform Act (1832) were formative of both the matter and the manner of his fiction. The parliamentary scenes which he observed provided him with the raw material for later satiric portraits as well as shaping his social vision and his 作者: corn732 時間: 2025-3-23 00:04 作者: 轉(zhuǎn)向 時間: 2025-3-23 02:29 作者: 留戀 時間: 2025-3-23 06:56 作者: fulmination 時間: 2025-3-23 09:56
Conclusions: pressure groups and democracy,the reviewer cautioned the author against being too eager to resume those relations: ‘He has not only to sustain his past reputation, but to repair the mischief which we assure him has been done by his latest publications’ (., 1 June 1846, ., 141).作者: 搖曳的微光 時間: 2025-3-23 16:16
,Travails in Hyper-Reality, 1842–48,rom his publishers Chapman and Hall, to be drawn from his share of the profits of his next novel. This novel was ., the first of whose twenty monthly numbers came out in January 1843, shortly after the publication of Dickens’s impressions of his disappointing and disillusioning travels in America, . (October 1842).作者: PAC 時間: 2025-3-23 18:53 作者: 增長 時間: 2025-3-24 02:14 作者: Type-1-Diabetes 時間: 2025-3-24 04:09
,These Times of Ours, 1858–70,the successor to . in April 1859, carrying much the same weekly mix of entertainment, instruction and topical journalism as before. The announcement of the new periodical affirmed its editor’s continuing commitment to ‘that fusion of the graces of the imagination with the realities of life, which is vital to the welfare of any community’.作者: 古老 時間: 2025-3-24 10:24 作者: alliance 時間: 2025-3-24 12:43
Introduction: the Dickens Phenomenon and the Dickens Industry, and moral realities of his day? These are just two of the myriad ways of reading the formidable literary production of Charles Dickens. To many of his contemporaries Dickens was ‘emphatically the novelist of his age’, in whose novels ‘posterity will read, more clearly than in any contemporary recor作者: cornucopia 時間: 2025-3-24 18:04 作者: 厭食癥 時間: 2025-3-24 19:28
,Travails in Hyper-Reality, 1842–48,ly engaged in writing sketches, stories and serial narratives for immediate publication. Exhausted by this regime, anxious to avoid the perils of over-production (which he felt had blighted Scott’s career as a novelist), and eager to meet his American readers and to consolidate his position in Ameri作者: 平躺 時間: 2025-3-24 23:46 作者: 高原 時間: 2025-3-25 07:20 作者: 高歌 時間: 2025-3-25 08:57
,These Times of Ours, 1858–70,n with Bradbury and Evans. This firm had printed all of Dickens’s books from . onwards, and had published all of his novels from the mid-1840s. They were also the publishers of his periodical . The break came when Bradbury and Evans refused to reprint in . (another of their periodical titles) the ex作者: 供過于求 時間: 2025-3-25 12:43 作者: 施加 時間: 2025-3-25 18:38 作者: 完全 時間: 2025-3-25 21:42
Pressure groups and the political system, and moral realities of his day? These are just two of the myriad ways of reading the formidable literary production of Charles Dickens. To many of his contemporaries Dickens was ‘emphatically the novelist of his age’, in whose novels ‘posterity will read, more clearly than in any contemporary recor作者: GREEN 時間: 2025-3-26 01:54 作者: forestry 時間: 2025-3-26 05:09
The effectiveness of pressure groups,ly engaged in writing sketches, stories and serial narratives for immediate publication. Exhausted by this regime, anxious to avoid the perils of over-production (which he felt had blighted Scott’s career as a novelist), and eager to meet his American readers and to consolidate his position in Ameri作者: Employee 時間: 2025-3-26 08:28 作者: disciplined 時間: 2025-3-26 12:39
Opening address and welcome to participantson a scheme which had long formed part of his own authorial self-conception — the scheme to ‘conduct’ a periodical in which he ‘could speak personally’ to the readers of his novels.. At the end of March 1850, some eight months before . finished its run, the first number of Dickens’s magazine . appea作者: defeatist 時間: 2025-3-26 18:51 作者: 脫落 時間: 2025-3-27 01:00 作者: Basal-Ganglia 時間: 2025-3-27 03:36
Critical Issueshttp://image.papertrans.cn/c/image/224097.jpg作者: 多產(chǎn)子 時間: 2025-3-27 05:16 作者: 相一致 時間: 2025-3-27 10:10
P. K. Rangachari,T. Prior,R. A. Bellenheit der Prinzipien liberaler Demokratie und Rechtsstaatlichkeit für beendet erkl?rt; knapp fünf Jahre sp?ter warnt uns ebenfalls ein Amerikaner, Samuel P. Huntington (1996: 495), vor allzu viel politischer Selbstgewissheit: ?Gesellschaften, die annehmen, da? ihre [politische] Geschichte zu Ende s作者: grenade 時間: 2025-3-27 15:59 作者: homeostasis 時間: 2025-3-27 19:49 作者: HERTZ 時間: 2025-3-28 00:07
979-8-8688-0335-2The Editor(s) (if applicable) and The Author(s), under exclusive license to APress Media, LLC, part 作者: 人造 時間: 2025-3-28 03:52 作者: 形容詞詞尾 時間: 2025-3-28 08:49
