標(biāo)題: Titlebook: Characters of Women in Narrative Literature; Keith M. May Book 1981 Keith M. May 1981 English literature.literature.Narrative.women [打印本頁] 作者: 選民 時(shí)間: 2025-3-21 16:23
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作者: MILL 時(shí)間: 2025-3-21 20:49
The Later Nineteenth Century,writing fiction was that fiction could supremely strengthen the reader’s capacity for fellow-feelings. Truth to life was relatively important — as a means of educating the moral imagination. Henry James thought that the writing of fiction should itself be a moral enterprise and . an aesthetic one.作者: 人充滿活力 時(shí)間: 2025-3-22 01:33
https://doi.org/10.1007/978-1-349-16626-8English literature; literature; Narrative; women作者: Indecisive 時(shí)間: 2025-3-22 05:55 作者: attenuate 時(shí)間: 2025-3-22 10:56 作者: Insensate 時(shí)間: 2025-3-22 14:45 作者: Insensate 時(shí)間: 2025-3-22 20:09
Markt und Bedeutung von LBOs und CBOs,e thought that men and women were alike, except that women had livelier minds and potentially better abilities. Richardson also regarded men and women as ‘brothers and sisters’, as he put it, akin but for circumstances and education. He however relished certain social and sexual roles which through 作者: 不再流行 時(shí)間: 2025-3-22 23:41
https://doi.org/10.1007/978-3-7985-1784-4 seems to have regarded men and women as ‘brothers and sisters’, since this assumption is implicit in her fiction. The signs suggest that she thought of women overwhelmingly in respect of their social situation and scarcely at all in terms of some differentiated psychological make-up. Despite her fi作者: antecedence 時(shí)間: 2025-3-23 01:40
https://doi.org/10.1007/978-3-7985-1784-4uestions) or, at the opposite extreme, take as the starting-point for a fascinating, important and necessarily inconclusive discussion. What is not possible is to employ the term literally and so assume, for instance, that Flaubert, George Eliot, Tolstoy and Henry James — the authors under considera作者: 者變 時(shí)間: 2025-3-23 07:23
https://doi.org/10.1007/978-3-7985-1784-4f Elena Nikolayevna, the heroine who, as he later wrote, ‘was then still a new type’. It seems that Turgenev had noticed in Russia an interesting and as yet rare phenomenon: the emergence of women in search of a destiny that should transcend, though not necessarily replace, the domestic round.作者: 小平面 時(shí)間: 2025-3-23 13:41
https://doi.org/10.1007/978-3-7985-1784-4re. This book, an expanded version of two papers read at Cambridge in 1928, is concerned with the difficulties of women writers. They have been hindered not simply by domestic exigencies but also by the problems of presenting, or even acknowledging, a female vision. Fictional women created by author作者: galley 時(shí)間: 2025-3-23 14:53
https://doi.org/10.1007/978-3-7985-1784-4hey enlisted in an age-old male profession and felt it necessary to justify their temerity. They wrote to improve conduct and manners, to spread abroad those refinements which it was part of the function of their sex to foster in the family. The woman’s expressed vision at that time was in some degr作者: 導(dǎo)師 時(shí)間: 2025-3-23 21:05
http://image.papertrans.cn/c/image/224039.jpg作者: muffler 時(shí)間: 2025-3-24 01:55 作者: In-Situ 時(shí)間: 2025-3-24 06:18
Creative Myths,ted rather than thoroughly studied, yet the subject is neither simple nor unimportant. Faced with this question many people are likely to point out that writers in their works offer interpretations of individuals they have met, or produce composites of observed traits in accordance with their delibe作者: ingestion 時(shí)間: 2025-3-24 08:02
The Eighteenth Century,e thought that men and women were alike, except that women had livelier minds and potentially better abilities. Richardson also regarded men and women as ‘brothers and sisters’, as he put it, akin but for circumstances and education. He however relished certain social and sexual roles which through 作者: 生意行為 時(shí)間: 2025-3-24 12:10 作者: 宇宙你 時(shí)間: 2025-3-24 14:53
The Later Nineteenth Century,uestions) or, at the opposite extreme, take as the starting-point for a fascinating, important and necessarily inconclusive discussion. What is not possible is to employ the term literally and so assume, for instance, that Flaubert, George Eliot, Tolstoy and Henry James — the authors under considera作者: 凈禮 時(shí)間: 2025-3-24 19:34
New Women,f Elena Nikolayevna, the heroine who, as he later wrote, ‘was then still a new type’. It seems that Turgenev had noticed in Russia an interesting and as yet rare phenomenon: the emergence of women in search of a destiny that should transcend, though not necessarily replace, the domestic round.作者: 細(xì)胞膜 時(shí)間: 2025-3-25 02:53 作者: 玷污 時(shí)間: 2025-3-25 05:51 作者: PON 時(shí)間: 2025-3-25 10:01
Virginia Woolf and her Contemporaries,s of both sexes are misrepresentations. Down to the eighteenth century almost all authors were men and ‘a(chǎn) man is terribly hampered and partial in his knowledge of women’.. Since that time authoresses have been obliged to wrestle with a man-made and therefore alien culture.作者: 搜集 時(shí)間: 2025-3-25 15:15
Creative Evolution,ee a corrective to the man’s, and it may well be a mistake to imagine a secret vision lurking behind the published words. These were not modern women without a modern woman’s opportunities, since otherwise their lives would have been intolerable. We should not readily postulate a disturbing gulf between their inner thoughts and their utterances.作者: insurgent 時(shí)間: 2025-3-25 16:21
Praxishandbuch Akquisitionsfinanzierungat writers in their works offer interpretations of individuals they have met, or produce composites of observed traits in accordance with their deliberate or unwitting purposes. In other words, the first assumption would be that art inexactly copies life.作者: FLEET 時(shí)間: 2025-3-25 23:19
Creative Myths,at writers in their works offer interpretations of individuals they have met, or produce composites of observed traits in accordance with their deliberate or unwitting purposes. In other words, the first assumption would be that art inexactly copies life.作者: 出沒 時(shí)間: 2025-3-26 02:58 作者: 輕快帶來危險(xiǎn) 時(shí)間: 2025-3-26 07:59 作者: Vertebra 時(shí)間: 2025-3-26 08:30 作者: patriarch 時(shí)間: 2025-3-26 13:06
https://doi.org/10.1007/978-3-7985-1784-4in phases of error. At the same time no one doubts the femininity of, say, Anne Elliot or the masculinity of Mr Knightley. In other words, Jane Austen managed to preserve a sense of vital differences between her men and women while ascribing superogatory differences to them only for purposes of censure and ridicule.作者: CHOKE 時(shí)間: 2025-3-26 17:41
The Eighteenth Century, of disappointed chivalry. He seems to have believed that men should be able to look to women for moral guidance, but that they rarely could because many women either aped men or exploited their own positions for selfish purposes.作者: Modify 時(shí)間: 2025-3-27 00:48
The Early Nineteenth Century,in phases of error. At the same time no one doubts the femininity of, say, Anne Elliot or the masculinity of Mr Knightley. In other words, Jane Austen managed to preserve a sense of vital differences between her men and women while ascribing superogatory differences to them only for purposes of censure and ridicule.作者: 遠(yuǎn)地點(diǎn) 時(shí)間: 2025-3-27 03:56
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