標(biāo)題: Titlebook: Character, Acting and Being on the Pre-modern Stage; Edward Burns Book 1990 Palgrave Macmillan, a division of Macmillan Publishers Limited [打印本頁] 作者: deflate 時間: 2025-3-21 16:35
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書目名稱Character, Acting and Being on the Pre-modern Stage讀者反饋
書目名稱Character, Acting and Being on the Pre-modern Stage讀者反饋學(xué)科排名
作者: 摻假 時間: 2025-3-22 00:04 作者: 的是兄弟 時間: 2025-3-22 03:31
https://doi.org/10.1007/978-1-349-09594-0stage; theatre; tragedy; William Shakespeare作者: Scintigraphy 時間: 2025-3-22 06:06
Palgrave Macmillan, a division of Macmillan Publishers Limited 1990作者: 外露 時間: 2025-3-22 08:56
Ancient Theories of Character, of the human. Aristotle gives these aspects a triple classification at the beginning of the ., as . and . is what man does, . is what is done to him, and . is what man is. Drama differs from other kinds of mimesis in that it represents men ‘.’, acting and doing..作者: 可能性 時間: 2025-3-22 16:46 作者: 可能性 時間: 2025-3-22 17:10
Writing Reusable Django Applications, of the human. Aristotle gives these aspects a triple classification at the beginning of the ., as . and . is what man does, . is what is done to him, and . is what man is. Drama differs from other kinds of mimesis in that it represents men ‘.’, acting and doing..作者: transdermal 時間: 2025-3-22 22:40
Practical Development Techniques,o days before her execution for murder, is the keynote of his subsequent portrait of her. She sits at a table in a plain cell which is painted in broadly behind her like a set of theatrical flats. Her head and upper body are lit brightly from an unseen source. Her arms are folded on the table-top, a作者: acquisition 時間: 2025-3-23 03:55 作者: 飛來飛去真休 時間: 2025-3-23 07:47 作者: 誘騙 時間: 2025-3-23 13:32
Practical Development Techniques, the later renaissance theatre often seen as somehow superseding it. Such a continuity can be seen to lie in an approach to character, and in the assumptions about the place of the subject in dramatic practice — the very things which are normally taken, of course, to mark a ‘break’ between the media作者: 黑豹 時間: 2025-3-23 13:54
Your First Django Site: A Simple CMS,ly by the playwright John Webster, of ‘An excellent Actor’. The terms of Webster’s praise are familiar from rhetorical tradition — ‘Whatsoever is commendable in the grave Orator, is most exquisitely perfect in him; for by a full and significant action of body, he charms our attention: sit in a full 作者: 舊石器 時間: 2025-3-23 19:57 作者: 哪有黃油 時間: 2025-3-23 22:25 作者: delta-waves 時間: 2025-3-24 02:34 作者: Mutter 時間: 2025-3-24 09:32 作者: Ebct207 時間: 2025-3-24 12:07
Ancient Theories of Character, of the human. Aristotle gives these aspects a triple classification at the beginning of the ., as . and . is what man does, . is what is done to him, and . is what man is. Drama differs from other kinds of mimesis in that it represents men ‘.’, acting and doing..作者: 憤憤不平 時間: 2025-3-24 16:30
Rhetorical Character: History and Allegory,resented from within that tripartite division of the human which Aristotle reasserts at the beginning of the . as . and .. Mediaeval and renaissance accounts of literature — or of any other form of developed linguistic use, any other rhetoric — are formed at base by Aristotle’s terminology, by the d作者: 不理會 時間: 2025-3-24 19:49
Shakespeare: Character as Political Praxis, the later renaissance theatre often seen as somehow superseding it. Such a continuity can be seen to lie in an approach to character, and in the assumptions about the place of the subject in dramatic practice — the very things which are normally taken, of course, to mark a ‘break’ between the media作者: reflection 時間: 2025-3-25 00:31 作者: 澄清 時間: 2025-3-25 05:37
Character and the Passions,e-class Protestantism opposes itself — an opposition to the idea of a visible, common, indivisibly social life, an opposition that expresses itself in the construction of interiorities and in the assertion of an authoritative basis for the self in individual relation to God and his revealed word. Bu作者: Adenoma 時間: 2025-3-25 09:30 作者: 學(xué)術(shù)討論會 時間: 2025-3-25 12:29
Introduction,dly behind her like a set of theatrical flats. Her head and upper body are lit brightly from an unseen source. Her arms are folded on the table-top, and she stares vacantly a little to the side, into the empty space that takes up nearly half the picture, ignoring both the spectator’s gaze, and the rosary that lies on the table in front of her.作者: nonradioactive 時間: 2025-3-25 17:28
https://doi.org/10.1007/978-1-4302-1939-2political praxis (which is how Aristotle and the rhetoricians examine it) is to become aware of the complexity of Elizabethan theatrical practice, especially in an area that often unexamined notion of character has tended to obscure.作者: concise 時間: 2025-3-25 23:46 作者: 行乞 時間: 2025-3-26 02:43
Character, Acting and Being on the Pre-modern Stage作者: 秘方藥 時間: 2025-3-26 06:36
Character, Acting and Being on the Pre-modern Stage978-1-349-09594-0作者: 表否定 時間: 2025-3-26 09:46 作者: 書法 時間: 2025-3-26 15:09 作者: 誘拐 時間: 2025-3-26 17:10 作者: AER 時間: 2025-3-27 00:06
Rhetorical Character: History and Allegory,operation of the text itself, as the meeting of the subjectivities of writer/voice and reader/listener. . and . provide rhetorical theory with a continuously open problematic, existing in division to provoke the attempt to re-unite.作者: progestogen 時間: 2025-3-27 02:03
Shakespeare: Character as Political Praxis,antive’ as anachronistic, we can open up in the plays a complex, flexible and precise presentation of the identifying practices of which ‘transactional’ character consists. The plays are not ‘a(chǎn)bout’ character, they are plays . character, presenting action and conflict through it.作者: intoxicate 時間: 2025-3-27 05:56 作者: Deadpan 時間: 2025-3-27 09:44
9樓作者: 使更活躍 時間: 2025-3-27 13:52
9樓作者: 大看臺 時間: 2025-3-27 19:02
9樓作者: 車床 時間: 2025-3-28 01:12
9樓作者: 間接 時間: 2025-3-28 02:53
10樓作者: 最低點 時間: 2025-3-28 07:33
10樓作者: 優(yōu)雅 時間: 2025-3-28 12:49
10樓作者: 一瞥 時間: 2025-3-28 17:23
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