派博傳思國際中心

標(biāo)題: Titlebook: Studies in Modern American Autobiography; Gordon O. Taylor Book 1983 Palgrave Macmillan, a division of Macmillan Publishers Limited 1983 A [打印本頁]

作者: 冰凍    時(shí)間: 2025-3-21 16:07
書目名稱Studies in Modern American Autobiography影響因子(影響力)




書目名稱Studies in Modern American Autobiography影響因子(影響力)學(xué)科排名




書目名稱Studies in Modern American Autobiography網(wǎng)絡(luò)公開度




書目名稱Studies in Modern American Autobiography網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Studies in Modern American Autobiography被引頻次




書目名稱Studies in Modern American Autobiography被引頻次學(xué)科排名




書目名稱Studies in Modern American Autobiography年度引用




書目名稱Studies in Modern American Autobiography年度引用學(xué)科排名




書目名稱Studies in Modern American Autobiography讀者反饋




書目名稱Studies in Modern American Autobiography讀者反饋學(xué)科排名





作者: REP    時(shí)間: 2025-3-21 21:47
https://doi.org/10.1007/978-3-319-07158-9ery strong, particularly where recollection is hazy and I remember the substance of an event but not the details — the color of a dress, the pattern of a carpet, the placing of a picture,’. precisely the sorts of details which in her fiction, as in James’s, can obliquely convey a human truth.
作者: monologue    時(shí)間: 2025-3-22 03:53
Voices from the Veil: W. E. B. DuBois to Malcolm X,f subsequent works by black American authors such as Richard Wright, James Baldwin and Malcolm X, narrative consciousness of the personal present is both invaded and informed, threatened and sustained, by a sense of dissolution within the racial past.
作者: 出生    時(shí)間: 2025-3-22 07:12

作者: 手術(shù)刀    時(shí)間: 2025-3-22 09:58
https://doi.org/10.1007/978-1-349-09046-4America; biography; history of literature; literary theory; literature; North America; twentieth century
作者: 內(nèi)向者    時(shí)間: 2025-3-22 13:40

作者: 內(nèi)向者    時(shí)間: 2025-3-22 19:30

作者: 濕潤    時(shí)間: 2025-3-23 01:04
,The Implacable ‘I’: Joan Didion,and that of the ‘gentlemen from the nineteenth century’ whose names his hotel bore. Thus he subliminally set in motion, in ., that active rather than idle sense of personal summation of the accelerations of the age which became the narrative determinant of that work, and through which in . he converged in self-portrayal with the Adams of the ..
作者: resistant    時(shí)間: 2025-3-23 02:01
Overview: 978-1-349-09046-4
作者: Flatter    時(shí)間: 2025-3-23 09:34

作者: 預(yù)測    時(shí)間: 2025-3-23 11:34

作者: confide    時(shí)間: 2025-3-23 16:36

作者: CLAY    時(shí)間: 2025-3-23 19:14

作者: Irascible    時(shí)間: 2025-3-23 22:31
https://doi.org/10.1007/978-3-319-07158-9was largely disregarded after its appearance in 1941, despite generally favorable reviews. The book’s initial critics were baffled as to its intended genre, and disapproved of Agee’s personal participation in the narrative. Having thus disapproved of the work’s raison d’être, however — its documenta
作者: agitate    時(shí)間: 2025-3-24 04:43
https://doi.org/10.1007/978-3-319-07158-9ween title and text, ‘a(chǎn)nd I’ll Tell You No Lies.’ Throughout the essays making up . — most published in magazines between 1946 and 1957, then revised and collected in 1957 with interchapters reflecting on the process of their composition — she has asked herself questions, reconstructing herself (as
作者: Range-Of-Motion    時(shí)間: 2025-3-24 06:56
https://doi.org/10.1007/978-3-319-07158-9egional history and partly a personal memoir,’ as he put it in a letter to Joseph Alsop.. Wilson’s mood in the prologue is one of weariness and withdrawal, of himself as a relic of a time when the house had more meaning as a ‘family center.’ He feels himself forced inward in some final way by change
作者: 草率女    時(shí)間: 2025-3-24 14:32

作者: propose    時(shí)間: 2025-3-24 18:11

作者: PALMY    時(shí)間: 2025-3-24 21:23
https://doi.org/10.1007/978-3-319-07158-9rom the passage, yet one may continue to wonder about him; whereas the passage proceeds to deal with Hay, with whom we need not be concerned precisely because he is dismissable (by Mailer) as a nineteenth-century gentleman.
作者: Diskectomy    時(shí)間: 2025-3-24 23:47
https://doi.org/10.1007/978-3-319-07158-9rt. Whatever the inevitable frequencies with which the novelist employed autobiographical material, or the autobiographer employed novelistic procedure, these two concentrated bursts of narrative energy are taken as separate culminations, artistic and autobiographical, to James’s literary life.
作者: GROVE    時(shí)間: 2025-3-25 06:56

作者: 后天習(xí)得    時(shí)間: 2025-3-25 08:10
https://doi.org/10.1007/978-3-319-07158-9n unquiet American era, not necessarily terminated by American withdrawal in 1975. Along with Greene’s dispatches from the period 1952–5, or rather as the moral and aesthetic distillation of these reports from Indochina, . is as likely to be cited as ‘evidence’ by historians and reporters as to be lauded as exemplary by literary critics.
作者: Institution    時(shí)間: 2025-3-25 13:52

作者: 寬敞    時(shí)間: 2025-3-25 19:45
Chapters of Experience: Henry James,rt. Whatever the inevitable frequencies with which the novelist employed autobiographical material, or the autobiographer employed novelistic procedure, these two concentrated bursts of narrative energy are taken as separate culminations, artistic and autobiographical, to James’s literary life.
作者: 誓言    時(shí)間: 2025-3-25 21:36
The Cruel Radiance of What Is: James Agee, an object of reformist activity, compounded by Agee’s assault within the text on reigning documentary expectations and reformist pieties, caused . to go unread, by an American public increasingly preoccupied by the spread of world war.
作者: 親愛    時(shí)間: 2025-3-26 01:12
Debriefed by Dreams: Michael Herr,n unquiet American era, not necessarily terminated by American withdrawal in 1975. Along with Greene’s dispatches from the period 1952–5, or rather as the moral and aesthetic distillation of these reports from Indochina, . is as likely to be cited as ‘evidence’ by historians and reporters as to be lauded as exemplary by literary critics.
作者: 鎮(zhèn)壓    時(shí)間: 2025-3-26 06:40
https://doi.org/10.1007/978-3-319-07158-9awal, of himself as a relic of a time when the house had more meaning as a ‘family center.’ He feels himself forced inward in some final way by changes which, already well advanced in America at large, are finally overtaking the Talcott-ville to which his family came in the late eighteenth century, and where the house itself was built in 1800–4.
作者: scrutiny    時(shí)間: 2025-3-26 10:24

作者: Brittle    時(shí)間: 2025-3-26 13:27
Of Adams and Aquarius: Henry Adams and Norman Mailer,esakes and the relation between their world and his own: ‘One may wonder if the Adams in the name of his hotel bore any relation to Henry; we need not be concerned with Hay who was a memorable and accomplished gentleman from the nineteenth century ….’. The Adams was indeed Henry (as Mailer surely kn
作者: HALL    時(shí)間: 2025-3-26 18:05
Chapters of Experience: Henry James, in effect concluded his career as novelist, despite the fact that he lived on until 1916, most of that time in good health, and left at his death such unfinished efforts as . and .. It is also conventionally assumed that James’s three avowedly autobiographical volumes — . (1913), . (1914), . (1917)
作者: gratify    時(shí)間: 2025-3-27 00:05
Voices from the Veil: W. E. B. DuBois to Malcolm X,ve gone that the only “Southern” book of any distinction published for many a year is ., by that most accomplished of members of the negro race, Mr. W. E. B. DuBois? Had the . focus of life then been Slavery?’. James’s compliment to DuBois (whose book had appeared in 1903), not to mention his view o
作者: Surgeon    時(shí)間: 2025-3-27 02:29

作者: GEM    時(shí)間: 2025-3-27 06:26
The Word for Mirror: Mary McCarthy,ween title and text, ‘a(chǎn)nd I’ll Tell You No Lies.’ Throughout the essays making up . — most published in magazines between 1946 and 1957, then revised and collected in 1957 with interchapters reflecting on the process of their composition — she has asked herself questions, reconstructing herself (as
作者: dithiolethione    時(shí)間: 2025-3-27 11:08
The Stone House: Edmund Wilson,egional history and partly a personal memoir,’ as he put it in a letter to Joseph Alsop.. Wilson’s mood in the prologue is one of weariness and withdrawal, of himself as a relic of a time when the house had more meaning as a ‘family center.’ He feels himself forced inward in some final way by change
作者: motivate    時(shí)間: 2025-3-27 16:45
Debriefed by Dreams: Michael Herr,ccount of a recent interview with Graham Greene,. reiterates a view of . which has generally prevailed since the novel’s American publication in 1956. With the passage of time, and the fading in the United States of initial criticism of . as anti-American. — and with the passage of the American war
作者: 手工藝品    時(shí)間: 2025-3-27 21:06

作者: inventory    時(shí)間: 2025-3-28 00:55
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作者: 遺產(chǎn)    時(shí)間: 2025-3-28 02:43
10樓
作者: Constituent    時(shí)間: 2025-3-28 09:23
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作者: heartburn    時(shí)間: 2025-3-28 12:41
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