標(biāo)題: Titlebook: Celtic Myth in Contemporary Children’s Fantasy; Idealization, Identi Dimitra Fimi Book 2017 The Editor(s) (if applicable) and The Author(s) [打印本頁] 作者: 遮陽傘 時(shí)間: 2025-3-21 17:28
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作者: 聲明 時(shí)間: 2025-3-21 21:25 作者: 偽造者 時(shí)間: 2025-3-22 02:21
Environmental Performance Indicators chapter focuses on Cooper’s representation of the “Arthur of the Welsh” as a Romano-Celtic hero, and also explores ideas of British vs. Welsh vs. English identity in Cooper’s fantasy novels, and the way those are tied with the entwinement of landscape, folklore, and history.作者: 使害怕 時(shí)間: 2025-3-22 06:14 作者: 機(jī)械 時(shí)間: 2025-3-22 12:33 作者: 很是迷惑 時(shí)間: 2025-3-22 16:32
The Editor(s) (if applicable) and The Author(s) 2017作者: 很是迷惑 時(shí)間: 2025-3-22 17:57
Dimitra FimiOffers fresh perspectives on Celtic studies by considering recent critical discussion of the term "Celtic".Covers a range of material, spanning classic children’s books to contemporary fantasy authors作者: 浮雕寶石 時(shí)間: 2025-3-22 22:31 作者: 開始發(fā)作 時(shí)間: 2025-3-23 05:00 作者: allergy 時(shí)間: 2025-3-23 06:10 作者: INCUR 時(shí)間: 2025-3-23 12:56
Conclusion: Celticity and “Celtic” Heritageve adaptations of “Celtic” myth and evaluating their contribution to Celticism. These common themes and concerns revolve around perceptions of Celticity, especially the (re)definition of the “Celts,” “Celtic” history, and “Celtic” mythology; the “Celtic” past as national/cultural heritage; and stereotypes associated with the “Celtic” character.作者: SCORE 時(shí)間: 2025-3-23 15:33
José Antonio López Abad,Daniel Meyerholtces of children’s literature (matters of power and ideology); the conventional and popular use of the term “Celtic” to refer to an ethnic past that is conceived as homogenous, and the recent debates on “Celticity”; and the problems of assigning mythological status to Irish and Welsh medieval literat作者: visual-cortex 時(shí)間: 2025-3-23 19:03
IT Solutions for EPI Managementter cycles of medieval Irish literature. Pat O’Shea’s . (1985) and Kate Thompson’s . (2005) follow the tropes of “high” fantasy in constructing a secondary world. These respective worlds, however, are soon identified as “mythical” versions of Ireland itself, populated by its legendary gods and heroe作者: 騷動(dòng) 時(shí)間: 2025-3-23 22:49
Sustainable Sourcing and Procurementature American children of the Irish diaspora. In Tannen’s novels the children time-travel to mythical Ireland, relive the legends of the Fenian cycle, and inadvertently discover the close family bonds they share with this ancient and magical world. In ., the teenage protagonist also discovers that 作者: 縱欲 時(shí)間: 2025-3-24 05:13
Hans Thies,Katarina Stanoevska-Slabevathenticity when adapting the wider Welsh tradition (from the . to the Welsh . and the legend of Taliesin) for a child readership. Alexander’s books take place in a secondary world, for which Wales is the blueprint, and the chapter discusses how they blend disparate ideas about the “Celtic” past with作者: 復(fù)習(xí) 時(shí)間: 2025-3-24 09:08 作者: 有法律效應(yīng) 時(shí)間: 2025-3-24 13:36
Environmental Performance Indicators chapter focuses on Cooper’s representation of the “Arthur of the Welsh” as a Romano-Celtic hero, and also explores ideas of British vs. Welsh vs. English identity in Cooper’s fantasy novels, and the way those are tied with the entwinement of landscape, folklore, and history.作者: 與野獸博斗者 時(shí)間: 2025-3-24 15:54 作者: Factual 時(shí)間: 2025-3-24 20:57 作者: 吸引力 時(shí)間: 2025-3-24 23:35 作者: Canary 時(shí)間: 2025-3-25 06:15 作者: BULLY 時(shí)間: 2025-3-25 09:50
2753-0825 ing classic children’s books to contemporary fantasy authors.Runner-up of the Katherine Briggs Folklore Award 2017.Winner of the?Mythopoeic Scholarship Award for Myth & Fantasy Studies 2019.This book examines the creative uses of “Celtic” myth in contemporary fantasy written for children or young ad作者: 攀登 時(shí)間: 2025-3-25 14:24 作者: arbiter 時(shí)間: 2025-3-25 16:01 作者: 鍍金 時(shí)間: 2025-3-25 23:49
Otherworldly Ireland: Pat O’Shea’s The Hounds of the Mórrígan and Kate Thompson’s The New Policemanndary world. These respective worlds, however, are soon identified as “mythical” versions of Ireland itself, populated by its legendary gods and heroes. The child-protagonists of both books, therefore, traverse a parallel Ireland, in which the landscapes they know so well become entwined with their national and cultural “Celtic” heritage.作者: 珍奇 時(shí)間: 2025-3-26 02:35 作者: HAUNT 時(shí)間: 2025-3-26 05:15 作者: 說笑 時(shí)間: 2025-3-26 08:35
Welsh Heritage for Teenagers: Alan Garner, Jenny Nimmo, Catherine Fishere fantasy works reimagine (and have contemporary teenagers re-enact) particular scenes from Welsh legend in order to explore the transition from childhood to young adulthood in terms of personal, national, cultural, and class identity.作者: 革新 時(shí)間: 2025-3-26 13:38
Book 2017ys these fantasy works have appropriated and adapted Irish and Welsh medieval literature in order to highlight different perceptions of “Celticity.” The term “Celtic” itself is interrogated in light of recent debates in Celtic studies, in order to explore a fictional representation of a national past that is often romanticized and political..作者: DALLY 時(shí)間: 2025-3-26 19:32 作者: scoliosis 時(shí)間: 2025-3-26 22:45
Otherworldly Ireland: Pat O’Shea’s The Hounds of the Mórrígan and Kate Thompson’s The New Policemanter cycles of medieval Irish literature. Pat O’Shea’s . (1985) and Kate Thompson’s . (2005) follow the tropes of “high” fantasy in constructing a secondary world. These respective worlds, however, are soon identified as “mythical” versions of Ireland itself, populated by its legendary gods and heroe作者: Defraud 時(shí)間: 2025-3-27 01:54
Celticity and the Irish Diaspora: Rewriting Finn mac Cumhall and Cúchulain for American Youngstersature American children of the Irish diaspora. In Tannen’s novels the children time-travel to mythical Ireland, relive the legends of the Fenian cycle, and inadvertently discover the close family bonds they share with this ancient and magical world. In ., the teenage protagonist also discovers that 作者: HACK 時(shí)間: 2025-3-27 08:24 作者: GROWL 時(shí)間: 2025-3-27 12:20 作者: 愚蠢人 時(shí)間: 2025-3-27 14:25 作者: cancellous-bone 時(shí)間: 2025-3-27 20:18
Conclusion: Celticity and “Celtic” Heritageve adaptations of “Celtic” myth and evaluating their contribution to Celticism. These common themes and concerns revolve around perceptions of Celticity, especially the (re)definition of the “Celts,” “Celtic” history, and “Celtic” mythology; the “Celtic” past as national/cultural heritage; and stere作者: 主動(dòng) 時(shí)間: 2025-3-27 22:25 作者: Gerontology 時(shí)間: 2025-3-28 05:45
10樓作者: 舔食 時(shí)間: 2025-3-28 06:16
10樓作者: 沒有希望 時(shí)間: 2025-3-28 13:46
10樓
