標(biāo)題: Titlebook: Carson McCullers in the Twenty-First Century; Alison Graham-Bertolini,Casey Kayser Book 2016 The Editor(s) (if applicable) and The Author( [打印本頁(yè)] 作者: 諷刺文章 時(shí)間: 2025-3-21 18:11
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作者: febrile 時(shí)間: 2025-3-21 21:16 作者: 原告 時(shí)間: 2025-3-22 03:17 作者: DEFER 時(shí)間: 2025-3-22 07:41 作者: 交響樂(lè) 時(shí)間: 2025-3-22 09:22
Musings between the Marvelous and Strange: New Contexts and Correspondence about Carson McCullers ahival materials in the Margaret S. Sullivan Papers and the Dr. Mary E. Mercer/Carson McCullers Collection at Columbus State University, including the transcripts of McCullers’ therapy sessions with Mary Mercer. By examining letters exchanged between and about McCullers and Tucker, Skaggs invites us 作者: 蘑菇 時(shí)間: 2025-3-22 16:02
The Image of the String Quartet Lurking in ,, novel. Focusing on the relationship between the novel and her early short story “Court in the West Eighties” as musico-literary variations, the chapter also explores why McCullers almost unconsciously but repeatedly used the image of a string quartet at that time. Magome finally compares McCullers’作者: 蘑菇 時(shí)間: 2025-3-22 20:58 作者: Interim 時(shí)間: 2025-3-22 23:32
,“To be a Good Animal”: Toward a Queer-Posthumanist Reading of ,,alyzes McCullers’ engagement with the discourse of speciesism and its intersections with other topics—gender, race, and sexuality—that have been prominent areas of focus in critiques of McCullers’ work. Additionally, it draws from Foucault’s analytics of power to illuminate ways that McCullers both 作者: 重力 時(shí)間: 2025-3-23 01:49 作者: amenity 時(shí)間: 2025-3-23 07:00
Queer Eyes: Cross-Gendering, Cross-Dressing, and Cross-Racing Miss Amelia,a. Matsui reconsiders the story’s ending, which many critics have interpreted as showing male force reinforcing a woman’s oppression, and argues that Miss Amelia’s queer way of being actually has a subversive function. Where racial, gender, and sexual categories are strictly policed by the dominant 作者: 夾死提手勢(shì) 時(shí)間: 2025-3-23 10:08
,“Nature is Not Abnormal; Only Lifelessness is Abnormal”: Paradigms of the In-valid in ,,may in the future be free of heteronormative constraints. Graham-Bertolini argues that McCullers deliberately undermines conceptions of “normality” in the main characters of . by demonstrating how performances of “the normal” lead them to tragedy, and she reveals how the atypical attributes of these作者: 六個(gè)才偏離 時(shí)間: 2025-3-23 17:32 作者: MONY 時(shí)間: 2025-3-23 20:04
Seeking the Meaning of Loneliness: Carson McCullers in China, McCullers’ scathing representation of loneliness in her fiction. McCullers’ “l(fā)oneliness” has different meanings to two successive generations of Chinese readers: for the first, it signifies isolation within a community, and for the other, it is more closely aligned with the concept of alienation in作者: 價(jià)值在貶值 時(shí)間: 2025-3-23 22:25 作者: Carbon-Monoxide 時(shí)間: 2025-3-24 03:02
,Jester’s Mercurial Nature and the Hermeneutics of Time in McCullers’ ,,s to remonetize Confederate currency, his teenage grandson, Jester, advocates for racial equality. In the Judge’s eyes, however, his beloved grandson’s deviance represents a natural part of his youthful development. Meanwhile, the biracial adolescent Sherman faces deadly consequences for similarly t作者: epicardium 時(shí)間: 2025-3-24 07:31
2634-579X d archival material that shows a more complex and richer pic.The contributors to this volume use diverse critical techniques to identify how Carson McCullers’ writing engages with and critiques modern social structures and how her work resonates with a twenty-first century audience. The collection i作者: ostracize 時(shí)間: 2025-3-24 11:50 作者: 不安 時(shí)間: 2025-3-24 17:37
Optimal Interprocedural Program Optimization the main characters of . by demonstrating how performances of “the normal” lead them to tragedy, and she reveals how the atypical attributes of these characters ultimately allow them to challenge the discriminatory social order instead.作者: 蕁麻 時(shí)間: 2025-3-24 20:34
The Image of the String Quartet Lurking in ,,er also explores why McCullers almost unconsciously but repeatedly used the image of a string quartet at that time. Magome finally compares McCullers’ early works with T. S. Eliot’s . and Thomas Mann’s . in terms of the image of a string quartet, examining a much larger musico-literary, socio-historical context during World War II.作者: 災(zāi)難 時(shí)間: 2025-3-25 01:38 作者: Fulminate 時(shí)間: 2025-3-25 04:47 作者: 膽大 時(shí)間: 2025-3-25 09:39
Coming of Age in the Queer South: Friendship and Social Difference in ,,t also transcends differences in race, class, and age. . reveals the subversive potential and limitations of friendship between marginalized individuals and across social differences in the Jim Crow South.作者: 灰姑娘 時(shí)間: 2025-3-25 11:38
Book 2016onely Hunter.?(1940),?.The Member of the Wedding.?(1946), and .Ballad of the Sad Café.?(1943), through lenses that are of growing interest in contemporary literary studies, including comparative transatlantic readings, queer theory, disability studies, and critical animal theory, among others..作者: immunity 時(shí)間: 2025-3-25 18:02 作者: 四溢 時(shí)間: 2025-3-25 23:43
Higher Order Data Flow Analysissubverts the discourse of speciesism and queers the human/nonhuman binary through a focus on corporeality and biopower. The author identifies aspects of the text that may be considered posthumanist, along with the ethical considerations for both human and nonhuman subjects that necessarily follow from such a reading.作者: ECG769 時(shí)間: 2025-3-26 01:35 作者: SHRIK 時(shí)間: 2025-3-26 06:26 作者: puzzle 時(shí)間: 2025-3-26 12:29 作者: ABIDE 時(shí)間: 2025-3-26 14:11
,“To be a Good Animal”: Toward a Queer-Posthumanist Reading of ,,subverts the discourse of speciesism and queers the human/nonhuman binary through a focus on corporeality and biopower. The author identifies aspects of the text that may be considered posthumanist, along with the ethical considerations for both human and nonhuman subjects that necessarily follow from such a reading.作者: 愉快嗎 時(shí)間: 2025-3-26 16:59 作者: Tremor 時(shí)間: 2025-3-26 21:19 作者: Peristalsis 時(shí)間: 2025-3-27 01:52
Reengineering the Modularity of OO Systemser Mary Tucker, her husband Reeves, and Annemarie Clarac Schwarzenbach, these transcripts also provide insight into several texts, including two autobiographical pieces written during the final decade of her life (. and “The Flowering Dream”).作者: neologism 時(shí)間: 2025-3-27 06:39
Higher Order Data Flow Analysisafter McCullers’ death. McCullers’ posthumous autobiography is an under-recognized work of women’s life writing that showcases the sociality of being and writing, both at the level of its thematics and material production.作者: 遵循的規(guī)范 時(shí)間: 2025-3-27 12:20 作者: crumble 時(shí)間: 2025-3-27 17:29 作者: 低能兒 時(shí)間: 2025-3-27 21:11 作者: Preamble 時(shí)間: 2025-3-27 22:02
Higher Order Data Flow Analysis privileged for unprivileged, only to produce another form of repression. Matsui concludes that Miss Amelia’s queerness shows the possibility of alternative subjectivity beyond any boundaries or categories.作者: NIL 時(shí)間: 2025-3-28 06:08
Optimal Interprocedural Program Optimizationic philosophy, ableist ideals of U.S. citizenship, and the U.S. South’s cultural impulse toward social segregation—all work together to collectively structure both the plot’s development toward its modernist ethos and the narrative structure that expels Antonapoulos’s mentally deviant character to the margins of the text.作者: 小蟲(chóng) 時(shí)間: 2025-3-28 06:40
https://doi.org/10.1007/3-540-49639-4, thus simultaneously challenging and reinforcing the dominant order. The novel’s persistent reaffirmation of Jester’s inherent innocence, Slaven argues, illustrates how narratives of American innocence often subsume narratives of social progress in a way that inhibits more vigilant reformation efforts.作者: 一小塊 時(shí)間: 2025-3-28 10:41
,“Impromptu Journal of My Heart”: Carson McCullers’ Therapeutic Recordings, April–May 1958,er Mary Tucker, her husband Reeves, and Annemarie Clarac Schwarzenbach, these transcripts also provide insight into several texts, including two autobiographical pieces written during the final decade of her life (. and “The Flowering Dream”).作者: Ptosis 時(shí)間: 2025-3-28 17:23
,Collaborative Life Writing: The Dialogical Subject of Carson McCullers’ Dictaphone “Experiments” anafter McCullers’ death. McCullers’ posthumous autobiography is an under-recognized work of women’s life writing that showcases the sociality of being and writing, both at the level of its thematics and material production.作者: 共同生活 時(shí)間: 2025-3-28 20:33
,Telling It “Slant”: Carson McCullers, Harper Lee, and the Veil of Memory,ines, or did they confront their dislocation by creating characters in their own image? How much of their narratives directly reflect the time periods during which they themselves were learning about gender roles and sexuality? How much in their autobiographical novels is truth told “slant”?作者: interrupt 時(shí)間: 2025-3-29 01:48
Musings between the Marvelous and Strange: New Contexts and Correspondence about Carson McCullers a scholars have attempted to quantify the importance of Tucker’s influence on McCullers, and Skaggs’ consideration provides important new contexts for understanding the complexity of their relationship and the development of the writer’s own artistic identity.作者: rheumatism 時(shí)間: 2025-3-29 05:27
,Entering the Compound: Becoming with Carson McCullers’ Freaks,iterary configuration through which possibilities for movement, for becoming, for the new are opened up: Frankie emerges as a queer textual figure that affects us, as readers, as a “bloc of sensations.”作者: Embolic-Stroke 時(shí)間: 2025-3-29 10:05 作者: 反話 時(shí)間: 2025-3-29 15:19
,An “archaeology of [narrative] silence”: Cognitive Segregation and Productive Citizenship in McCullic philosophy, ableist ideals of U.S. citizenship, and the U.S. South’s cultural impulse toward social segregation—all work together to collectively structure both the plot’s development toward its modernist ethos and the narrative structure that expels Antonapoulos’s mentally deviant character to the margins of the text.作者: milligram 時(shí)間: 2025-3-29 17:03
,Jester’s Mercurial Nature and the Hermeneutics of Time in McCullers’ ,,, thus simultaneously challenging and reinforcing the dominant order. The novel’s persistent reaffirmation of Jester’s inherent innocence, Slaven argues, illustrates how narratives of American innocence often subsume narratives of social progress in a way that inhibits more vigilant reformation efforts.作者: PAC 時(shí)間: 2025-3-29 20:40
Book 2016ructures and how her work resonates with a twenty-first century audience. The collection includes chapters about McCullers’ fiction, autobiographical writing, and dramatic works, and is groundbreaking because it includes the first detailed scholarly examination of new archival material donated to Co作者: FOLLY 時(shí)間: 2025-3-30 01:24 作者: 警告 時(shí)間: 2025-3-30 06:15
Reengineering the Modularity of OO Systems 1958, but only made available to scholars in 2014. In addition to a consideration of implications for further biographical studies, the essay also considers the insight into her work provided by these intimate reflections, and the ethical issues raised by the scholarly use of materials originally i作者: 教育學(xué) 時(shí)間: 2025-3-30 11:27 作者: 公理 時(shí)間: 2025-3-30 16:27
Lecture Notes in Computer Sciences’ . (1940), . (1946), and Harper Lee’s . (1960). McCullers and Lee created mythopoetic universes in which Mick Kelly, Frankie Addams, and Scout Finch face adolescent challenges. Occasionally, their confusion provides moments of comic relief; most often, though, there is nothing amusing about a worl作者: FLORA 時(shí)間: 2025-3-30 19:07
Higher Order Data Flow Analysishival materials in the Margaret S. Sullivan Papers and the Dr. Mary E. Mercer/Carson McCullers Collection at Columbus State University, including the transcripts of McCullers’ therapy sessions with Mary Mercer. By examining letters exchanged between and about McCullers and Tucker, Skaggs invites us
