標(biāo)題: Titlebook: Caring in Times of Precarity; A Study of Single Wo Chow Yiu Fai Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 Shanghai.Sin [打印本頁] 作者: 閃爍 時間: 2025-3-21 16:03
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作者: blithe 時間: 2025-3-21 22:37 作者: ureter 時間: 2025-3-22 01:45
https://doi.org/10.1007/978-1-4615-7213-8itics of precarity, and proposes an ethics of care. The chapter introduces the 25 women who are the subjects of this book, and the methods used to converse with them. It ends by presenting the organizational logic of the book, and the gist of the subsequent chapters.作者: 礦石 時間: 2025-3-22 04:43 作者: ingestion 時間: 2025-3-22 11:43
https://doi.org/10.1007/978-3-662-67597-7nes the genealogies of Chinese generational terms and reviews a collection of popular generational publications. Meanwhile, as cued by the subjects, historical features will be documented to configure a wider context to understand their subjective accounts as single women doing creative work.作者: hermetic 時間: 2025-3-22 14:18
Fat: The Good, the Bad, and the Ugly,d; second, some choose creative work to capitalize on its flexibility and autonomy in order to lead their single lives; and finally, some are wrestling with the success of their creative work, finding it difficult to find compatible life partners.作者: hermetic 時間: 2025-3-22 18:28 作者: cringe 時間: 2025-3-23 00:17 作者: Tremor 時間: 2025-3-23 04:55 作者: 香料 時間: 2025-3-23 09:07
Living with Their Own Images,ese single women in an urban setting. Whether disciplinary or emancipatory, stereotyping or interrogating, provocative or prescriptive—or probably all of these—these are the symbolic realities that single women in China have to live with.作者: STALE 時間: 2025-3-23 09:54 作者: obnoxious 時間: 2025-3-23 16:39
Balancing Work/Life?,d; second, some choose creative work to capitalize on its flexibility and autonomy in order to lead their single lives; and finally, some are wrestling with the success of their creative work, finding it difficult to find compatible life partners.作者: slipped-disk 時間: 2025-3-23 18:53
To Love, to Live,erest groups, and engaging in cultural activities. Third, there are also more positive articulations of freedom and autonomy, lifestyle, and social support, underwriting single lives’ potentials to open up spaces for alternative forms of relationships and co-habitation beyond the heteronormative.作者: achlorhydria 時間: 2025-3-24 00:58 作者: GIST 時間: 2025-3-24 03:31 作者: vitreous-humor 時間: 2025-3-24 09:34 作者: 克制 時間: 2025-3-24 10:57 作者: Atheroma 時間: 2025-3-24 15:28
,Living with Us—The Case of Kunqu,omen. In so doing, it engages with three lines of scholarship: deliberations on (imagined) community and citizenship, creative labour studies that often frame “sociality” among creative workers in professional terms, and fandom studies as well as audience research, which attempt to redefine what fans and audiences are in our time.作者: 表主動 時間: 2025-3-24 22:28
Living with the City,he three T’s—talent, technology, and tolerance—have been put forward as the ideal place to attract and keep creative workers, this inquiry intervenes in this line of thought on creative class mobility with empirical insights from Shanghai, to offer one reply to the fundamental issue of how people make a place of their own, of who owns the city.作者: Lumbar-Stenosis 時間: 2025-3-25 00:28
Epilogue, to recognize what the women have done, and are capable of. It inspires an ethics of care, a plea for more people to refuse what is expected of them, to live differently, to be more sure of their capacity to take care of themselves, despite and because of all the struggles. After all, they love ..作者: Nonporous 時間: 2025-3-25 05:14 作者: 惰性氣體 時間: 2025-3-25 09:43 作者: 使入迷 時間: 2025-3-25 14:56
https://doi.org/10.1007/978-3-319-76898-4Shanghai; Single Women; Creative Careers; Womanhood; Singlehood; Creative Labour; Precarity; Unmarried wome作者: Gobble 時間: 2025-3-25 16:49 作者: 關(guān)節(jié)炎 時間: 2025-3-25 23:35 作者: Brittle 時間: 2025-3-26 03:26 作者: 生來 時間: 2025-3-26 05:32 作者: –scent 時間: 2025-3-26 10:16
Penelope Wells,Roslyn B. Alfin-Slater popular cultural productions, it offers an overview of their representations across a plethora of genres and platforms. The overview cross-references the popular terms that have emerged and have circulated in the last couple of decades, such as 3S Lady (“single, born in the seventies, stuck”) and .作者: 游行 時間: 2025-3-26 14:52
https://doi.org/10.1007/978-3-662-67597-7l, individual sense, but also as connected to the historical features specific to China—for instance, the post-1990s (.) with their confident earnestness to engage in start-up projects, the post-1980s (.) with the introduction of the one-child policy, and the post-1970s (.) with the intertwining of 作者: 聯(lián)想 時間: 2025-3-26 20:12
Fat: The Good, the Bad, and the Ugly,from existing scholarship on creative work in two ways. First, it chooses to suspend the concerns surrounding exploitation and alienation in lieu of an empirical investigation of what Hesmondhalgh and Baker call “good work.” It recuperates what these women have to say about good work, and how they g作者: 密碼 時間: 2025-3-27 00:09 作者: Kaleidoscope 時間: 2025-3-27 01:58
David W. Harsha Ph.D.,George A. Bray M.D.ly considered to be one of the oldest forms of operatic arts in China. These women engage with Kunqu as fans, apprentices, teachers, organizers, or promoters. And very often, they know one another. This chapter seeks to map out what exactly they do regarding Kunqu, how and why this community of info作者: 貪婪的人 時間: 2025-3-27 05:17
Nutritional Challenges of Girls and Womenapping to recuperate mobile narratives of such interactions, to collect data on subjects’ geographical presence in, and spatial experiences of, the city. Questions concerning sense of belonging, security, convenience, choice, and freedom are addressed. Why do these women doing creative work move to 作者: 使饑餓 時間: 2025-3-27 09:25
https://doi.org/10.1007/978-3-030-82515-7ted interest in creative practices, it seems to be an opportune occasion whereby their creativity can be mobilized as part of the inquiry. Inspired by visual methodology in general, and image-elicitation techniques in particular, the subjects were invited to produce visual materials that best repres作者: 安定 時間: 2025-3-27 16:14 作者: 慌張 時間: 2025-3-27 18:00 作者: 營養(yǎng) 時間: 2025-3-28 01:39 作者: CHIDE 時間: 2025-3-28 03:38 作者: Harass 時間: 2025-3-28 07:37
,Living with a Generation—,l, individual sense, but also as connected to the historical features specific to China—for instance, the post-1990s (.) with their confident earnestness to engage in start-up projects, the post-1980s (.) with the introduction of the one-child policy, and the post-1970s (.) with the intertwining of 作者: 團(tuán)結(jié) 時間: 2025-3-28 12:13 作者: 過于光澤 時間: 2025-3-28 17:51 作者: Cupidity 時間: 2025-3-28 20:49 作者: 隱藏 時間: 2025-3-29 01:50
