標(biāo)題: Titlebook: Campus Cinephilia in Neoliberal South Korea; A Different Kind of Josie Jung Yeon Sohn Book 2022 The Editor(s) (if applicable) and The Auth [打印本頁] 作者: invigorating 時間: 2025-3-21 16:34
書目名稱Campus Cinephilia in Neoliberal South Korea影響因子(影響力)
書目名稱Campus Cinephilia in Neoliberal South Korea影響因子(影響力)學(xué)科排名
書目名稱Campus Cinephilia in Neoliberal South Korea網(wǎng)絡(luò)公開度
書目名稱Campus Cinephilia in Neoliberal South Korea網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Campus Cinephilia in Neoliberal South Korea被引頻次
書目名稱Campus Cinephilia in Neoliberal South Korea被引頻次學(xué)科排名
書目名稱Campus Cinephilia in Neoliberal South Korea年度引用
書目名稱Campus Cinephilia in Neoliberal South Korea年度引用學(xué)科排名
書目名稱Campus Cinephilia in Neoliberal South Korea讀者反饋
書目名稱Campus Cinephilia in Neoliberal South Korea讀者反饋學(xué)科排名
作者: 性滿足 時間: 2025-3-22 00:05 作者: malign 時間: 2025-3-22 02:51
A History of Cinepol: Film Cultures in Transition,res. The 1980s was when the first university film clubs were established and fought for democracy against the military dictatorship; the 1990s was a crucial transitional period that saw the reconciliation of political differences in film culture and the emergence of critical cinephilia on a popular 作者: 厚臉皮 時間: 2025-3-22 05:48 作者: 財主 時間: 2025-3-22 09:15 作者: 拋射物 時間: 2025-3-22 16:55
,The Bordwell Regime: ‘A Different Kind of Fun’,ilm was largely inherited from the 1990s, with the members referring to the same classical American textbook, . by David Bordwell and Kristin Thompson, used by their predecessors. Of interest in this chapter is how Cinepol used . to develop a style of analysis and discourse that then became a hallma作者: 拋射物 時間: 2025-3-22 21:01
The Godard Regimen: Film Diet and Affective Cinephilia, art films, a practice that was substantially shaped by older generations of cinephiles, such as those who established and patronised film institutions like Seoul Art Cinema. Using the conceptual frameworks of the cultural omnivore thesis and affect theory, this chapter explores the consensus among 作者: BATE 時間: 2025-3-23 00:38
Conclusion,n nationalism, neoliberalism and cinephilia in South Korea. The bookish subculture of cinephiles I discuss in this volume may not at first seem exemplary of the neoliberal turn in South Korean society, but they are part of a milieu in which neoliberal governance, globalisation and cosmopolitan consu作者: Inculcate 時間: 2025-3-23 03:23
2634-5935 stry. This unexpectedly vibrant cosmopolitan subculture of student cinephiles in neoliberal South Korea makes the nation’s film culture more complex and interesting than a simple nationalistic affair..978-3-030-95145-0978-3-030-95143-6Series ISSN 2634-5935 Series E-ISSN 2634-5943 作者: 方舟 時間: 2025-3-23 06:25 作者: 半球 時間: 2025-3-23 10:01
Managing Knowledge in Neuroscienceof neoliberal demands on youth—newly named the ‘88-. generation’—in the 2000s. These historical periods are not self-contained and are relevant to the history of university film club culture discussed in Chapter ..作者: 雇傭兵 時間: 2025-3-23 17:22
Model Structure Analysis in NEURONlevel; and there was in the 2000s an observable disconnect between the highly protectionist rhetoric concerning the newly profitable national cinema and cinephile culture that benefited from the niche but well-established cosmopolitan film culture (see Chapter .) as well as the increasingly accessible global media (see Chapter .).作者: 送秋波 時間: 2025-3-23 21:15 作者: malign 時間: 2025-3-23 23:14
Neuroinformatics for Neuropsychology,includes interviews with the film club members on their film collecting and viewing practices that significantly expanded and diversified the cinematic corpus they come in contact with in the digital age.作者: delegate 時間: 2025-3-24 03:10 作者: 廣告 時間: 2025-3-24 09:01 作者: GILD 時間: 2025-3-24 10:58 作者: Hearten 時間: 2025-3-24 18:42
Managing Knowledge in Neuroscienceial film culture and the intense neoliberal milieu of the 2000s. The introductory chapter lays the groundwork for the theoretical frameworks used in this study by examining four key theoretical terms of nationalism, neoliberalism, cosmopolitanism and cinephilia and closes with an account of the fieldwork.作者: 外形 時間: 2025-3-24 20:11
Said Hachimi-Idrissi MD, PhD, FCCM, FAAPs like Seoul Art Cinema. Using the conceptual frameworks of the cultural omnivore thesis and affect theory, this chapter explores the consensus among the students—a regimen of sorts—that film consumption needs to be balanced and broad, the very personal benefit of which is expressed as the experience of diverse ‘flavours’ and ‘feelings’ of cinema.作者: 不要嚴(yán)酷 時間: 2025-3-25 02:18
Introduction,ial film culture and the intense neoliberal milieu of the 2000s. The introductory chapter lays the groundwork for the theoretical frameworks used in this study by examining four key theoretical terms of nationalism, neoliberalism, cosmopolitanism and cinephilia and closes with an account of the fieldwork.作者: 創(chuàng)作 時間: 2025-3-25 07:04 作者: 不易燃 時間: 2025-3-25 08:13
Book 2022lore a cosmopolitan cinephile subculture that thrived in an ironic unevenness between the highly nationalistic mood of commercial film culture and the intense neoliberal milieu of the 2000s. As these time-poor students devoted themselves to the study of film that is unlikely to help them in the job 作者: 裙帶關(guān)系 時間: 2025-3-25 11:42
A History of Youth Culture: Politics and Generations in Transition,of neoliberal demands on youth—newly named the ‘88-. generation’—in the 2000s. These historical periods are not self-contained and are relevant to the history of university film club culture discussed in Chapter ..作者: tenosynovitis 時間: 2025-3-25 18:53
A History of Cinepol: Film Cultures in Transition,level; and there was in the 2000s an observable disconnect between the highly protectionist rhetoric concerning the newly profitable national cinema and cinephile culture that benefited from the niche but well-established cosmopolitan film culture (see Chapter .) as well as the increasingly accessible global media (see Chapter .).作者: gangrene 時間: 2025-3-25 20:07 作者: Generic-Drug 時間: 2025-3-26 02:03 作者: 遷移 時間: 2025-3-26 04:41 作者: 善變 時間: 2025-3-26 11:13
Conclusion,mption intersect. These students study extremely hard and play as hard, which embodies a neoliberal spirit .. This book submits that this ironically vibrant subculture of college student cinephiles makes South Korean film culture more complex and interesting than a simple nationalistic affair.作者: alabaster 時間: 2025-3-26 13:59
Campus Cinephilia in Neoliberal South Korea978-3-030-95143-6Series ISSN 2634-5935 Series E-ISSN 2634-5943 作者: 凌辱 時間: 2025-3-26 17:48
Josie Jung Yeon SohnDraws on conversations and interviews with university film club members.Explores South Korean cinephilia through an examination of the film consumption practices of young people.Canvasses student enth作者: 失敗主義者 時間: 2025-3-27 00:09 作者: 凈禮 時間: 2025-3-27 05:07 作者: Instinctive 時間: 2025-3-27 08:19 作者: podiatrist 時間: 2025-3-27 10:49
Model Structure Analysis in NEURONres. The 1980s was when the first university film clubs were established and fought for democracy against the military dictatorship; the 1990s was a crucial transitional period that saw the reconciliation of political differences in film culture and the emergence of critical cinephilia on a popular 作者: 你正派 時間: 2025-3-27 13:45 作者: 柔美流暢 時間: 2025-3-27 19:28
Neuroinformatics for Neuropsychology,a brief history of the video cassette recorder (VCR) that paved the way for film spectatorship in the private space of the home, this chapter focuses on the development of the internet, which has had a profound influence on the private yet globalised viewing habits of young cinephiles. This chapter 作者: biosphere 時間: 2025-3-28 00:36
https://doi.org/10.1007/978-1-4419-0060-9ilm was largely inherited from the 1990s, with the members referring to the same classical American textbook, . by David Bordwell and Kristin Thompson, used by their predecessors. Of interest in this chapter is how Cinepol used . to develop a style of analysis and discourse that then became a hallma作者: 松馳 時間: 2025-3-28 03:03 作者: dyspareunia 時間: 2025-3-28 06:45 作者: Alienated 時間: 2025-3-28 13:44
https://doi.org/10.1007/978-3-030-95143-6South Korean cinema; Neoliberalism; Film consumption; ‘New Korean Cinema‘; College student film fans; Sou作者: Flavouring 時間: 2025-3-28 16:43
