標(biāo)題: Titlebook: Building Technology and Culture in the Asia-Pacific Region; Construction, Materi Giaime Botti,Eugenio Mangi,Hiroyuki Shinohara Book 2024 Th [打印本頁(yè)] 作者: hexagon 時(shí)間: 2025-3-21 18:55
書(shū)目名稱(chēng)Building Technology and Culture in the Asia-Pacific Region影響因子(影響力)
書(shū)目名稱(chēng)Building Technology and Culture in the Asia-Pacific Region影響因子(影響力)學(xué)科排名
書(shū)目名稱(chēng)Building Technology and Culture in the Asia-Pacific Region網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱(chēng)Building Technology and Culture in the Asia-Pacific Region網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱(chēng)Building Technology and Culture in the Asia-Pacific Region被引頻次
書(shū)目名稱(chēng)Building Technology and Culture in the Asia-Pacific Region被引頻次學(xué)科排名
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書(shū)目名稱(chēng)Building Technology and Culture in the Asia-Pacific Region讀者反饋
書(shū)目名稱(chēng)Building Technology and Culture in the Asia-Pacific Region讀者反饋學(xué)科排名
作者: 放逐某人 時(shí)間: 2025-3-22 00:18 作者: 溫和女孩 時(shí)間: 2025-3-22 04:03
Patterns Redefinition in Beijing East Qianmen. Kengo Kuma Office in Damochang 220 Courtyard Houseinition of boundaries’ in the redevelopment, regeneration, and reinvention of the area’s . (alleys) and . (courtyard houses). The text describes Kuma’s use of geometric patterns as part of the tradition of its use, ‘dissolved boundaries,’ and connections between nature and people in the final design and realization of this building.作者: 慢慢啃 時(shí)間: 2025-3-22 07:23
Book 2024en intertwined with practical applications, delves into the intricate relationship between material culture, technology, and architecture within the broader cultural and social milieu. Three keywords—construction, materials, encounters—serve as the organizing framework for the book, guiding readers 作者: Peristalsis 時(shí)間: 2025-3-22 12:22 作者: 可以任性 時(shí)間: 2025-3-22 14:33
Hyperboloid Structure, also Known as Reciprocal Tower, in Bamboo Architectureent which is mostly used as a central column. Mostly they are used to substitute a column in a bamboo context, and there is potential in terms of scalability and flexible use in multiple story structures in mainstream construction.作者: Semblance 時(shí)間: 2025-3-22 19:05 作者: reaching 時(shí)間: 2025-3-22 22:35 作者: ANNUL 時(shí)間: 2025-3-23 03:21 作者: Hallowed 時(shí)間: 2025-3-23 08:24
The Reciprocal Development of Craft and Industry in Twentieth-Century Japan Through the Lens of Plyw materials. Through plywood, wood transformed into homogeneous, easily manipulatable and accessible material. Its historical development, technical aspects and correlation to crafts and industries are examined through the perspective of sociotechnical changes. While preceding research on the topic c作者: 假 時(shí)間: 2025-3-23 09:49
Toyo Ito’s Wood Architecture Reimagined: A Critique of Modernist Ideologye here?”, the group of architects led by Ito challenges the modernist ideology that had been the foundation of their careers’ work. Is architecture, not simply buildings, possible in an underserved area that suffers from not only a natural disaster but also persistent economic decline and depopulati作者: 殘酷的地方 時(shí)間: 2025-3-23 16:40 作者: Esophagitis 時(shí)間: 2025-3-23 20:22
The “Chinese Curved Roof” for a Christian University: Interactions Between Building Technology and Cepresented by the curved roof, into the design for a Christian university campus, where modern technologies and Western construction principles were applied. This chapter begins by discussing the paradigms of traditional Chinese roof appearance and structure, comparing them to Western trussed roofs.作者: 無(wú)畏 時(shí)間: 2025-3-24 00:25
Digging Cultures of Production Using Design Practice: Transforming the Main Oxygen Factory Workshop authors—as part of the Politecnico di Torino/Department of Architecture and Design/China Room—developed the refurbishment of the Main Workshop in collaboration with Atelier TeamMinus and Architectural Design and Research Institute of Tsinghua University—in charge of the entire transformation of the作者: 違法事實(shí) 時(shí)間: 2025-3-24 04:28
Building Technology and Culture in the Asia-Pacific RegionConstruction, Materi作者: aggravate 時(shí)間: 2025-3-24 06:47 作者: myalgia 時(shí)間: 2025-3-24 12:14
Zielsetzung und Vorgehensweise,inese avant-garde architects in recent years. This analysis is also finalized to better understand and interpret the design process that leads to avant-garde architecture within the complex Chinese professional sphere, questioning and broadening the debate around the Western concept of monumentality作者: 瑣碎 時(shí)間: 2025-3-24 16:57 作者: 光亮 時(shí)間: 2025-3-24 21:31
https://doi.org/10.1007/978-3-658-25863-4 materials. Through plywood, wood transformed into homogeneous, easily manipulatable and accessible material. Its historical development, technical aspects and correlation to crafts and industries are examined through the perspective of sociotechnical changes. While preceding research on the topic c作者: 訓(xùn)誡 時(shí)間: 2025-3-25 03:06
Phase 4: Die Produktion der Inhaltee here?”, the group of architects led by Ito challenges the modernist ideology that had been the foundation of their careers’ work. Is architecture, not simply buildings, possible in an underserved area that suffers from not only a natural disaster but also persistent economic decline and depopulati作者: LVAD360 時(shí)間: 2025-3-25 05:18 作者: canvass 時(shí)間: 2025-3-25 09:18 作者: Clumsy 時(shí)間: 2025-3-25 12:26 作者: 散步 時(shí)間: 2025-3-25 19:24
Patterns Redefinition in Beijing East Qianmen. Kengo Kuma Office in Damochang 220 Courtyard Houseeijing, focusing on aspects of Kuma’s architectural philosophy, the priority of heritage conservation, the use of transformative design and the ‘redefinition of boundaries’ in the redevelopment, regeneration, and reinvention of the area’s . (alleys) and . (courtyard houses). The text describes Kuma’作者: obstruct 時(shí)間: 2025-3-25 23:44 作者: guardianship 時(shí)間: 2025-3-26 00:54 作者: 多山 時(shí)間: 2025-3-26 08:18 作者: Desert 時(shí)間: 2025-3-26 08:49 作者: deactivate 時(shí)間: 2025-3-26 13:58 作者: 群居男女 時(shí)間: 2025-3-26 19:52
The Cross-Border Spread and Modernization of Modern Treaty Ports Cities: The Jardine Matheson Warehoder communication. Considering the technology and construction of the Jardine Matheson Company’s warehouse in the modern treaty port of Tianjin as an example, this paper aims to clarify the process of communication, mutual cultural learning and the localization of modern architecture from the perspe作者: 個(gè)阿姨勾引你 時(shí)間: 2025-3-26 21:58
The “Chinese Curved Roof” for a Christian University: Interactions Between Building Technology and Cergence of the modern Chinese architecture movement, which is characterized by the cultural exchange between China and the West. The architecture of certain Christian universities in China was designed by missionary architects and executed by local craftsmen, demonstrating not only significant proce作者: 射手座 時(shí)間: 2025-3-27 04:08
Digging Cultures of Production Using Design Practice: Transforming the Main Oxygen Factory Workshop ating the reactivation of an industrial site into a national manifesto for industrial heritage reuse. The observation revolves around the renovation of the Main Workshop of the Oxygen Factory Complex in the Shougang Steel Factory. Shougang is a former . in Beijing that in the early 2000s was gradual作者: 利用 時(shí)間: 2025-3-27 06:16 作者: gratify 時(shí)間: 2025-3-27 10:26 作者: initiate 時(shí)間: 2025-3-27 15:04 作者: APEX 時(shí)間: 2025-3-27 20:28 作者: 五行打油詩(shī) 時(shí)間: 2025-3-27 23:23
Transnational Histories of Design Cultures and Productionhttp://image.papertrans.cn/b/image/192782.jpg作者: Affiliation 時(shí)間: 2025-3-28 05:43
https://doi.org/10.1007/978-981-97-1794-1Building Technology; Cultural History; Chinese Architecture; Indian Architecture; Asian Architecture; His作者: Analogy 時(shí)間: 2025-3-28 09:11 作者: legitimate 時(shí)間: 2025-3-28 11:31
Fritz Aulinger,Wilm Reerink,Wolfgang Riepeeijing, focusing on aspects of Kuma’s architectural philosophy, the priority of heritage conservation, the use of transformative design and the ‘redefinition of boundaries’ in the redevelopment, regeneration, and reinvention of the area’s . (alleys) and . (courtyard houses). The text describes Kuma’作者: Respond 時(shí)間: 2025-3-28 16:03
Zielsetzung und Vorgehensweise,Such use is normally made for compositional and formal purposes, often beyond a structural or construction logic, and with the purpose of achieving a monumental character in terms of space definition. Iconic buildings conceived with substantially different vaulted systems, such as the Jingdezhen Imp作者: 果核 時(shí)間: 2025-3-28 20:55
Light Engineering für die Praxisiciency and a keen eye for the nuances of detailing. Laurie Baker (1917–2007), the British-born, Indian architect, found bricks to be like human faces, each with their color and feature, rendering them their unique character. Baker’s innovative brick use engages the oft-forgotten, vernacular ideas o作者: acheon 時(shí)間: 2025-3-29 00:01 作者: 重力 時(shí)間: 2025-3-29 06:59
Phase 4: Die Produktion der Inhalte, critiqued the “rigidity and sterility” of modern architecture made of steel, concrete, and glass. The triple disasters of 2011 prompted him to reexamine why, how, and for and with whom we design architecture. As an alternative to modern architecture driven by efficiency and economy, he demonstrate作者: 變化 時(shí)間: 2025-3-29 10:10
Phase 4: Die Produktion der Inhaltee study analysis of seven iconic bamboo structures built over a span of 15?years are used to investigate the role of this type of combination between shells and space frame structures in the Bali region. Initial investigation shows that as a main structural system, it is an efficient structural elem作者: Grasping 時(shí)間: 2025-3-29 12:19
Phase 3: Die Content-Marketing-Strategieder communication. Considering the technology and construction of the Jardine Matheson Company’s warehouse in the modern treaty port of Tianjin as an example, this paper aims to clarify the process of communication, mutual cultural learning and the localization of modern architecture from the perspe作者: 可用 時(shí)間: 2025-3-29 19:15
Methodisches Erfinden im Personalmanagementergence of the modern Chinese architecture movement, which is characterized by the cultural exchange between China and the West. The architecture of certain Christian universities in China was designed by missionary architects and executed by local craftsmen, demonstrating not only significant proce