標(biāo)題: Titlebook: British Women’s Writing from Bront? to Bloomsbury, Volume 3; 1880s and 1890s Adrienne E. Gavin,Carolyn W. de la L. Oulton Book 2024 The Edi [打印本頁(yè)] 作者: 時(shí)間 時(shí)間: 2025-3-21 19:09
書目名稱British Women’s Writing from Bront? to Bloomsbury, Volume 3影響因子(影響力)
書目名稱British Women’s Writing from Bront? to Bloomsbury, Volume 3影響因子(影響力)學(xué)科排名
書目名稱British Women’s Writing from Bront? to Bloomsbury, Volume 3網(wǎng)絡(luò)公開度
書目名稱British Women’s Writing from Bront? to Bloomsbury, Volume 3網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱British Women’s Writing from Bront? to Bloomsbury, Volume 3被引頻次
書目名稱British Women’s Writing from Bront? to Bloomsbury, Volume 3被引頻次學(xué)科排名
書目名稱British Women’s Writing from Bront? to Bloomsbury, Volume 3年度引用
書目名稱British Women’s Writing from Bront? to Bloomsbury, Volume 3年度引用學(xué)科排名
書目名稱British Women’s Writing from Bront? to Bloomsbury, Volume 3讀者反饋
書目名稱British Women’s Writing from Bront? to Bloomsbury, Volume 3讀者反饋學(xué)科排名
作者: IOTA 時(shí)間: 2025-3-22 00:12 作者: 相反放置 時(shí)間: 2025-3-22 03:55 作者: chuckle 時(shí)間: 2025-3-22 05:45 作者: Yourself 時(shí)間: 2025-3-22 09:55 作者: pantomime 時(shí)間: 2025-3-22 15:29
Methodenhandbuch für Softwareschulungenstrations in her essays . (1882) and . (1883), Loveridge shows that Cobbe used domestic metaphors of the home to characterise vivisection laboratories, conflating the laboratory and the kitchen and using domestic terms like ‘baking’ and ‘stewing’ to describe vivisectionsists’ experiments on animals.作者: 窩轉(zhuǎn)脊椎動(dòng)物 時(shí)間: 2025-3-22 18:25
Methodenhandbuch für Softwareschulungenld management. Drawing on contemporary debates about key concerns of the decade—women’s property rights, the legal and social status of single or widowed women and women’s fitness for business—Oliphant’s narratives articulate both the difficulties and pleasures of running a household without men. Ex作者: 身體萌芽 時(shí)間: 2025-3-23 00:28
Methodenhandbuch für Softwareschulungenire on Aestheticism about domestic servant Anne Brown and Levy’s novel about the Lorimer sisters who in a state of genteel poverty try to make a living through running a photography shop re-engender ideas John Ruskin expressed in his essay ‘Work’ (1866) about brain work and hand work. March-Russell 作者: 話 時(shí)間: 2025-3-23 05:10
https://doi.org/10.1007/978-3-642-45425-7ishers, Jordan illuminates the world of publishing contracts for women writers in the 1880s. Revealing the pressures that Ouida was under from publishers who sought contracts not only for book publication but also for serialisation and syndication rights, Jordan shows how publishers profited at Ouid作者: 事情 時(shí)間: 2025-3-23 07:12 作者: 占卜者 時(shí)間: 2025-3-23 12:21
Methodenhandbuch für Softwareschulungenlifying as a doctor in 1880 and being an ardent spiritualist, anti-vivisectionist, and feminist, Kingsford wrote in her 1886 preface to the volume that through dreams she had acquired ‘priceless insights and illuminations.’ Merchant shows that in . Kingsford reappropriates an association between fem作者: 消耗 時(shí)間: 2025-3-23 14:22 作者: 激勵(lì) 時(shí)間: 2025-3-23 18:17
Methodenkritik empirischer Sozialforschungsts would struggle to identify today. The chapter addresses three key questions. Firstly, why did Black choose these particular women, excluding many who are arguably more notable to us in the twenty-first century? Secondly, is there a good reason why we no longer read these novelists or have we con作者: Admonish 時(shí)間: 2025-3-23 23:18 作者: 犬儒主義者 時(shí)間: 2025-3-24 06:01
Karl Larenz,Claus-Wilhelm Canariss nickname The Sphinx was given to her by Oscar Wilde, and she is often interpreted primarily through the lens of this celebrity friendship. But her wider social networks and personal wit opened up an audience for her own comic sketches. ‘An Afternoon Party,’ published in . in July 1893, was followe作者: GLIDE 時(shí)間: 2025-3-24 08:52 作者: 價(jià)值在貶值 時(shí)間: 2025-3-24 12:23 作者: comely 時(shí)間: 2025-3-24 16:41 作者: 導(dǎo)師 時(shí)間: 2025-3-24 22:31
Methodenlehre der Rechtswissenschafting frenzy identified and made visible a literary sub-genre, focusing readers’ attention on writing by and about women in new and increasingly politicised ways. Ellen Thorneycroft Fowler’s . explores the difficulties of an upper-class woman author in managing the expectations of her social circle, w作者: textile 時(shí)間: 2025-3-25 00:17 作者: Minatory 時(shí)間: 2025-3-25 07:24 作者: 贊成你 時(shí)間: 2025-3-25 08:27
British Women‘s Writing from Bront? to Bloomsbury, 1840–1940http://image.papertrans.cn/b/image/192768.jpg作者: DUCE 時(shí)間: 2025-3-25 11:40 作者: 取之不竭 時(shí)間: 2025-3-25 16:26
2523-7160 an. The last two decades of the century, in distinctive ways, witnessed literary experiment, reflection on the limits of realism, and a fruitful sense of confusion about what was ending and what was about to be978-3-031-57290-6978-3-031-57288-3Series ISSN 2523-7160 Series E-ISSN 2523-7179 作者: 信任 時(shí)間: 2025-3-25 23:04 作者: FLIC 時(shí)間: 2025-3-26 04:04 作者: 整體 時(shí)間: 2025-3-26 07:33 作者: 追逐 時(shí)間: 2025-3-26 11:06 作者: HALO 時(shí)間: 2025-3-26 13:22
Notable or Invisible? Reassessing Women Writers of the 1890s charges of ephemerality or triviality from modern critics, thereby propelling these authors to obscurity. Rather than preserving them as notable, Black rendered them invisible. This chapter proposes that by reevaluating such forgotten writers, we can develop a more complex and ultimately rewarding 作者: carotenoids 時(shí)間: 2025-3-26 19:45 作者: 行為 時(shí)間: 2025-3-27 00:51 作者: 刺耳 時(shí)間: 2025-3-27 01:30 作者: tinnitus 時(shí)間: 2025-3-27 07:31
Woman Hate, Disgust, and National Happiness in the 1890s: Marie Corelli’s andards can guarantee happiness. But her vitriolic and vehement passages about one specific form of hatred—woman hate—present a view of the pressures placed on women to maintain traditional concepts of femininity within wider late nineteenth-century developments, feminist, and otherwise. The inferen作者: crescendo 時(shí)間: 2025-3-27 12:33
‘[S]uch a nasty, sneering book’: Class, Gender, and Ellen Thorneycroft Fowler’s onal author of the anonymously published . is doubly punished for having betrayed the secrets of her set. Not only is the book denounced by more discerning readers—her saintly lover nearly wrecks his own career, when rumours circulate that he is the author, and he exacts her promise not to contradic作者: Diluge 時(shí)間: 2025-3-27 14:54
Women’s Quest for Independence in the 1890s: Mary Cholmondeley’s , and uestioning the inheritance law of primogeniture. Although Cholmondeley herself denied that she was in favour of female suffrage, Walker argues that because her heroines successfully challenge society’s accepted norms, they were likely to instil a sense of unease within conservative readers of the 18作者: 先兆 時(shí)間: 2025-3-27 21:49
Book 2024’s writing how these decades discretely build on earlier work that is identifiably Victorian. The last two decades of the century, in distinctive ways, witnessed literary experiment, reflection on the limits of realism, and a fruitful sense of confusion about what was ending and what was about to be作者: 別名 時(shí)間: 2025-3-27 23:50 作者: 鞭打 時(shí)間: 2025-3-28 02:54
Methodenhandbuch für Softwareschulungen to work through principles underlying late nineteenth-century vivisection debates. The vivisected body in this way became a literary object which when read through the activist gaze, could be rendered a medium for storytelling.作者: Gerontology 時(shí)間: 2025-3-28 06:29
https://doi.org/10.1007/978-3-642-45425-7 too, that Ouida deliberately published her short stories ‘The Adder’ (Sept 1888) and ‘The Bullfinch’ (July 1889) in the expensive art journal, . to reflect upon her recent experience of the very different literary market of newspaper syndication.作者: BRACE 時(shí)間: 2025-3-28 11:01
Methodenhandbuch für Softwareschulungennd ‘organising principle,’ Kingsford’s text also simultaneously resisted patriarchal power and defied the canons of classical realism. Merchant shows that Kingsford’s volume was important in opening a way for future female writing as seen in Olive Schreiner’s . (1890), the work of Virginia Woolf, an作者: 表狀態(tài) 時(shí)間: 2025-3-28 15:25
Methodenkritik empirischer Sozialforschung charges of ephemerality or triviality from modern critics, thereby propelling these authors to obscurity. Rather than preserving them as notable, Black rendered them invisible. This chapter proposes that by reevaluating such forgotten writers, we can develop a more complex and ultimately rewarding 作者: 驚惶 時(shí)間: 2025-3-28 20:18 作者: CHART 時(shí)間: 2025-3-28 23:47
Karl Larenz,Claus-Wilhelm Canarisrchangeably. But the archaic origins of wit, a word often attached to Leverson, imply the possession of a certain degree of knowledge. This is an observational style of humour, suited to the ludic and playful role that . occupied with its readers. Further investigation into the journal’s female writ作者: 玉米棒子 時(shí)間: 2025-3-29 05:27 作者: Antagonist 時(shí)間: 2025-3-29 08:20
Methodenlehre der Rechtswissenschaftandards can guarantee happiness. But her vitriolic and vehement passages about one specific form of hatred—woman hate—present a view of the pressures placed on women to maintain traditional concepts of femininity within wider late nineteenth-century developments, feminist, and otherwise. The inferen作者: Presbyopia 時(shí)間: 2025-3-29 11:39 作者: alcoholism 時(shí)間: 2025-3-29 17:46 作者: 劇本 時(shí)間: 2025-3-29 19:55
2523-7160 e ambivalence about the cultural construction of gender in w.This five-volume series, .British Women’s Writing From Bront? to Bloomsbury, 1840–1940., historically contextualizes and traces developments in women’s fiction from 1840 to 1940. Critically assessing both canonical and lesser-known British作者: OVERT 時(shí)間: 2025-3-30 00:54 作者: 頌揚(yáng)國(guó)家 時(shí)間: 2025-3-30 04:09 作者: Exposition 時(shí)間: 2025-3-30 12:03
https://doi.org/10.1007/978-3-322-94584-6debates about topics including eugenics, the New Woman, and women’s access to politics and professional life in literature that was deeply self-conscious, historically inflected, and often experimental. Overall, the essays show that the final decades of the Victorian period are marked by both excitement and uncertainty.作者: 起來了 時(shí)間: 2025-3-30 13:18
Methodenhandbuch für Softwareschulungeng so Oliphant emphasises the widow or . with her ‘unwomanly’ business skills as symptomatic of the ghostly invisibility of those excluded from full economic and legal rights who are seen fictionally in the widowed or abandoned mistress of the house occupying the position of ghost within, or outside, her own home.作者: phlegm 時(shí)間: 2025-3-30 17:08
Methodenhandbuch für Softwareschulungenshows that these three 1880s novels portray the changing perceptions and realities of women’s roles in late Victorian Britain, while revealing the writers’ reflections on what these changes meant for their place in literature.作者: 實(shí)現(xiàn) 時(shí)間: 2025-3-30 22:12 作者: 流動(dòng)才波動(dòng) 時(shí)間: 2025-3-31 02:28
Methodenlehre der Rechtswissenschaftblic and professional progression. In this way, notwithstanding that its episodes are pitched as adventures, . is inherently a novel of protest about male violence towards women and about systems of secrecy that, explicitly or implicitly, collude in profiting from that violence.作者: hypnotic 時(shí)間: 2025-3-31 07:32 作者: 染色體 時(shí)間: 2025-3-31 11:09
‘A Ghost Indeed’: Spectralising the Female Householder in Margaret Oliphant’s 1880s Fictiong so Oliphant emphasises the widow or . with her ‘unwomanly’ business skills as symptomatic of the ghostly invisibility of those excluded from full economic and legal rights who are seen fictionally in the widowed or abandoned mistress of the house occupying the position of ghost within, or outside, her own home.作者: 的’ 時(shí)間: 2025-3-31 16:25 作者: optic-nerve 時(shí)間: 2025-3-31 17:51
‘We are one’: Fellowship Ideals and Social Transformation in Mona Caird’s , and anarchist contemporaries, alongside her concern with the issues women faced in the contemporary moment. ., Smith Elford argues, portrays relationships among women as central to social transformation, suggesting female fellowship and partnership as a catalyst for social change.作者: 共和國(guó) 時(shí)間: 2025-3-31 23:33
‘A good deal of risk … and a chance of danger’: Detection, Adventure, and Violence in Beatrice Heronblic and professional progression. In this way, notwithstanding that its episodes are pitched as adventures, . is inherently a novel of protest about male violence towards women and about systems of secrecy that, explicitly or implicitly, collude in profiting from that violence.作者: ALTER 時(shí)間: 2025-4-1 02:01
Book 2024’s fiction from 1840 to 1940. Critically assessing both canonical and lesser-known British women’s writing decade by decade, it redefines the landscape of women’s authorship across a century of dynamic social and cultural change. With each of its volumes devoted to two decades, the series is wide in
