標(biāo)題: Titlebook: Border Masculinities; Literary and Visual Amit Thakkar,Brian Baker,Chris Harris Book 2024 The Editor(s) (if applicable) and The Author(s), [打印本頁(yè)] 作者: 太平間 時(shí)間: 2025-3-21 17:37
書(shū)目名稱Border Masculinities影響因子(影響力)
作者: fabricate 時(shí)間: 2025-3-21 20:38
Working-Class Masculinities in Postsocialist Chinese Television: Mediating (Im)potency and Reproducm)potency. The trope of libidinal capacity also serves as allegory to entrench and reproduce localised inequalities through legitimising the marginalisation of men from other regions within a Beijing-centric discourse. Glossing over injustices of unemployment and social inequalities suffered by Dami作者: 放大 時(shí)間: 2025-3-22 02:23
,Crossing Borders in Two Francophone Texts: Ying Chen’s , and Ananda Devi’s ,oreign’ man. I gauge whether Anzaldúa’s ‘border consciousness’ can be applied to men meeting the criteria she delineates and how their experiences relate to the notion of ‘la facultad’. I also examine the texts through Amin Maalouf’s notion of one identity and multiple belongings as developed in his作者: Jacket 時(shí)間: 2025-3-22 06:07
On the Road to Y Wladfa: Mobility and Masculinities in , and ,ional Welsh working masculinities. The chapter works through the mobile masculinities presented in these films in relation to encounters between popular and traditional music and music’s potential to articulate new, hybrid Welsh masculinities which counter narratives of trauma and loss, or nostalgia作者: arthroscopy 時(shí)間: 2025-3-22 11:10 作者: deficiency 時(shí)間: 2025-3-22 16:16 作者: abolish 時(shí)間: 2025-3-22 19:19 作者: 盟軍 時(shí)間: 2025-3-22 23:33
,A Very English Caciquismo?: Land, Badlands and Habitus in Fiona Mozley’s ,apter within the framework of certain features of Spanish American caciquismo, exercising local economic power in much the way caciques of Spanish American novels do, especially in Juan Rulfo’s . (1955), which forms a comparative companion to the chapter. Depending on spatially contingent power rela作者: dithiolethione 時(shí)間: 2025-3-23 05:02 作者: lethargy 時(shí)間: 2025-3-23 09:07
Reconfiguring Masculinities: Generic Hybridisation, Postfeminist Fatherhood and Queer Readings in ,n of the conventions of the historical epic informs the performance of an ideal masculinity embodied by Jean Valjean (Hugh Jackman) and configured through the prism of postfeminist fatherhood (Hannah Hamad, .. Routledge, 2014), which is here connected to discourses of nationhood and Christian self-s作者: Venules 時(shí)間: 2025-3-23 11:42
,Feminicidal Masculinities: Cultural Contestations of Gender Violence in Ciudad Juárez,y ‘becomes legible as masculinity when it leaves the white male middle-class body’ (1998), it argues that both novel and film perform what is termed ‘a(chǎn)ffective theorising’ on the feminicidal masculinities of perpetrators, the structures that enable them, and anti-femicidal masculinities, including t作者: 圓木可阻礙 時(shí)間: 2025-3-23 17:34
onses to varying cultural representations of such masculinities in Europe, the Americas, the Caribbean, Australasia and Asia. Thematic and conceptual connections between them are discussed in the introductory chapter and such links are also made between chapters..978-3-031-68052-6978-3-031-68050-2作者: 嚙齒動(dòng)物 時(shí)間: 2025-3-23 19:15 作者: 兩棲動(dòng)物 時(shí)間: 2025-3-23 22:34
https://doi.org/10.1007/978-3-642-96697-2m)potency. The trope of libidinal capacity also serves as allegory to entrench and reproduce localised inequalities through legitimising the marginalisation of men from other regions within a Beijing-centric discourse. Glossing over injustices of unemployment and social inequalities suffered by Dami作者: Integrate 時(shí)間: 2025-3-24 03:28
https://doi.org/10.1007/978-3-642-96697-2oreign’ man. I gauge whether Anzaldúa’s ‘border consciousness’ can be applied to men meeting the criteria she delineates and how their experiences relate to the notion of ‘la facultad’. I also examine the texts through Amin Maalouf’s notion of one identity and multiple belongings as developed in his作者: 宿醉 時(shí)間: 2025-3-24 09:49 作者: 銼屑 時(shí)間: 2025-3-24 12:05
Methoden, Texte, Methodenvergleich,egation’—that mirror the transitional stages in an initiation rite. This liminal dimension of masculinity is materialised in the presence of different women, one of whom is Elizabeth Costello, the eponymous protagonist of Coetzee’s earlier novel. I suggest that the main role of women in .?is to take作者: 引水渠 時(shí)間: 2025-3-24 16:03 作者: minimal 時(shí)間: 2025-3-24 19:32
Dietmar Bolscho,Gerd Michelsen Bolschorough Condé’s portrayal of gender identities. This chapter examines the ways in which the author dismantles conventional representations of masculinity and femininity and destructive, one-dimensional stereotypes, such as compensatory hyper-virility, using narrative techniques such as humour and iron作者: 暴發(fā)戶 時(shí)間: 2025-3-25 00:45
Dietmar Bolscho,Gerd Michelsen Bolschoapter within the framework of certain features of Spanish American caciquismo, exercising local economic power in much the way caciques of Spanish American novels do, especially in Juan Rulfo’s . (1955), which forms a comparative companion to the chapter. Depending on spatially contingent power rela作者: excursion 時(shí)間: 2025-3-25 04:55 作者: semble 時(shí)間: 2025-3-25 10:10
Methoden der Lebensstilforschungn of the conventions of the historical epic informs the performance of an ideal masculinity embodied by Jean Valjean (Hugh Jackman) and configured through the prism of postfeminist fatherhood (Hannah Hamad, .. Routledge, 2014), which is here connected to discourses of nationhood and Christian self-s作者: 挑剔為人 時(shí)間: 2025-3-25 12:18 作者: flamboyant 時(shí)間: 2025-3-25 16:40
Book 2024ies in Europe, the Americas, the Caribbean, Australasia and Asia. Thematic and conceptual connections between them are discussed in the introductory chapter and such links are also made between chapters..作者: achlorhydria 時(shí)間: 2025-3-25 20:04
es of literary and screened masculine subjectivities, all sh.?This volume collates and examines literary and screened representations of what the editors term ‘border masculinities’. It seeks to understand masculine subjectivities, through fiction and screen, within a complex global arena of relatio作者: 思想 時(shí)間: 2025-3-26 00:09 作者: 蔑視 時(shí)間: 2025-3-26 07:28 作者: Seizure 時(shí)間: 2025-3-26 12:17 作者: 抓住他投降 時(shí)間: 2025-3-26 15:07
,Crossing Borders in Two Francophone Texts: Ying Chen’s , and Ananda Devi’s ,ute Books, 1987). While borders are physical spaces that were created to establish boundaries for states and nations, the ‘borderland’ is an emotional and affective one that has a bearing on the individual’s psyche. Anzaldúa’s concept of a ‘new consciousness’ is formulated with the mestiza in mind (作者: Chronic 時(shí)間: 2025-3-26 17:39
On the Road to Y Wladfa: Mobility and Masculinities in , and ,tatus as a country settled by the English. These two films revisit the Welsh settler communities of Patagonia, known as Y Wladfa, and the ones which did not historically come into being in North America. These films are projects of the Welsh pop/rock artist Gruff Rhys, whose solo work and that of th作者: 大暴雨 時(shí)間: 2025-3-27 00:28
,Liminal Bodies: Disability and the Making of a Masculinity in J. M. Coetzee’s , ‘normal’ and ‘deviant’ masculinity remain underexplored. This chapter analyses the implications of disability for identifying the external parameters of male identity against a set of social and cultural norms in Coetzee’s novel . (2005). The protagonist Paul Rayment recognises his male identity as作者: 骨 時(shí)間: 2025-3-27 01:42 作者: 割讓 時(shí)間: 2025-3-27 06:42
,Gendered Borders/Bordered Genders in Maryse Condé’s ,es, languages and identities in complex . (Glissant, 1990) with each other. This chapter explores borders and border crossings in a novel by Maryse Condé, one of the most critically acclaimed female authors from the French Caribbean. . (1992) follows an illustrious male dynasty from its glorious Afr作者: 拘留 時(shí)間: 2025-3-27 12:19 作者: 本土 時(shí)間: 2025-3-27 14:18
,Superheroes, Spectacles and Hoods: ‘Dances of Identity’ in Uncommon Spaces,fer a countermodel: women can wear glasses only if they dramatically shed them (along with their librarian bun) to incarnate picture-perfect womanhood (from ., 1942, to ., 1999). The cumbersome accessory carries intermingled connotations, sometimes underlining a character’s status as the bearer of t作者: averse 時(shí)間: 2025-3-27 19:57
Reconfiguring Masculinities: Generic Hybridisation, Postfeminist Fatherhood and Queer Readings in , this tradition by displaying intensified transmedia exchanges and an expansion of source materials in practices such as screen-to-stage-to-screen adaptations, remakes, serialisation and generic hybridisation. . (dir. T. Hooper, .. Universal Pictures, 2012) provides a fertile example to explore the 作者: 宇宙你 時(shí)間: 2025-3-28 01:05
,Feminicidal Masculinities: Cultural Contestations of Gender Violence in Ciudad Juárez,s Jill Radford and Diana E. H. Russell put it, ‘[f]emicide is on the extreme end of a continuum of anti-female terror’ (1992), the scale and violence of the murders in Juárez put them at the extreme end of the extreme end. In a context in which most of the murdered women of Ciudad Juárez are poor, i作者: acrophobia 時(shí)間: 2025-3-28 03:25 作者: 安裝 時(shí)間: 2025-3-28 07:07 作者: 本能 時(shí)間: 2025-3-28 11:32
https://doi.org/10.1007/978-3-031-68050-2masculinities; film; borders; television; literature; border studies作者: Dorsal-Kyphosis 時(shí)間: 2025-3-28 17:24 作者: 領(lǐng)導(dǎo)權(quán) 時(shí)間: 2025-3-28 19:02
Allgemeine Spektraltransformation,sion and literatures covering the Americas, the Caribbean, Europe, Asia and Australasia. It frames border masculinities as those masculine subjectivities which are affected not just by the global erosion of spatial borders in the late twentieth and twenty-first century but also by conceptual borders作者: 編輯才信任 時(shí)間: 2025-3-29 01:30 作者: 不規(guī)則 時(shí)間: 2025-3-29 04:09
