標(biāo)題: Titlebook: Byron and the Politics of Freedom and Terror; Matthew J. A. Green (Associate Professor in Englis Book 2011 Palgrave Macmillan, a division [打印本頁(yè)] 作者: FORGE 時(shí)間: 2025-3-21 19:18
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作者: 蕨類 時(shí)間: 2025-3-21 21:37
,“That lifeless thing the living fear”: Freedom, Community, and the Gothic Body in , with its own socio-political context.. While its fragmentary style and abrupt changes in narrator produce a rich if daunting readerly experience, .’s socio-political layering is equally complex, presenting a meditation on sexual freedom, set primarily in and around Athens under Ottoman rule, “indeb作者: 裁決 時(shí)間: 2025-3-22 03:28 作者: 剛毅 時(shí)間: 2025-3-22 08:09
,“Something Not Yet Made Good”: Byron’s ,, Godwin, and Mary Shelley’s , to her father, William Godwin.. For Godwin had already invented Byron in misanthropic, brooding personalities like Falkland and Fleetwood. Shelley’s novel does not follow the Victorian turn against Byron detailed by Andrew Elfenbein, in which the development from an “immature Byronic phase to a sob作者: 中止 時(shí)間: 2025-3-22 11:56
,Manfred’s New Promethean Agon,om his time until now, suggest it. But what Manfred’s Promethean struggles amount to is still open to discussion. One might highlight Byron’s revision of Prometheus into Manfred, or one might pursue the philosophical dimension of the Promethean worldview suggested by Manfred’s strife—that is, the ne作者: 參考書(shū)目 時(shí)間: 2025-3-22 14:18 作者: CERE 時(shí)間: 2025-3-22 20:42 作者: 時(shí)代 時(shí)間: 2025-3-22 21:45 作者: Clinch 時(shí)間: 2025-3-23 03:26
,“I have a penchant for black”: Race and Orphic Dismemberment in Byron’s , and J. M. Coetzee’s ,en more ravished myself than anybody since the Trojan war.”. The comparison is suggestive, for it links him to a tradition of men pursued and even dismembered by women, especially Pentheus in . and Orpheus in Virgil’s .. In ., Byron continued the Orphic theme. He depicted his hero not as the legenda作者: essential-fats 時(shí)間: 2025-3-23 06:06 作者: 權(quán)宜之計(jì) 時(shí)間: 2025-3-23 11:48
Rodrigo Navarrete Sánchez,Ana María López…void.”. This is from Baudrillard’s response to the events of September 11, 2001, the first in a series of four short essays published under the title . in 2002. Reviewing the essays in 2002, the . wrote:作者: COKE 時(shí)間: 2025-3-23 15:46
Book 2011This interdisciplinary collection explores the divergence or convergence of freedom and terror in a range of Byron‘s works. Challenging the binary opposition of historicism and critical theory, it combines topical debates in a manner that is sensitive both to the circumstances of their emergence and to their relevance for the twenty-first century.作者: 努力趕上 時(shí)間: 2025-3-23 19:18
https://doi.org/10.1057/9780230306608critical theory; Percy Bysshe Shelley; poetics; British and Irish Literature作者: 射手座 時(shí)間: 2025-3-23 22:48 作者: Geyser 時(shí)間: 2025-3-24 05:33
,Byronic Terror and Impossible Exchange: From , to Baudrillard’s ,…void.”. This is from Baudrillard’s response to the events of September 11, 2001, the first in a series of four short essays published under the title . in 2002. Reviewing the essays in 2002, the . wrote:作者: 親愛(ài) 時(shí)間: 2025-3-24 10:02
binary opposition of historicism and critical theory, it combines topical debates in a manner that is sensitive both to the circumstances of their emergence and to their relevance for the twenty-first century.978-1-349-31957-2978-0-230-30660-8作者: harbinger 時(shí)間: 2025-3-24 13:35
Memorialization in Germany since 1945ror in his Ravenna journal:.In ., Jean-Luc Nancy articulates the intimate and troubled relationship between freedom and terror. The idea of freedom, Nancy maintains, cannot be “examined, specified, questioned, or above all implemented, so certain are we that this would result in Chaos or Terror.”. F作者: 我還要背著他 時(shí)間: 2025-3-24 15:31 作者: 深陷 時(shí)間: 2025-3-24 21:11
https://doi.org/10.1057/9780230248502f the nineteenth century via geographer Friedrich Ratzel’s . (1897) and . (1901) and was popularized by contemporary political scientist-journalist Rudolf Kjellén’s term .. A theoretical conception of “geo-politics” and the “geopolitical” enters the English language in 1904 and 1902, respectively,. 作者: 領(lǐng)先 時(shí)間: 2025-3-24 23:28
Marie Louise Stig S?rensen,Inge Adriansen to her father, William Godwin.. For Godwin had already invented Byron in misanthropic, brooding personalities like Falkland and Fleetwood. Shelley’s novel does not follow the Victorian turn against Byron detailed by Andrew Elfenbein, in which the development from an “immature Byronic phase to a sob作者: 波動(dòng) 時(shí)間: 2025-3-25 04:13 作者: 說(shuō)明 時(shí)間: 2025-3-25 07:33
Pedro Funari,Andres Zarankin,Melissa Salerno later call imitative or triangular desire.. By the time he turned to writing tragedies in 1820 and 1821, the poet’s understanding of imitative processes—in their individual, social, and political dimensions—had matured. His late plays are a highly qualified observer’s fullest meditation on the powe作者: Agnosia 時(shí)間: 2025-3-25 15:08 作者: sterilization 時(shí)間: 2025-3-25 17:23 作者: FLIP 時(shí)間: 2025-3-25 21:45
https://doi.org/10.1007/978-1-4419-0679-3en more ravished myself than anybody since the Trojan war.”. The comparison is suggestive, for it links him to a tradition of men pursued and even dismembered by women, especially Pentheus in . and Orpheus in Virgil’s .. In ., Byron continued the Orphic theme. He depicted his hero not as the legenda作者: 地名表 時(shí)間: 2025-3-26 02:37
Rodrigo Navarrete Sánchez,Ana María López…void.”. This is from Baudrillard’s response to the events of September 11, 2001, the first in a series of four short essays published under the title . in 2002. Reviewing the essays in 2002, the . wrote:作者: 因無(wú)茶而冷淡 時(shí)間: 2025-3-26 06:09
https://doi.org/10.1057/9780230248502As the drama draws to a close, Shakespeare’s Cleopatra imagines with horror the Roman theatrical sequels that will spring up in mockery of her Egyptian majesty. As she tells her handmaiden Iras, “scald rhymers” will “ballad us out o’ tune,” and作者: 無(wú)意 時(shí)間: 2025-3-26 08:29 作者: 浪蕩子 時(shí)間: 2025-3-26 14:39
, Spectacle, and the Empire State,As the drama draws to a close, Shakespeare’s Cleopatra imagines with horror the Roman theatrical sequels that will spring up in mockery of her Egyptian majesty. As she tells her handmaiden Iras, “scald rhymers” will “ballad us out o’ tune,” and作者: CRAFT 時(shí)間: 2025-3-26 17:45
,“Awake to Terror”: The Impact of Italy on Byron’s Depiction of Freedom’s Battles,Writing to John Murray from Venice in May 1820, Byron affirmed his hatred of the English “as a race” and detailed his sight-seeing in Rome where he had been “poring over churches & antiquities”:作者: arcane 時(shí)間: 2025-3-26 21:02
http://image.papertrans.cn/b/image/192564.jpg作者: 護(hù)身符 時(shí)間: 2025-3-27 04:26
https://doi.org/10.1007/978-1-4419-0679-3ecially those arising from Manfred’s struggle for freedom, need to be further investigated. Taking the political imperative of Prometheanism as its starting point, this chapter analyzes the political dimensions of the “metaphysical” questions Manfred faces, situating his Promethean struggles within 作者: 強(qiáng)行引入 時(shí)間: 2025-3-27 06:25 作者: justify 時(shí)間: 2025-3-27 11:27 作者: 花爭(zhēng)吵 時(shí)間: 2025-3-27 14:05
,Manfred’s New Promethean Agon,ecially those arising from Manfred’s struggle for freedom, need to be further investigated. Taking the political imperative of Prometheanism as its starting point, this chapter analyzes the political dimensions of the “metaphysical” questions Manfred faces, situating his Promethean struggles within 作者: 針葉 時(shí)間: 2025-3-27 20:41
,“And Freedom’s fame finds wings on every wind”: Byron, Switzerland, and the Poetics of Freedom, his involvement with the Carbonari and the Greek fight for independence from the Ottoman Empire, there has been very little critical consideration of the poet’s engagement with either the contemporary politics of the Swiss Confederation or with the idea of Switzerland as the home of freedom. In thi作者: 高調(diào) 時(shí)間: 2025-3-28 01:53 作者: 沒(méi)花的是打擾 時(shí)間: 2025-3-28 04:18
https://doi.org/10.1007/978-1-4419-0679-3ry seducer but as the passive medium of female desire. Thus Juan is ravished by Don Alfonso’s wife, procured by Gulbeyaz, and man-handled by Catherine. Long after Byron dies, his head continues its song. Byron is dead, Tennyson carves on a rock.. Long live Byron.作者: 災(zāi)難 時(shí)間: 2025-3-28 07:21 作者: 無(wú)聊的人 時(shí)間: 2025-3-28 11:18
Pedro Funari,Andres Zarankin,Melissa Salernoently fundamental to justify the use of the term “anthropological,” and the invocation of the two modern thinkers just mentioned.. Such at any rate is the premise of the current essay, which will look closely at the presentation of the very basic problem of human resentment in the first of these works, ..作者: Enliven 時(shí)間: 2025-3-28 14:38
Pedro Funari,Andres Zarankin,Melissa Salernoolitical affiliation, contrasted with what he saw as the political treachery of Southey. The lines, written from Byron’s self-imposed exile in Venice, thus hint both at the internationalism of a revolutionary movement and the parochialism of a national politics.作者: 敏捷 時(shí)間: 2025-3-28 20:03
,“That lifeless thing the living fear”: Freedom, Community, and the Gothic Body in , to contemporaneous Orientalist discourses.. The present chapter builds on this work, investigating the interconnection of freedom, community, and alterity within the poem and examining the ways in which this conjunction intersects with representations of the body as an object of fear and revulsion.作者: irritation 時(shí)間: 2025-3-28 23:32 作者: 狂亂 時(shí)間: 2025-3-29 05:19 作者: LIKEN 時(shí)間: 2025-3-29 10:52 作者: cancellous-bone 時(shí)間: 2025-3-29 12:37
https://doi.org/10.1057/9780230248502 anxiety that the territorial availability of the world is on the brink of exhaustion. This narrowly conceived notion of geopolitics informs, in turn, the Nazi project to conquer a progressive global depletion of livable space, or what Ratzel called ..作者: NOMAD 時(shí)間: 2025-3-29 17:40
Marie Louise Stig S?rensen,Inge Adriansenity of Romanticism as part of a care of the self, a care of . self, evident in her editing and archiving of its male celebrities: Godwin, Shelley, Byron. In ., she therefore revisits both her bitter dis-figuration of the father-daughter relationship as incest in . (1819),. and Godwin’s exposure of the “wounded masculine” of patriarchy in . (1833).作者: 同來(lái)核對(duì) 時(shí)間: 2025-3-29 23:37
