標(biāo)題: Titlebook: Byron and the Eye of Appetite; Mark Storey Book 1986 Mark Storey 1986 eye.literature.poetics.poetry [打印本頁] 作者: 婉言 時(shí)間: 2025-3-21 16:31
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作者: Osteoarthritis 時(shí)間: 2025-3-21 20:16 作者: synovial-joint 時(shí)間: 2025-3-22 02:38 作者: 北極人 時(shí)間: 2025-3-22 08:32 作者: 寬宏大量 時(shí)間: 2025-3-22 11:23 作者: 松馳 時(shí)間: 2025-3-22 16:08
https://doi.org/10.1007/978-3-030-84013-6e than mere opportunism lies behind this long string of narrative poems, stretching from . through later efforts such as . and . to . and . (this last interrupted the composition of . Clearly, Byron was fascinated by the possibilities of narrative verse, even if . and . both, in their very different作者: 努力趕上 時(shí)間: 2025-3-22 17:19
https://doi.org/10.1007/978-3-030-84013-6him without it. Certainly Keats, for all his adolescent embarrassment about it, felt the exposure provided by . was necessary, as though in finally wrenching himself free from it he was announcing his obligations and directions. Byron in his more breezy way threw his poem at the public, and was as p作者: EXPEL 時(shí)間: 2025-3-22 22:47
Edmund G. C. King,Monika Smialkowskaut there is more to be said on the role of passion in the overall design of the poem. As I have already suggested, the poem turns on Harold’s restlessness, on his desire for escape, which in turn mirrors the poet’s anxieties. Such yearning for self-abnegation has thematic and stylistic implications,作者: peak-flow 時(shí)間: 2025-3-23 02:07 作者: 致詞 時(shí)間: 2025-3-23 07:33 作者: Indict 時(shí)間: 2025-3-23 10:34 作者: Plaque 時(shí)間: 2025-3-23 16:56
Monika Smialkowska,Edmund G. C. KingOne of the central antitheses of . is stated at the beginning of canto XV.作者: Commentary 時(shí)間: 2025-3-23 20:36 作者: arterioles 時(shí)間: 2025-3-23 22:14
Overview: 978-1-349-18354-8978-1-349-18352-4作者: 一個(gè)姐姐 時(shí)間: 2025-3-24 06:03
https://doi.org/10.1007/978-3-030-84013-6the formal peculiarities, though, I would want to argue that these reflect Byron’s thematic obsessions, obsessions that he addresses in different ways in his major satires and which are there throughout his writing life. In spite of his own teasingly nonchalant remarks, there is every reason for taking these poems seriously.作者: Fantasy 時(shí)間: 2025-3-24 08:10
,The ‘Fever at the Core’: The Poetry of Passion,the formal peculiarities, though, I would want to argue that these reflect Byron’s thematic obsessions, obsessions that he addresses in different ways in his major satires and which are there throughout his writing life. In spite of his own teasingly nonchalant remarks, there is every reason for taking these poems seriously.作者: PRO 時(shí)間: 2025-3-24 10:43
https://doi.org/10.1007/978-3-030-84013-6 on this juxtaposition and eventual intermingling of feelings, and ideas about feelings. Towards the end of the canto, when Dudù has finally been settled after her Tond hallucination’, Byron turns his attention towards Gulbeyaz:作者: 有罪 時(shí)間: 2025-3-24 17:02
Edmund G. C. King,Monika Smialkowskaxploration of how such things can be captured in art. Amongst all its other ambitions, this poem wants to pronounce on the vexatious connections between art and life. It would indeed be some relief if we had begun to hear the last of discussions of . in terms, simply, of ‘romantic travelogue’.作者: 得罪人 時(shí)間: 2025-3-24 21:30
,‘The Fitting Medium of Desire’: Childe Harold (ii),xploration of how such things can be captured in art. Amongst all its other ambitions, this poem wants to pronounce on the vexatious connections between art and life. It would indeed be some relief if we had begun to hear the last of discussions of . in terms, simply, of ‘romantic travelogue’.作者: NATAL 時(shí)間: 2025-3-25 01:49 作者: anus928 時(shí)間: 2025-3-25 06:35
,The ‘Eye of Appetite’,t in fascination. Even if we might want to challenge the evaluative implications of Keats’s verdict here, he is, as usual, being more perceptive than he might realise. In fastening on Byron’s concern with what he sees, he does, of course, hope to diminish him; and posterity might well have been glad作者: 發(fā)出眩目光芒 時(shí)間: 2025-3-25 10:41 作者: BLOT 時(shí)間: 2025-3-25 13:00
,‘A Whirling Gulf of Phantasy and Flame’: Childe Harold (i),him without it. Certainly Keats, for all his adolescent embarrassment about it, felt the exposure provided by . was necessary, as though in finally wrenching himself free from it he was announcing his obligations and directions. Byron in his more breezy way threw his poem at the public, and was as p作者: athlete’s-foot 時(shí)間: 2025-3-25 16:08
,‘The Fitting Medium of Desire’: Childe Harold (ii),ut there is more to be said on the role of passion in the overall design of the poem. As I have already suggested, the poem turns on Harold’s restlessness, on his desire for escape, which in turn mirrors the poet’s anxieties. Such yearning for self-abnegation has thematic and stylistic implications,作者: 不遵守 時(shí)間: 2025-3-26 00:03
,‘Due Bounds’ and ‘Due Precision’: Don Juan (i),m: on the one hand there is the innocent Dudù, with her less-than-innocent dreams as she shares a bed with Juan; on the other is the lustful Gulbeyaz, with her own thoughts about this new arrival. Byron plays off the one relationship against the other, and the canto as a whole depends for its effect作者: 磨坊 時(shí)間: 2025-3-26 00:22
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